Dynaudio pmn manual Placing the Monitors

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PLACING THE MONITORS

This manual section is split into two. The first part is a direct guide on how to optimize your listening facilities to ensure optimal performance of your AIR monitor system. The second part contains In Depth explanations and background information of various acoustic phenomena’s and is referred to on several occasions in the first chapter. To dive into this chapter and start optimizing your setup, it is essential that you have made proper connections for your AIR System. Please follow the illustrations in the “setups” section on pages 9 to 13.

Overview

 

Angle

Distance from listener

Left front

-30

Minimum 1 m

Right front

+30

Minimum 1 m

Centre

0

Same distance as L or R front 1)

Left surround

-110 +/-10

Same distance as L or R front 2)

Right surround

-110 +/-10

Same distance as L or R front 2)

 

 

 

In general: Symmetry

Basically it is preferred to establish a loudspeaker layout that provides an adequate and equal left/right image. The basis for this symmetry, meaning that the distance to the left and the right monitors is identical, and if not monitoring in the near field, then having identical distance to the (identical) side-walls.

The AIR System offer tools for compensation, but symmetry should be established whenever possible.

Not good !

Good !

Front monitors, left & right

For a proper stereo monitoring the monitors should be placed at an angle of ±30º in front of the listening position. This goes both for a basic stereo set-up and for the L&R front monitors in a 4 or 5 channel set-up.

Center front monitor

ITU 775

The center front loudspeaker can be placed either: A: in the middle and in the same distance from

the listening position as the left and right front monitors or

B: in the middle and on a straight line between the left and right front monitors.

Surround monitors, left and right

The surround monitors should be placed at an angle of ±110 (+/-10) and in the same distance from the listening position as the Left & Right front monitors. Read more on the following pages.

1)If you want to fulfill the requirements of the standard ITU 775, you should either use the A-solution or the B-solution along with a Delay on the center monitor in order to achieve the same time of arrival from all monitors. Delay-time for each monitor can be adjusted using the optional AIR PC-IP Installers software.

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Contents AirUSrev111.qxd 16-12-2004 1414 AirUSrev111.qxd 16-12-2004 1414 Voltage Line plug according to standard Important Safety InstructionsQuick Setup Reference AirUSrev111.qxd 16-12-2004 1415 Page c Table of Contents Product Concept IntroductionThis Manual BreakSlave & Sub Units Remote ControlCommon Features Master UnitOptional Digital I/O card Rear Panel Description MasterMaster Unit Analog I/O Slave/SubMain Display Operational OverviewGeneral Setup Procedure AIR Display & Setting UPSetting up Introduction Stereo Setup with stereo Subs SetupsStereo Setup Stereo Setup with mono SubsThis illustration shows how to connect a 5.1 analog setup Digital SetupAnalog Setup This illustration shows how to connect a 5.1 digital setupThis illustration shows how to connect a 5.3 Analog setup This illustration shows how to connect a 5.3 Digital setupDig/6 Master This illustration shows how to connect a 6.1 Analog setupOther Chained Setups Stereo Setup With Chains on L & RDigital 192 kHz Digital Setup Overview When the Monitors are ConnectedMain Display Press Enter to access the Select ModeParameter Description Basic operation in all menusExternal Clock Setup MenuSetup Set Monitor TaskStore Presets In GeneralLFE channel note RecallPlacing the Monitors Other situations Close to wall / WallOn the bridge / Console Checking the placing Phase checkingChecking by ear when listening to the signals In phase EvaluationNext EqualizingAcoustic level calibration Calibrating Main MonitorsCurves Interchannel calibrationPlacing the Subwoofer Evaluation Low frequency sweepsChecking the Crosspoint Checking summing phase cancellationTo Calibrate Controlling standing wavesPolarity PhaseLFE Gain Reverberation time AcousticsGood acoustics Sabines formula Absorbtion or diffusion ? Resonance absorbers AbsorbersDiffusers Membrane absorbersStanding Waves Background Info AcousticsAxial Tangential Radial Room modesHow does the standing waves influence the sound field? How to prohibit standing wavesAcoustics Background Info Comb Filtering Dip frequencies Or +Rear wall cancellation Subwoofer Subwoofer Background InfoLow Pass LFE Gain Subwoofer & LFE Channel Background InfoLFE Channel Cross-oversCinema set-up Delaying Monitors LINE-UP & CalibrationAcoustic summation of audio signals Calibration of 5.1 in an ITU-775 arrangement How to measure the sound pressure?LINE-UP & Calibration Background Info Introduction Remote Control FeaturesAIR Remote Shift key Preset 1/3 and 2/4 keysVolume potentiometer REF Level 1-3 keysNavigating AIR Soft AIR SoftTools MainNetwork Preset ListSystem Setup Chained monitors Calibrate AIR BaseLocal Parameters Reset ProceduresMiscellaneous Global ParametersSerial to Cat-5 cable CablesTC Link Standard Cat-5 cables AES/EBU Standard cablesAIR 20 & AIR 25 Master and Slave AIR 6 & AIR 15 Master and SlaveGeneral for all Products AIR Base-1 & AIR Base-2Room & Distance AIR Remote AIR Remote specsError messages etc Delay in System & Error Messages ETCAIR Certificate of ConformityCertificate Of Conformity # Name Preset List

pmn specifications

Dynaudio, a company renowned for its high-fidelity audio products, has made significant strides in the field of professional monitoring through its PPM (Professional Precision Monitoring) series. Among the standout models in this series is the Dynaudio PMN (Professional Monitoring Nearfield), which has garnered attention for its outstanding sound quality, precise technical performance, and sophisticated design.

One of the key features of the Dynaudio PMN monitors is their advanced driver technology. Equipped with proprietary drivers, the PMN series employs custom-designed woofers and tweeters that deliver an incredibly accurate frequency response. The woofers utilize a lightweight diaphragm, ensuring that low frequencies are produced with power while maintaining clarity. The tweeters, known for their soft dome design, excel in reproducing high frequencies with exquisite detail and minimal distortion, making the listening experience both immersive and enjoyable.

In terms of design, the PMN monitors boast a sleek and modern aesthetic that fits seamlessly into any studio environment. The cabinet construction employs advanced materials and techniques that minimize resonance, thus reducing unwanted coloration in sound. The unique curved shape of the cabinets is not only visually appealing but also supports optimal acoustic performance by enhancing sound dispersion.

Another notable characteristic of the Dynaudio PMN is its versatility. The monitors are equipped with multiple inputs, allowing for seamless integration into various set-ups, whether in a professional studio or a home listening environment. This flexibility is further complemented by adjustable bass and treble controls, empowering users to tailor the sound profile to their specific requirements.

Dynaudio has also incorporated advanced technologies such as room correction in certain PMN models, which enables precise calibration according to the acoustics of the room. This feature ensures that audio professionals can rely on consistent and accurate sound reproduction regardless of their monitoring environment.

Overall, the Dynaudio PMN series represents a blend of pioneering audio technology, meticulous craftsmanship, and user-focused design. For professionals seeking precise monitoring solutions for music production, film scoring, or any audio-related projects, the Dynaudio PMN monitors provide an exceptional listening experience that stands the test of time. With their stellar performance and innovative features, these monitors have become a top choice for sound engineers, musicians, and audio enthusiasts alike.
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