Tascam MMR-8 owner manual Using Registers, Recalling Registers, Capturing the Current Time Code

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Once the desired drive is selected press STO to select it and STO again after the prompt “Are You Sure?” appears. The drive will be initialized within a few seconds and is now ready for recording.

To record a new project, first go to Setup menu 800 and create a name for the project using the Trim key and the Wheel or Up/Down arrow keys to spell the Project name. Press STO after inputting the name. This will unload any currently loaded projects and the new name will appear with an asterisk as the currently loaded project. The new project name initially exists only in memory, so the name will not appear in the disk directory until some audio is recorded. It is necessary to actually record some audio on at least one track before the project will be created on the disk. Loading a project will set the project name to that of the loaded project so it may be recorded into. Once audio is recorded into the new project, that project’s name will appear as a choice in the disk directory when pressing the LOAD TRACK key.

Using Registers

There are 21 time code registers (10 memory registers and 11 special-purpose registers) that hold time code values for immediate or future use. Some of the special-purpose registers are automatically filled when tracks are loaded (e.g., HEAD, TAIL), others are updated according to the current play or stop time code reading (e.g., PREV, NEXT), while others (notably memory registers 0 - 9) are entered either manually or through using CAPT, STO, or RCL functions. The register currently displayed on the lower line of the LCD is called the active register. By default, the active register is the entry register, which is the register used to capture manual time code input from the keypad.

Accessing registers is done using a two-keystroke command sequence which consists of the function (store, recall, capture) and the numeric or shifted numeric key associated with the desired register (i.e., 0 - 9). Before pressing the second key, operations can be canceled by pressing the same function key again or by pressing CLR, but are typically ended by completing the full key sequence.

Recalling Registers

To recall the time code previously stored into a memory register, press RCL (the RCL LED will flash indicating one of the numeric keys should be pressed) and then press the desired key (0 - 9). The RCL LED will turn off and the time code from that register will be displayed in the bottom line of the display, with a prefixed heading indicating which register is the currently displayed (active) register. All special- purpose registers may be recalled similarly, first by pressing RCL, then SHIFT+the desired numeric key. Special-purpose registers have their names written on the front panel directly above the numeric key with which they are associated. Note that if RCL is not pressed first, then pressing SHIFT+ one of these special-purpose register keys — LYNX SYNC, IN, OUT, HEAD, TAIL, NEXT EDIT, or PREV EDIT

will cause the transport to automatically locate to the register contents. This is a short cut for RCL + SHIFT+ register key + LOC.

Capturing the Current Time Code

During any transport state (stop, play, record, etc.), the current time code shown on the top line of the LCD display can be captured into the entry register by pressing the CAPT key. The captured time code can be stored to one of the ten memory registers for later recall, or to one of the five “writeable” special- purpose registers (IN, OUT, OFST, LYNX SYNC, TIME). The capture key places the time code value from the top line of the display into the active time code register in the bottom line of the display. After capturing the time code value the CAPT LED will flash until a target register key is pressed to place the captured time code value into that register. Note that pressing CAPT automatically readies the system to store the value into the target register, as if the STO key had already been pressed. To complete the capture operation, either press a target register key or press CLR to cancel.

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Tascam MMR-8 Owner’s Manual • Chapter 3 • MMR-8 Operation

