Tascam MMR-8 owner manual Machine Status LEDs

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The bottom level LED (-25) is a green presence indicator. Any time there is signal on the track there will be an indication. The next three LEDs indicate signal levels of -12, -6 and 0 VU. The next two LEDs are yellow and indicate +6 and +12 VU. The final two LEDs are red to indicate the audio peaks are at MAX (3 dB below clipping) and CLIP, which means the signal has most likely exceeded the input capability of the digital converter and may be distorted. The CLIP indicator acts as a peak-hold indicator during recording. It is only reset when the MMR-8 is stopped and put into PLAY again.

A de-facto film/video industry standard for digital device monitoring is that 0 VU should be set to indicate a signal level of -20 dBFS (decibels below full scale, i.e. 20 dB below the digital clipping level). The MMR-8 default setup follows this recommendation with the MAX LED indicator set to turn on with a signal 17 dB above the nominal 0 VU indication (just before all bits would be set true in the ADC). The CLIP indication is typically adjusted for a 3 dB hotter signal (20 dB above 0 VU). These settings can be adjusted in 1dB increments using Setup mode menu 520 (Meter Reference Level) for any dB reference level from -15 dBFS to -24 dBFS.

When the Meter Calibrate function (Menu 521) is on (for accurate field calibration of the inputs), the LED’s reference steps are changed to indicate levels above and below 0 as +/- 1/3 dB, +/-1.0 dB, and +/- 3dB steps to allow fine tuning of input calibration levels. See the Chapter 6, System Maintenance for instructions on calibrating the inputs and outputs using the meters.

Machine Status LEDs

To the left of the LCD are 12 LEDs used to indicate the status of various MMR machine states (interlock, calibrate, busy, lock, etc.), as well as the master record states (safe, destructive, 24-bit, etc.). These are described here:

The SAFE LED will light when menu 201 (All Safe) is set to On, indicating that the MMR-8 will not go into record.

The DESTRUCTIVE LED will be lit when menu 200 (Record Mode) is set to Auto-Cleanup or Tape Mode. This indicates that all recordings will be destructive (i.e. any new recording will replace audio already existing on the recorded track between the punch in & out points).

The 24-BIT REC (24-bit recording on) LED is controlled by menu 700 (Disk Encoding). When the LED is lit, all audio is recorded in 24-bit file format. When the LED is off, 16-bit file format is used.

The DIG IN LED (Digital In) will be lit when menu 500 (Input Source) is set to Digital or Rate Converter.

The TONE LED is lit when menu 530 (Reference Tone) is set to On. Pressing play when this LED is lit will cause all channels to output a 1kHz reference tone at 0 VU.

The MIDI LED is used to indicate a valid MIDI input signal (MMC) is being received.

The ERROR LED indicates an error state has occurred and must be cleared before normal operation can resume.

The BUSY LED indicates the system is occupied with a task, and the transport keys are not available until the system finishes the current task and the Busy LED goes out.

The LOCK LED indicates the system is locked to the incoming machine synchronization source (usually time code, biphase, or the MMR Bus).

The CAL LED indicates the Calibration function (Menu 521) is on.

The OFFSET LED indicates there is an offset (value other than 0) in the offset register (local MMR offset) or when there is an MMR bus offset and the unit is a slave on the MMR bus.

The INTERLOCK LED lights when the system is in Biphase Chase Control Mode.

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Tascam MMR-8 Owner’s Manual • Chapter 3 • MMR-8 Operation

