Recording a New Project, Viewing Tracks

Once a track is loaded into a track index, it is removed from the “pool” of tracks available for direct loading, but it may be moved from its current track index position to another track index position. If a track from the project is already loaded into a track index, then choosing (scrolling to) that track name in the list of tracks will cause the MMR to ask if you want to Move that track to the currently selected Track index. If a track is moved from its current track index position to a new track index by this method, the previous Track index will then be empty and will show *Blank* when viewed using the TRACK key (View Track state). If you do not wish to move a currently loaded track into an empty Track Index, use the arrows or Wheel to scroll through the list of available tracks to find currently unloaded tracks which may then be loaded into the empty track index. If track information is stored into a track location that is already occupied by a previously loaded track, the previously loaded track is automatically “unloaded.” Press TRACK again (or press CLR) to exit the Track state and return the MMR-8 to the Normal state.

Viewing Tracks

To view which tracks are currently loaded, press TRACK, which puts the MMR-8 into the View Tracks state. Use the Wheel, the arrow keys, or the Select keys to select which track index to view. If nothing is loaded for a given track, the word “*Blank*” is displayed for that track in the LCD.

Unloading Tracks

To “unload” a loaded track and return the track to the “blank” state, while returning the loaded track back to the pool of unloaded tracks, put the MMR-8 into “view tracks” mode by pressing the TRACK key. Select the track you wish to unload, and press SHIFT+TRACK. The displayed track will be “unloaded”, and the word “*Blank*” will appear in the display.

Deleting Tracks from the Disk

To delete a displayed track, enter the Load Tracks state by pressing the LOAD TRACK key, and descending through the project/file hierarchy as detailed above. Select the track you wish to delete, and press SHIFT+LOAD TRACK. Deletion simply removes the track edit information (the “EDL”), not the associated sound files, so very little disk drive space is reclaimed by this operation. However, sound files not associated with any track edit information may be deleted from the disk by using the Disk Cleanup function (found in Setup Menu 720). This is the typical method by which space on a given disk drive volume is reclaimed. The other method is by using Tape Mode or Auto Cleanup Record mode to record over existing material.

Recording a New Project

The MMR-8 may currently record only to the mounted drive with the lowest SCSI address. This is usually the internal Kingston carrier, but any drive may be set to be the lowest numbered SCSI drive. If multiple volumes are mounted, any or all drives can be used for playback, but only the drive with the lowest SCSI ID will be recorded to. See the manual for the Kingston drive carrier for instructions on changing the SCSI ID of the carrier.

When attempting to record to a new drive for the first time, it will be necessary to first Initialize the drive so that audio may be recorded to it. The MMR-8 will currently format drives only for the WaveFrame audio file format. To Initialize a drive, go to menu 710 and select the SCSI ID of the volume to be initialized by pressing the TRIM key and turning the wheel or using the Up/Down arrow keys until the SCSI ID of the drive appears as the selection. If the SCSI ID does not appear, be sure there is no SCSI ID conflict between any of the attached drives and that the desired target drive is connected and turned on. Reboot the MMR-8 with the desired target drive on line and look for it again in menu 710.

MMR-8

Tascam MMR-8 Owner’s Manual • Chapter 3 • MMR-8 Operation

MMR-8 specifications

The Tascam MMP-16 and MMR-8 are two innovative products designed to meet the specialized needs of audio professionals, offering advanced features and capabilities suitable for various recording and playback applications.

The Tascam MMP-16 is a versatile audio router and mixer that excels in different environments, from live sound to studio recording. One of its primary features is the 16-channel configuration, allowing for significant flexibility in signal routing. The MMP-16 supports multiple audio formats, including analog signals, making it adaptable to a wide range of setups. It boasts high-quality AD/DA conversion, delivering excellent audio fidelity and low latency performance.

Additionally, the MMP-16 is equipped with comprehensive digital processing capabilities, including EQ and dynamics processing on each channel. This makes it ideal for both mixing live performances and preparing recordings for post-production. The unit's user-friendly interface includes an intuitive display and physical controls that streamline operation, making it easy for both novice and experienced engineers to navigate.

On the other hand, the Tascam MMR-8 is a robust multi-track digital audio recorder that offers exceptional reliability for professionals who require high-quality audio capture. This 8-channel recorder shines in its ability to handle various digital audio formats, ensuring compatibility with different workflows. One standout feature of the MMR-8 is its solid-state recording technology, which enhances durability and reduces the risk of data loss, a crucial aspect in high-stakes recording environments.

The MMR-8 also provides comprehensive onboard monitoring options, allowing users to assess audio quality in real time. Its extensive connectivity options include digital and analog inputs and outputs, facilitating seamless integration with other studio equipment and live sound systems. The data management capabilities of the MMR-8 make it easy to organize and retrieve recordings, while its compact design ensures portability without compromising on performance.

Both the MMP-16 and MMR-8 showcase Tascam's commitment to innovation and quality in the audio industry. Their advanced features, coupled with solid build quality and ease of use, make them essential tools for audio professionals seeking reliable solutions for their recording and mixing needs. Whether utilized separately or in conjunction, these devices amplify creativity and enhance the overall audio production experience.