Tascam MMR-8 owner manual Record Mode, Non-Destructive, Auto Cleanup, Tape Mode

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Record Mode

Menu 200, Record Mode, allows for setting any of three different methods for recording.

Non-Destructive

When Non-Destructive record mode is active, each new recording operation (punch in/out) records the material into new audio files on the disk, and does not delete any previously existing audio material on the disk. Each punch in/out operation creates a new audio segment in the Project EDL and each will appear as a separate audio element if the project is loaded into a digital audio workstation for later editing.

In a mix situation where the MMR punches in many times over the same area of the project (typical for a post production mix), disk space will be used up by multiple recordings which may not need to be kept. To reclaim disk space used by recordings that are no longer needed, use menu720 (Disk Cleanup) to reclaim the disk space used up by audio that is no longer referenced in the EDL.

Auto Cleanup

Auto Cleanup functions somewhat like a traditional tape machine, where material on a track is deleted when recorded over. This uses disk space more efficiently. Auto Cleanup mode actually performs an automatic disk cleanup operation (the same function as menu 720, Disk Cleanup) after every recording to reclaim disk space. For that reason, it is a bit more processor intensive that the other record modes and not recommended for situations where multiple punch in/out operations will be carried out on multiple tracks.

Unlike a tape recorder, the MMR can reference the same audio material in more than one Project EDL For example a specific sound effect may be repeated several times in the same project or even in different projects. In this case, the MMR-8 will not delete such material until all instances of the audio have been recorded over. When Auto Cleanup Mode is set as the Record Mode in menu 200, the Destructive machine status LED will light.

Tape Mode

Tape Mode functions very much like a linear tape recorder. Each track is viewed as a single continuous piece of audio recording media and new recordings will directly overwrite existing material. This mode does not allow for undoing a recording once it is made. Tape Mode is more efficient when punching in and out across multiple tracks, and is recommended for use in post production mix applications.

When using Tape Mode, a start time for the tape must be set in menu 230 (Tape Mode Start). The “length of the tape” is limited by the amount of available disk space and also limited because the WaveFrame file system used by the MMR for recording has a single file (track) size limit on the drive of 1 GB. This means that, unlike the other record modes, it is not possible in Tape Mode to scatter audio recordings anywhere within a 24 hour span of time on the timeline while recording. Setting an appropriate start time is important since the length of the “tape” is limited to a range of approximately three hours total. Thus, if a project is to be created so that it will lock to incoming timecode that starts at 6 hours, for example, choosing a Tape Mode start time of 1 hour will make this impossible unless a machine offset is used. Choose a start time that will allow the usable “tape” to fall within the confines of project time code settings. The default Tape Mode start time is 1 hour. Attempting to record past the allowable file length will produce the error message “SFFS Length Exceeded”. There is approximately two minutes of “tape pre-roll” available for recording before the tape start time. Attempting to record before this time produces the error message “Punch In before Tape Start”.

Editing is not allowed while in Tape Mode. To edit a project created in Tape Mode, set the Record Mode (menu 200) to either Non-Destructive or Auto Cleanup. Once a Tape Mode project has been edited, it may not be recorded into again using Tape Mode (it is now a non-Tape Mode project).

