Software Updates

4.Connect the MMR-8 to the applicable timing reference source and to the appropriate remote control interface

a.To connect the MMR-8 to a film transport, connect the biphase sync output from the projector to one of the four biphase inputs. The four biphase inputs are numbered 1 - 4 from top to bottom. Any, or all, of the inputs can be connected. Use Setup Menu 100, Sync Group, to select which of the four Biphase inputs (Sync Groups) will control the system. If the MMR-8 will function as the master for a biphase device, then the biphase output must be connected to the biphase device’s control input.

b.To connect the MMR-8 as a slave to a video machine, first connect a source of Video Frame synchronization to the MMR-8’s VIDEO IN (either the Video Reference out from a video deck, or a Video black burst signal). This is normally a loop-through connection so the MMR- 8’sVIDEO OUT jack should be terminated if it is not connected to another machine. Next connect the Time Code signal from the video to the MMR-8, using either the VITC IN connector, or the SMPTE/EBU TIME CODE IN (LTC) connector, whichever is appropriate. Use the RS422 Sony 9-Pin Editor port to control the MMR-8 via Sony protocol. To connect the MMR-8 as a master for a video deck, connect the TRANSPORT connector to the video deck’s Sony P2 protocol-compatible remote control connector.

c.To connect the MMR-8 to other audio devices, connect the TIME CODE IN/OUT connectors. If the other devices do not read or transmit SMPTE/EBU time code, but they do read MTC (MIDI time code), then connect the MIDI IN/OUT/THRU as required.

d.To connect multiple MMR-8 recorders together, daisy chain them using the MMR Bus (the

15-pin SYNC connectors). A 3-foot MMR bus cable is provided with each MMR-8 for this application. Since each connector parallels the other, connection order is not critical. The MMR Bus is self-terminating.

e.If remote control capabilities are desired, then connect a Tascam MM-RC remote control unit to the 25 pin D-sub connector on the UI/B board on the back panel of the MMR-8. Some functions of the MMR-8 can also be controlled via the TimeLine Lynx Keyboard Control Unit (KCU) by connecting the KCU to either LYNX connection (they operate in parallel, so either one may be used) on the MMR-8 back panel. If necessary the other LYNX connection can be daisy-chained to other equipment (MMR-8, a Lynx-2 controller, etc.).

Software updates are supplied on one or more floppy disks. To install the software update, insert the floppy disk (or Disk 1, if multiple disks are received) into the front panel floppy drive while the unit is operating normally. Access Menu 995 (Load Software) and press STO. The system will ask “Are you sure?” Confirm the floppy is properly inserted and press STO again to confirm. If multiple disks are supplied, the operator will be prompted via the display to remove Disk 1 and place Disk 2 into the drive. After the software update is installed, the system will display a message that the update is complete, and will display a checksum number (written on the floppy update disk for reference) to verify that the installation has been successful. Remove the floppy disk and recycle the power to operate the unit with the new software installed. All system floppy disks should be kept in a secure location in case they may be needed in the future.

MMR-8

Tascam MMR-8 Owner’s Manual • Chapter 2 • Installation

MMR-8 specifications

The Tascam MMP-16 and MMR-8 are two innovative products designed to meet the specialized needs of audio professionals, offering advanced features and capabilities suitable for various recording and playback applications.

The Tascam MMP-16 is a versatile audio router and mixer that excels in different environments, from live sound to studio recording. One of its primary features is the 16-channel configuration, allowing for significant flexibility in signal routing. The MMP-16 supports multiple audio formats, including analog signals, making it adaptable to a wide range of setups. It boasts high-quality AD/DA conversion, delivering excellent audio fidelity and low latency performance.

Additionally, the MMP-16 is equipped with comprehensive digital processing capabilities, including EQ and dynamics processing on each channel. This makes it ideal for both mixing live performances and preparing recordings for post-production. The unit's user-friendly interface includes an intuitive display and physical controls that streamline operation, making it easy for both novice and experienced engineers to navigate.

On the other hand, the Tascam MMR-8 is a robust multi-track digital audio recorder that offers exceptional reliability for professionals who require high-quality audio capture. This 8-channel recorder shines in its ability to handle various digital audio formats, ensuring compatibility with different workflows. One standout feature of the MMR-8 is its solid-state recording technology, which enhances durability and reduces the risk of data loss, a crucial aspect in high-stakes recording environments.

The MMR-8 also provides comprehensive onboard monitoring options, allowing users to assess audio quality in real time. Its extensive connectivity options include digital and analog inputs and outputs, facilitating seamless integration with other studio equipment and live sound systems. The data management capabilities of the MMR-8 make it easy to organize and retrieve recordings, while its compact design ensures portability without compromising on performance.

Both the MMP-16 and MMR-8 showcase Tascam's commitment to innovation and quality in the audio industry. Their advanced features, coupled with solid build quality and ease of use, make them essential tools for audio professionals seeking reliable solutions for their recording and mixing needs. Whether utilized separately or in conjunction, these devices amplify creativity and enhance the overall audio production experience.