Dynaudio pmn manual Close to wall / Wall, On the bridge / Console, Other situations

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PLACING THE MONITORS

Placement of monitors and acoustics do influence monitor sound. AIR series provides powerful tools to compensate for different placement. Below, please find a description of the most common monitor placements and appropriate compensation. Using material from the calibration CD together with the AIR placement compensation settings could help the interaction between the AIR monitor and acoustics the studio. In general we recommended consulting an acoustics expert for measurement and advanced adjustment and alignment. AIR PC-IP is an optional PC software package for advanced installers which, among other things, provides comprehensive EQ and Delay possibilities for each AIR monitor. For installations where flush mounting is considered, make sure to consult an expert.

Free Standing

Wall

Corner

Console

Compensation tools within in the AIR System using the position options in the Calibration menu.

Free standing / "Neutral"

The monitor is placed on a stand or hung down from the ceiling some distance away from walls and other surfaces. This position requires the "Neutral" setting (which is default in the "Calibrate monitor" menu). Try to place the monitor optimally with regard to reflections and standing waves. This should be your reference - you can always try to compare performance of an optimally placed freestanding AIR monitor ("Neutral" in calibration menu) with any other monitors placed in other positions (Wall, Corner, Console) to determine if compensation in these positions is needed.

Close to wall / "Wall"

When the monitor is placed close to a wall, there is a need to decrease the bass response. The "Wall" setting found in the "Calibrate monitor" menu takes this and other things into account. Try to compare this setting with "Neutral" to determine which works better in your studio.

If the opposite wall is parallel to the wall where the monitor is placed, be aware that low frequency cancellation might occur. Also, look out for standing waves which might occur due to an uneven distribution of low frequencies.

Corner

Same considerations as in the "Wall" position, but in a corner position there is even more need for decreasing bass response which will be boosted acoustically.

Try the "Corner" setting found in the Calibrate monitor menu and then evaluate performance comparing with a frees standing monitor in "Neutral" position. Use the Bass and Treble filters for fine adjustment.

On the bridge / "Console"

Placing a monitor on a meter bridge of a console result in a strong single reflection from the surface on the desk which may color the sound (comb filtering - sounds like the sound is modulated). In general it helps to minimize the distance / height between the monitor and the reflective surface.

Although it is not possible to eliminate comb filtering totally using EQ, try to select the "Console" setting in the Calibrate monitor menu and evaluate performance in your studio.

Other situations

In the Calibrate monitor menu, you will also find different settings which takes combinations of the above into account - e.g. Console Wall, which should be used if the monitor is placed both close to a wall and has a console reflection.

