Front Panel Key Groups, Transport Group, Mount

Front Panel Key Groups

The MMR-8 front panel keys and controls are divided into five functional groups, the Transport Group, the Setup & Wheel Group, the Wheel itself, the Track Group, and the Keypad Group.

Transport Group

These keys consist of the On Line, Rewind (<<), Reverse Play (<), Stop (o), Play (>), Fast Forward (>>), Rehearse (REH) and Record (REC) keys. These transport functions are analogous to those found on tape dubbers and recorders. The keys are located on the bottom central portion of the front panel, and are larger and also backlit in order to be seen clearly at a distance.

ONLINE This key selects whether the MMR-8 is connected to an outside sync source and can be controlled by an external device (the key is lit), or isolated and working as a stand-alone device (the key is unlit). When pressed in combination with the Stop key (ONLINE+STOP), all currently mounted disk volumes are unmounted in preparation for removal from the MMR-8. There is no shifted function for this key. When chasing Biphase the Online key operates in Interlock mode where placing the MMR-8 online establishes the sync relationship (offset) between the MMR-8 and the master Biphase signal.

<<(REWIND) The Rewind key causes the current time code position to roll in reverse at approximately 18 times play speed. Rewind cancels any loop operation. There is no shifted function for this key.

<(REVERSE The Reverse Play key causes the MMR-8 to play audio backwards at play speed.

PLAY) Except for the direction, other operating parameters such as speed and output level will follow those of Play. If there is a loop function pending, Reverse Play enters Loop play operation and causes the MMR to perform an alternating forward- backward loop. There is no shifted function for this key.

o(STOP) The Stop key halts the operation of the transport under all conditions and removes

(MOUNT)	any loop pending mode. It is usually lit in the stopped condition, and not lit under
	other conditions (with the exception of Jog and Shuttle modes). Used in
	combination with the On Line key, the Stop key causes all currently mounted disk
	volumes to be unmounted. There is no shifted function for this key. The alternate
	function of the Stop key is to MOUNT all available disk drive(s) after a dismount
	operation has been performed.

>(PLAY) The Play key causes the MMR-8 to play audio in the forward direction at play speed, advancing the time code counter. The Play key must be held down at the same time as the Record key in order to initiate recording, or with the Rehearse key to initiate rehearsing, depending on the parameter settings of Setup menus 202 (Record Key) and 203 (Rehearse Key). This may be changed by selecting the single-key REC or REH options in these menus. In this case the Play key is not required to initiate Recording or Rehearsing. If there is a loop pending, Play enters the playback loop operation and will play the loop according to the parameter settings in menu 210 (Loop Mode). There is no shifted function for this key.

MMR-8

Tascam MMR-8 Owner’s Manual • Chapter 3 • MMR-8 Operation

MMR-8 specifications

The Tascam MMP-16 and MMR-8 are two innovative products designed to meet the specialized needs of audio professionals, offering advanced features and capabilities suitable for various recording and playback applications.

The Tascam MMP-16 is a versatile audio router and mixer that excels in different environments, from live sound to studio recording. One of its primary features is the 16-channel configuration, allowing for significant flexibility in signal routing. The MMP-16 supports multiple audio formats, including analog signals, making it adaptable to a wide range of setups. It boasts high-quality AD/DA conversion, delivering excellent audio fidelity and low latency performance.

Additionally, the MMP-16 is equipped with comprehensive digital processing capabilities, including EQ and dynamics processing on each channel. This makes it ideal for both mixing live performances and preparing recordings for post-production. The unit's user-friendly interface includes an intuitive display and physical controls that streamline operation, making it easy for both novice and experienced engineers to navigate.

On the other hand, the Tascam MMR-8 is a robust multi-track digital audio recorder that offers exceptional reliability for professionals who require high-quality audio capture. This 8-channel recorder shines in its ability to handle various digital audio formats, ensuring compatibility with different workflows. One standout feature of the MMR-8 is its solid-state recording technology, which enhances durability and reduces the risk of data loss, a crucial aspect in high-stakes recording environments.

The MMR-8 also provides comprehensive onboard monitoring options, allowing users to assess audio quality in real time. Its extensive connectivity options include digital and analog inputs and outputs, facilitating seamless integration with other studio equipment and live sound systems. The data management capabilities of the MMR-8 make it easy to organize and retrieve recordings, while its compact design ensures portability without compromising on performance.

Both the MMP-16 and MMR-8 showcase Tascam's commitment to innovation and quality in the audio industry. Their advanced features, coupled with solid build quality and ease of use, make them essential tools for audio professionals seeking reliable solutions for their recording and mixing needs. Whether utilized separately or in conjunction, these devices amplify creativity and enhance the overall audio production experience.