MMR-8 Tascam MMR-8 Owner’s Manual • Chapter 4 • MMR-8 Setup Menus

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Contents MMR-8 HAZARD, do not Expose this Appliance to Rain or Moisture Teac Corporation Important Safety Instructions Page Page Page Page Page MMR-8 MMR-8 ChapterMMR-8 Operation MMR-8 System Applications 105 MMR-8 Introduction General InformationHardware Overview Page Functional Overview Page State LCD Window Display Comment Normal SetupError BackupSystem Specifications Page MMR-8 Materials Kit Box InstallationMounting Rack Ears General GuidelinesMultiple MMR-8 Rack Installation Installing Multiple MMR UnitsAC Mains and Grounding Earthing Considerations Audio CablesMMR-8 Back Panel MMR-8 Back Panel ConnectionsMonitoring Connections Audio ConnectionsAnalog In/Out Connections Digital In/Out ConnectionsVitc Timecode and Video Reference SignalsVideo In/Out SMPTE/EBU Time Code In/OutAES/EBU Sample Rate Biphase ConnectionsDigital Audio Sample Reference Connections Word ClockMMR Sync Bus Connections Midi ConnectionsExternal Controllers & Bus Connections Lynx Bus / KCU ConnectionParallel Transport Connecting External Scsi MediaSerial Transport Connection Serial Editor ConnectionTascam MM-RC Remote Controllers for the Tascam MMR-8Verifying MMR-8 Installation Powering Up the SystemSoftware Updates Testing Your Installation Factory Default SettingsMMR-8 Tascam MMR-8 User’s Guide MMR-8 Operation MMR-8 Keys & Definitions MMR-8 OperationMMR-8 MMR-8 Front Panel Page LED Indicators Front Panel Indicators, Switches, and DisplaysMachine Status LEDs Normal State Display Liquid Crystal Display LCDView Track State Display Setup State DisplayLoad Track State Display Slip Track State DisplayVerify State Display Backup State DisplayError State Display Mount Front Panel Key GroupsTransport Group Subf Setup and Wheel GroupArrow SHIFT+TRIM SHIFT+UPTC/FEET TrimTrack Group WheelSHIFT+SEL SELSelect Overwrites existing material on track Clipboard contentsInsert Edit To Clipboard w/offset Input MONDelete Shift + LoadSlip TrackNumeric Keys Keypad GroupSHIFT+2 OffsetSHIFT+1 ReaderCapt CLRMMR-8 MMR-8 MMR-8 Loading and Mounting Drives Basic OperationTRK Loading a Project, Session, or CompositionLoading Individual Tracks Loads into any Selected Track IndexDeleting Tracks from the Disk Recording a New ProjectViewing Tracks Unloading TracksCapturing the Current Time Code Using RegistersRecalling Registers Trimming Time Code Values Using the Entry RegisterHeadphone Jack Phones Headphone Volume LevelLocal & Studio Monitoring Setup State & the Setup Menus MMR-8 Setup MenusSetup Operation Menu # Menu Name Parameters Setup Menu ChartMenu # Menu Name Parameters Menu # Menu Name Parameters Menu # Menu Name Parameters Control Mode Setup Menu DetailsSerial Transport User SettingsHead/Tail Lynx BusTransport Control Track Record Arm/SelectClear/Paste Prev/NextUndo/Redo Non-Destructive Record ModeAuto Cleanup Tape ModeMMR Bus Film Post Production MMR-8 System ApplicationsMMR-8 As Master Biphase Setup MenusPage MMR-8 Film Connections Video Post ProductionMMR Input and Output Level Calibrations System Input Level Calibration Using the Meter LEDsMOC Calibration Procedure Input Converter Board Output Converter Board MIC Calibration ProcedureFormatting Disks Using Removable MediaAdding External Drives to the System Tascam MMR-8 System SoftwarePage Arrow Appendix a Control Panel Command SummarySetup and Wheel Group Transport GroupKeypad keys Page SHIFT+SEL EDIT+SELMON+SEL INPUT+SELSeagate Nikon MO Drive BelugaUnknown Sony MO DriveTascam MMR-8 Approved Drives SET NFREMOVEID=4 Appendix C WaveFrame CompatibilityPage Appendix D MMR-8 Cable Information Parallel Tracks and Parallel Transport ConnectorEditor Connector pinout Midi IN/THRU/OUT Connector pinoutLynx Remote Controller Connector pinout Transport Sony 9-pin Connector pinout Biph Biphase Connectors pinout Analog Input & Output Connectors pinoutsSync MMR-Bus Connector pinout DIO AES/EBU Digital Audio Connector pinoutWord Clock OUT Connector Timecode in ConnectorTimecode OUT Connector Word Clock in ConnectorPRX Connector Vitc in ConnectorScsi Connector 104 Appendix E MMR-8 Glossary KCU Control TrackMidi LCDLED LTCAbbreviations Smpte ScsiTerms BIT REC LED Index112 113 114 115 116 117
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MMR-8 specifications

The Tascam MMP-16 and MMR-8 are two innovative products designed to meet the specialized needs of audio professionals, offering advanced features and capabilities suitable for various recording and playback applications.

The Tascam MMP-16 is a versatile audio router and mixer that excels in different environments, from live sound to studio recording. One of its primary features is the 16-channel configuration, allowing for significant flexibility in signal routing. The MMP-16 supports multiple audio formats, including analog signals, making it adaptable to a wide range of setups. It boasts high-quality AD/DA conversion, delivering excellent audio fidelity and low latency performance.

Additionally, the MMP-16 is equipped with comprehensive digital processing capabilities, including EQ and dynamics processing on each channel. This makes it ideal for both mixing live performances and preparing recordings for post-production. The unit's user-friendly interface includes an intuitive display and physical controls that streamline operation, making it easy for both novice and experienced engineers to navigate.

On the other hand, the Tascam MMR-8 is a robust multi-track digital audio recorder that offers exceptional reliability for professionals who require high-quality audio capture. This 8-channel recorder shines in its ability to handle various digital audio formats, ensuring compatibility with different workflows. One standout feature of the MMR-8 is its solid-state recording technology, which enhances durability and reduces the risk of data loss, a crucial aspect in high-stakes recording environments.

The MMR-8 also provides comprehensive onboard monitoring options, allowing users to assess audio quality in real time. Its extensive connectivity options include digital and analog inputs and outputs, facilitating seamless integration with other studio equipment and live sound systems. The data management capabilities of the MMR-8 make it easy to organize and retrieve recordings, while its compact design ensures portability without compromising on performance.

Both the MMP-16 and MMR-8 showcase Tascam's commitment to innovation and quality in the audio industry. Their advanced features, coupled with solid build quality and ease of use, make them essential tools for audio professionals seeking reliable solutions for their recording and mixing needs. Whether utilized separately or in conjunction, these devices amplify creativity and enhance the overall audio production experience.