Dynaudio pmn manual Introduction, This Manual, Break, Product Concept, Master/Slave Concept

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INTRODUCTION

This Manual

The latest manual revision is always available for download from www.dynaudioacoustics.com

The revision number of this manual is located at the bottom of page 4. Please compare to the revision number of the manual available for download from our web-site and download if newer.

Break in

Your AIR monitors must be “run in” before optimal performance is achieved. It is essential that the monitors are not run at full level until after at least 24 hours of moderate operation. Optimal performance is achieved after about one week of operation at moderate levels.

The Product Concept

The AIR monitor systems take a giant step forward in near-field monitoring and Dynaudio & TC Electronic are proud to present these systems. The AIR series include switch mode amplification and power-supply and with the addition of DSP and CPU, new possibilities are opened for easy, convenient and precise central control of both audio and setup-info.

The networking possibilities will fit nicely into today's applications and can be taken far into the future studio.

A brief overview of the new advantages with the concept:

•System integration and networking (total recall, central control)

•Flexibility/adjustment possibilities (to the room, personal liking etc.)

•Extreme precision. (Precise alignment of individual monitors at the factory)

•Improved audio quality (from intelligent algorithms and precision filters)

•Direct Digital Reference (Digital Input)

Both AIR 6 and AIR 15 are Pro Audio rear-ported near-field monitors and are excellent for both stereo and surround setups in applications such as Music Recording/Mixing, Post production, Film, Broadcast, Video-editing etc.

Extreme Precision

The frequency response and timing of the woofer- and tweeter signals of the AIR systems is controlled to a level of precision only practically obtainable with DSP. Furthermore the sensitivity of each individual loudspeaker driver is measured in the line of production, and deviations are compensated in the DSP software to 0.1dB steps. Perfectly aligned monitors also give the so far unseen advantage of interchangeability. In the unlikely case of a monitor breakdown, a perfectly matching monitor can be added instantly.

As most productions do end up in a digital format these days the AIR series allow monitoring of the "pure" Digital signal. Simply feed the monitors directly with an AES/EBU signal.

Having said that, many studios today are still working with

analog signals for monitoring - therefore an Analog Input option is also provided.

The following section is an introduction to the concept of the AIR systems. Detailed parameter explanations, setup guides and calibration info are to be found in later sections of this manual.

The Master/Slave Concept

Two physically different units exist for each model. A Master unit able to:

-receive digital audio on AES connections

-receive analog audio (if an analog option card is installed)

-send and receive audio and control data via the proprietary TC LINK connection.

Master Monitor Rear

• To set a Master Monitor as System Controller the TC LINK button on the rear panel must be left out.

•One and only one of the Master units must be setup as the System Controller. This is done by leaving out the TC LINK button on the rear panel. (see above). Setting up a system is done from the System Controller monitor.

You set up, set tasks and calibrate all connected monitors in the entire system from the System Controller.

•A Slave unit is able to receive and distribute audio and control data via the proprietary TC LINK connection.

Slave Monitor Rear

Audio signal from your studio is input to the Master monitors only and the signal is distributed from here to the connected Slave units through a proprietary Networking protocol. It is worth noticing that a Master monitor acts exactly as a Slave monitor when its TC LINK button is set in “IN position.”

The networking capabilities, enables all monitors in a setup, no matter if it is Stereo or Surround, Digital or Analog to always be corresponding. This provides great possibilities in terms of general control of the entire system.