MMR-8

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Contents MMR-8 HAZARD, do not Expose this Appliance to Rain or Moisture Teac Corporation Important Safety Instructions Page Page Page Page Page MMR-8 Chapter MMR-8MMR-8 Operation MMR-8 System Applications 105 General Information MMR-8 IntroductionHardware Overview Page Functional Overview Page Setup ErrorBackup State LCD Window Display Comment NormalSystem Specifications Page Installation MMR-8 Materials Kit BoxGeneral Guidelines Mounting Rack EarsInstalling Multiple MMR Units Multiple MMR-8 Rack InstallationAudio Cables AC Mains and Grounding Earthing ConsiderationsMMR-8 Back Panel Connections MMR-8 Back PanelAudio Connections Analog In/Out ConnectionsDigital In/Out Connections Monitoring ConnectionsTimecode and Video Reference Signals Video In/OutSMPTE/EBU Time Code In/Out VitcBiphase Connections Digital Audio Sample Reference ConnectionsWord Clock AES/EBU Sample RateMidi Connections External Controllers & Bus ConnectionsLynx Bus / KCU Connection MMR Sync Bus ConnectionsConnecting External Scsi Media Serial Transport ConnectionSerial Editor Connection Parallel TransportRemote Controllers for the Tascam MMR-8 Tascam MM-RCPowering Up the System Verifying MMR-8 InstallationSoftware Updates Factory Default Settings Testing Your InstallationMMR-8 Tascam MMR-8 User’s Guide MMR-8 Operation MMR-8 Operation MMR-8 Keys & DefinitionsMMR-8 MMR-8 Front Panel Page Front Panel Indicators, Switches, and Displays LED IndicatorsMachine Status LEDs Liquid Crystal Display LCD Normal State DisplaySetup State Display View Track State DisplaySlip Track State Display Load Track State DisplayVerify State Display Backup State DisplayError State Display Mount Front Panel Key GroupsTransport Group Subf Setup and Wheel GroupArrow SHIFT+UP TC/FEETTrim SHIFT+TRIMWheel Track GroupSHIFT+SEL SELSelect Clipboard contents Overwrites existing material on trackInsert Edit To Clipboard w/offset MON InputShift + Load DeleteTrack SlipKeypad Group Numeric KeysOffset SHIFT+1Reader SHIFT+2CLR CaptMMR-8 MMR-8 MMR-8 Basic Operation Loading and Mounting DrivesLoading a Project, Session, or Composition Loading Individual TracksLoads into any Selected Track Index TRKRecording a New Project Viewing TracksUnloading Tracks Deleting Tracks from the DiskCapturing the Current Time Code Using RegistersRecalling Registers Using the Entry Register Trimming Time Code ValuesHeadphone Jack Phones Headphone Volume LevelLocal & Studio Monitoring MMR-8 Setup Menus Setup State & the Setup MenusSetup Operation Setup Menu Chart Menu # Menu Name ParametersMenu # Menu Name Parameters Menu # Menu Name Parameters Menu # Menu Name Parameters Setup Menu Details Control ModeUser Settings Serial TransportLynx Bus Transport ControlTrack Record Arm/Select Head/TailClear/Paste Prev/NextUndo/Redo Record Mode Auto CleanupTape Mode Non-DestructiveMMR Bus MMR-8 System Applications Film Post ProductionBiphase Setup Menus MMR-8 As MasterPage Video Post Production MMR-8 Film ConnectionsSystem Input Level Calibration Using the Meter LEDs MMR Input and Output Level CalibrationsMOC Calibration Procedure MIC Calibration Procedure Input Converter Board Output Converter BoardFormatting Disks Using Removable MediaAdding External Drives to the System MMR-8 System Software TascamPage Appendix a Control Panel Command Summary Setup and Wheel GroupTransport Group ArrowKeypad keys Page EDIT+SEL MON+SELINPUT+SEL SHIFT+SELNikon MO Drive Beluga UnknownSony MO Drive SeagateTascam MMR-8 Approved Drives Appendix C WaveFrame Compatibility SET NFREMOVEID=4Page Parallel Tracks and Parallel Transport Connector Appendix D MMR-8 Cable InformationEditor Connector pinout Midi IN/THRU/OUT Connector pinoutLynx Remote Controller Connector pinout Transport Sony 9-pin Connector pinout Analog Input & Output Connectors pinouts Biph Biphase Connectors pinoutDIO AES/EBU Digital Audio Connector pinout Sync MMR-Bus Connector pinoutTimecode in Connector Timecode OUT ConnectorWord Clock in Connector Word Clock OUT ConnectorPRX Connector Vitc in ConnectorScsi Connector 104 Appendix E MMR-8 Glossary Control Track KCULCD LEDLTC MidiAbbreviations Scsi SmpteTerms Index BIT REC LED112 113 114 115 116 117
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MMR-8 specifications

The Tascam MMP-16 and MMR-8 are two innovative products designed to meet the specialized needs of audio professionals, offering advanced features and capabilities suitable for various recording and playback applications.

The Tascam MMP-16 is a versatile audio router and mixer that excels in different environments, from live sound to studio recording. One of its primary features is the 16-channel configuration, allowing for significant flexibility in signal routing. The MMP-16 supports multiple audio formats, including analog signals, making it adaptable to a wide range of setups. It boasts high-quality AD/DA conversion, delivering excellent audio fidelity and low latency performance.

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On the other hand, the Tascam MMR-8 is a robust multi-track digital audio recorder that offers exceptional reliability for professionals who require high-quality audio capture. This 8-channel recorder shines in its ability to handle various digital audio formats, ensuring compatibility with different workflows. One standout feature of the MMR-8 is its solid-state recording technology, which enhances durability and reduces the risk of data loss, a crucial aspect in high-stakes recording environments.

The MMR-8 also provides comprehensive onboard monitoring options, allowing users to assess audio quality in real time. Its extensive connectivity options include digital and analog inputs and outputs, facilitating seamless integration with other studio equipment and live sound systems. The data management capabilities of the MMR-8 make it easy to organize and retrieve recordings, while its compact design ensures portability without compromising on performance.

Both the MMP-16 and MMR-8 showcase Tascam's commitment to innovation and quality in the audio industry. Their advanced features, coupled with solid build quality and ease of use, make them essential tools for audio professionals seeking reliable solutions for their recording and mixing needs. Whether utilized separately or in conjunction, these devices amplify creativity and enhance the overall audio production experience.