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Contents AirUSrev111.qxd 16-12-2004 1414 AirUSrev111.qxd 16-12-2004 1414 Important Safety Instructions Voltage Line plug according to standardQuick Setup Reference AirUSrev111.qxd 16-12-2004 1415 Page c Table of Contents Introduction This ManualBreak Product ConceptRemote Control Common FeaturesMaster Unit Slave & Sub UnitsRear Panel Description Master Master Unit Analog I/OSlave/Sub Optional Digital I/O cardOperational Overview Main DisplayAIR Display & Setting UP Setting up IntroductionGeneral Setup Procedure Setups Stereo SetupStereo Setup with mono Subs Stereo Setup with stereo SubsDigital Setup Analog SetupThis illustration shows how to connect a 5.1 digital setup This illustration shows how to connect a 5.1 analog setupThis illustration shows how to connect a 5.3 Digital setup This illustration shows how to connect a 5.3 Analog setupThis illustration shows how to connect a 6.1 Analog setup Dig/6 MasterStereo Setup With Chains on L & R Other Chained SetupsDigital 192 kHz Digital Setup When the Monitors are Connected OverviewPress Enter to access the Select Mode Parameter DescriptionBasic operation in all menus Main DisplaySetup Menu SetupSet Monitor Task External ClockPresets In General LFE channel noteRecall StorePlacing the Monitors Close to wall / Wall On the bridge / ConsoleOther situations Phase checking Checking by ear when listening to the signals In phaseEvaluation Checking the placingEqualizing NextCalibrating Main Monitors CurvesInterchannel calibration Acoustic level calibrationPlacing the Subwoofer Low frequency sweeps EvaluationChecking summing phase cancellation To CalibrateControlling standing waves Checking the CrosspointPhase LFE GainPolarity Acoustics Good acousticsReverberation time Sabines formula Absorbers DiffusersMembrane absorbers Absorbtion or diffusion ? Resonance absorbersBackground Info Acoustics Standing WavesRoom modes Axial Tangential RadialHow to prohibit standing waves How does the standing waves influence the sound field?Acoustics Background Info Comb Filtering Or + Dip frequenciesRear wall cancellation Subwoofer Background Info SubwooferSubwoofer & LFE Channel Background Info LFE ChannelCross-overs Low Pass LFE GainDelaying Monitors LINE-UP & Calibration Acoustic summation of audio signalsCinema set-up How to measure the sound pressure? LINE-UP & Calibration Background InfoCalibration of 5.1 in an ITU-775 arrangement Remote Control Features AIR RemoteIntroduction Preset 1/3 and 2/4 keys Volume potentiometerREF Level 1-3 keys Shift keyAIR Soft Navigating AIR SoftMain ToolsPreset List NetworkSystem Setup Calibrate AIR Base Chained monitorsReset Procedures MiscellaneousGlobal Parameters Local ParametersCables TC Link Standard Cat-5 cablesAES/EBU Standard cables Serial to Cat-5 cableAIR 6 & AIR 15 Master and Slave AIR 20 & AIR 25 Master and SlaveAIR Base-1 & AIR Base-2 Room & DistanceGeneral for all Products AIR Remote specs AIR RemoteDelay in System & Error Messages ETC Error messages etcCertificate of Conformity Certificate Of ConformityAIR Preset List # Name

pmn specifications

Dynaudio, a company renowned for its high-fidelity audio products, has made significant strides in the field of professional monitoring through its PPM (Professional Precision Monitoring) series. Among the standout models in this series is the Dynaudio PMN (Professional Monitoring Nearfield), which has garnered attention for its outstanding sound quality, precise technical performance, and sophisticated design.

One of the key features of the Dynaudio PMN monitors is their advanced driver technology. Equipped with proprietary drivers, the PMN series employs custom-designed woofers and tweeters that deliver an incredibly accurate frequency response. The woofers utilize a lightweight diaphragm, ensuring that low frequencies are produced with power while maintaining clarity. The tweeters, known for their soft dome design, excel in reproducing high frequencies with exquisite detail and minimal distortion, making the listening experience both immersive and enjoyable.

In terms of design, the PMN monitors boast a sleek and modern aesthetic that fits seamlessly into any studio environment. The cabinet construction employs advanced materials and techniques that minimize resonance, thus reducing unwanted coloration in sound. The unique curved shape of the cabinets is not only visually appealing but also supports optimal acoustic performance by enhancing sound dispersion.

Another notable characteristic of the Dynaudio PMN is its versatility. The monitors are equipped with multiple inputs, allowing for seamless integration into various set-ups, whether in a professional studio or a home listening environment. This flexibility is further complemented by adjustable bass and treble controls, empowering users to tailor the sound profile to their specific requirements.

Dynaudio has also incorporated advanced technologies such as room correction in certain PMN models, which enables precise calibration according to the acoustics of the room. This feature ensures that audio professionals can rely on consistent and accurate sound reproduction regardless of their monitoring environment.

Overall, the Dynaudio PMN series represents a blend of pioneering audio technology, meticulous craftsmanship, and user-focused design. For professionals seeking precise monitoring solutions for music production, film scoring, or any audio-related projects, the Dynaudio PMN monitors provide an exceptional listening experience that stands the test of time. With their stellar performance and innovative features, these monitors have become a top choice for sound engineers, musicians, and audio enthusiasts alike.
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