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Contents AirUSrev111.qxd 16-12-2004 1414 AirUSrev111.qxd 16-12-2004 1414 Voltage Line plug according to standard Important Safety InstructionsQuick Setup Reference AirUSrev111.qxd 16-12-2004 1415 Page c Table of Contents Product Concept IntroductionThis Manual BreakSlave & Sub Units Remote ControlCommon Features Master UnitOptional Digital I/O card Rear Panel Description MasterMaster Unit Analog I/O Slave/SubMain Display Operational OverviewSetting up Introduction AIR Display & Setting UPGeneral Setup Procedure Stereo Setup with stereo Subs SetupsStereo Setup Stereo Setup with mono SubsThis illustration shows how to connect a 5.1 analog setup Digital SetupAnalog Setup This illustration shows how to connect a 5.1 digital setupThis illustration shows how to connect a 5.3 Analog setup This illustration shows how to connect a 5.3 Digital setupDig/6 Master This illustration shows how to connect a 6.1 Analog setupOther Chained Setups Stereo Setup With Chains on L & RDigital 192 kHz Digital Setup Overview When the Monitors are ConnectedMain Display Press Enter to access the Select ModeParameter Description Basic operation in all menusExternal Clock Setup MenuSetup Set Monitor TaskStore Presets In GeneralLFE channel note RecallPlacing the Monitors On the bridge / Console Close to wall / WallOther situations Checking the placing Phase checkingChecking by ear when listening to the signals In phase EvaluationNext EqualizingAcoustic level calibration Calibrating Main MonitorsCurves Interchannel calibrationPlacing the Subwoofer Evaluation Low frequency sweepsChecking the Crosspoint Checking summing phase cancellationTo Calibrate Controlling standing wavesLFE Gain PhasePolarity Good acoustics AcousticsReverberation time Sabines formula Absorbtion or diffusion ? Resonance absorbers AbsorbersDiffusers Membrane absorbersStanding Waves Background Info AcousticsAxial Tangential Radial Room modesHow does the standing waves influence the sound field? How to prohibit standing wavesAcoustics Background Info Comb Filtering Dip frequencies Or +Rear wall cancellation Subwoofer Subwoofer Background InfoLow Pass LFE Gain Subwoofer & LFE Channel Background InfoLFE Channel Cross-oversAcoustic summation of audio signals Delaying Monitors LINE-UP & CalibrationCinema set-up LINE-UP & Calibration Background Info How to measure the sound pressure?Calibration of 5.1 in an ITU-775 arrangement AIR Remote Remote Control FeaturesIntroduction Shift key Preset 1/3 and 2/4 keysVolume potentiometer REF Level 1-3 keysNavigating AIR Soft AIR SoftTools MainNetwork Preset ListSystem Setup Chained monitors Calibrate AIR BaseLocal Parameters Reset ProceduresMiscellaneous Global ParametersSerial to Cat-5 cable CablesTC Link Standard Cat-5 cables AES/EBU Standard cablesAIR 20 & AIR 25 Master and Slave AIR 6 & AIR 15 Master and SlaveRoom & Distance AIR Base-1 & AIR Base-2General for all Products AIR Remote AIR Remote specsError messages etc Delay in System & Error Messages ETCCertificate Of Conformity Certificate of ConformityAIR # Name Preset List

pmn specifications

Dynaudio, a company renowned for its high-fidelity audio products, has made significant strides in the field of professional monitoring through its PPM (Professional Precision Monitoring) series. Among the standout models in this series is the Dynaudio PMN (Professional Monitoring Nearfield), which has garnered attention for its outstanding sound quality, precise technical performance, and sophisticated design.

One of the key features of the Dynaudio PMN monitors is their advanced driver technology. Equipped with proprietary drivers, the PMN series employs custom-designed woofers and tweeters that deliver an incredibly accurate frequency response. The woofers utilize a lightweight diaphragm, ensuring that low frequencies are produced with power while maintaining clarity. The tweeters, known for their soft dome design, excel in reproducing high frequencies with exquisite detail and minimal distortion, making the listening experience both immersive and enjoyable.

In terms of design, the PMN monitors boast a sleek and modern aesthetic that fits seamlessly into any studio environment. The cabinet construction employs advanced materials and techniques that minimize resonance, thus reducing unwanted coloration in sound. The unique curved shape of the cabinets is not only visually appealing but also supports optimal acoustic performance by enhancing sound dispersion.

Another notable characteristic of the Dynaudio PMN is its versatility. The monitors are equipped with multiple inputs, allowing for seamless integration into various set-ups, whether in a professional studio or a home listening environment. This flexibility is further complemented by adjustable bass and treble controls, empowering users to tailor the sound profile to their specific requirements.

Dynaudio has also incorporated advanced technologies such as room correction in certain PMN models, which enables precise calibration according to the acoustics of the room. This feature ensures that audio professionals can rely on consistent and accurate sound reproduction regardless of their monitoring environment.

Overall, the Dynaudio PMN series represents a blend of pioneering audio technology, meticulous craftsmanship, and user-focused design. For professionals seeking precise monitoring solutions for music production, film scoring, or any audio-related projects, the Dynaudio PMN monitors provide an exceptional listening experience that stands the test of time. With their stellar performance and innovative features, these monitors have become a top choice for sound engineers, musicians, and audio enthusiasts alike.
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