MMR-8

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Contents MMR-8 HAZARD, do not Expose this Appliance to Rain or Moisture Teac Corporation Important Safety Instructions Page Page Page Page Page MMR-8 Chapter MMR-8MMR-8 Operation MMR-8 System Applications 105 General Information MMR-8 IntroductionHardware Overview Page Functional Overview Page Backup SetupError State LCD Window Display Comment NormalSystem Specifications Page Installation MMR-8 Materials Kit BoxGeneral Guidelines Mounting Rack EarsInstalling Multiple MMR Units Multiple MMR-8 Rack InstallationAudio Cables AC Mains and Grounding Earthing ConsiderationsMMR-8 Back Panel Connections MMR-8 Back PanelDigital In/Out Connections Audio ConnectionsAnalog In/Out Connections Monitoring ConnectionsSMPTE/EBU Time Code In/Out Timecode and Video Reference SignalsVideo In/Out VitcWord Clock Biphase ConnectionsDigital Audio Sample Reference Connections AES/EBU Sample RateLynx Bus / KCU Connection Midi ConnectionsExternal Controllers & Bus Connections MMR Sync Bus ConnectionsSerial Editor Connection Connecting External Scsi MediaSerial Transport Connection Parallel TransportRemote Controllers for the Tascam MMR-8 Tascam MM-RCPowering Up the System Verifying MMR-8 InstallationSoftware Updates Factory Default Settings Testing Your InstallationMMR-8 Tascam MMR-8 User’s Guide MMR-8 Operation MMR-8 Operation MMR-8 Keys & DefinitionsMMR-8 MMR-8 Front Panel Page Front Panel Indicators, Switches, and Displays LED IndicatorsMachine Status LEDs Liquid Crystal Display LCD Normal State DisplaySetup State Display View Track State DisplaySlip Track State Display Load Track State DisplayError State Display Backup State DisplayVerify State Display Transport Group Front Panel Key GroupsMount Arrow Setup and Wheel GroupSubf Trim SHIFT+UPTC/FEET SHIFT+TRIMWheel Track GroupSelect SELSHIFT+SEL Clipboard contents Overwrites existing material on trackInsert Edit To Clipboard w/offset MON InputShift + Load DeleteTrack SlipKeypad Group Numeric KeysReader OffsetSHIFT+1 SHIFT+2CLR CaptMMR-8 MMR-8 MMR-8 Basic Operation Loading and Mounting DrivesLoads into any Selected Track Index Loading a Project, Session, or CompositionLoading Individual Tracks TRKUnloading Tracks Recording a New ProjectViewing Tracks Deleting Tracks from the DiskRecalling Registers Using RegistersCapturing the Current Time Code Using the Entry Register Trimming Time Code ValuesLocal & Studio Monitoring Headphone Volume LevelHeadphone Jack Phones MMR-8 Setup Menus Setup State & the Setup MenusSetup Operation Setup Menu Chart Menu # Menu Name ParametersMenu # Menu Name Parameters Menu # Menu Name Parameters Menu # Menu Name Parameters Setup Menu Details Control ModeUser Settings Serial TransportTrack Record Arm/Select Lynx BusTransport Control Head/TailUndo/Redo Prev/NextClear/Paste Tape Mode Record ModeAuto Cleanup Non-DestructiveMMR Bus MMR-8 System Applications Film Post ProductionBiphase Setup Menus MMR-8 As MasterPage Video Post Production MMR-8 Film ConnectionsSystem Input Level Calibration Using the Meter LEDs MMR Input and Output Level CalibrationsMOC Calibration Procedure MIC Calibration Procedure Input Converter Board Output Converter BoardAdding External Drives to the System Using Removable MediaFormatting Disks MMR-8 System Software TascamPage Transport Group Appendix a Control Panel Command SummarySetup and Wheel Group ArrowKeypad keys Page INPUT+SEL EDIT+SELMON+SEL SHIFT+SELSony MO Drive Nikon MO Drive BelugaUnknown SeagateTascam MMR-8 Approved Drives Appendix C WaveFrame Compatibility SET NFREMOVEID=4Page Parallel Tracks and Parallel Transport Connector Appendix D MMR-8 Cable InformationLynx Remote Controller Connector pinout Midi IN/THRU/OUT Connector pinoutEditor Connector pinout Transport Sony 9-pin Connector pinout Analog Input & Output Connectors pinouts Biph Biphase Connectors pinoutDIO AES/EBU Digital Audio Connector pinout Sync MMR-Bus Connector pinoutWord Clock in Connector Timecode in ConnectorTimecode OUT Connector Word Clock OUT ConnectorScsi Connector Vitc in ConnectorPRX Connector 104 Appendix E MMR-8 Glossary Control Track KCULTC LCDLED MidiAbbreviations Scsi SmpteTerms Index BIT REC LED112 113 114 115 116 117
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MMR-8 specifications

The Tascam MMP-16 and MMR-8 are two innovative products designed to meet the specialized needs of audio professionals, offering advanced features and capabilities suitable for various recording and playback applications.

The Tascam MMP-16 is a versatile audio router and mixer that excels in different environments, from live sound to studio recording. One of its primary features is the 16-channel configuration, allowing for significant flexibility in signal routing. The MMP-16 supports multiple audio formats, including analog signals, making it adaptable to a wide range of setups. It boasts high-quality AD/DA conversion, delivering excellent audio fidelity and low latency performance.

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On the other hand, the Tascam MMR-8 is a robust multi-track digital audio recorder that offers exceptional reliability for professionals who require high-quality audio capture. This 8-channel recorder shines in its ability to handle various digital audio formats, ensuring compatibility with different workflows. One standout feature of the MMR-8 is its solid-state recording technology, which enhances durability and reduces the risk of data loss, a crucial aspect in high-stakes recording environments.

The MMR-8 also provides comprehensive onboard monitoring options, allowing users to assess audio quality in real time. Its extensive connectivity options include digital and analog inputs and outputs, facilitating seamless integration with other studio equipment and live sound systems. The data management capabilities of the MMR-8 make it easy to organize and retrieve recordings, while its compact design ensures portability without compromising on performance.

Both the MMP-16 and MMR-8 showcase Tascam's commitment to innovation and quality in the audio industry. Their advanced features, coupled with solid build quality and ease of use, make them essential tools for audio professionals seeking reliable solutions for their recording and mixing needs. Whether utilized separately or in conjunction, these devices amplify creativity and enhance the overall audio production experience.