Dynaudio pmn manual Preset List, # Name

Page 60

58

#Name

1-15

"## Empty"/"

 

 

 

 

 

 

 

Preset one to fifteen are "empty" until you choose to store something after which it says "User Preset"

 

 

 

 

 

 

 

## User Preset"

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Preset Level (dB)

 

 

Bass M.

X-curve 1

X.Curve #2

 

Factory Presets

Typical Applications

L

C

R

Ls

Rs

SUB

LFE

X-over

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

16

Neutral

All parameters neutral - a good starting point

0

0

0

0

0

0

0dB gain

Off

Off

Off

17

BassMgr ??Hz

Music, video and post for domestic (Not Cinema) use - Stereo, 5.1, 5.3 and 6.1

0

0

0

0

0

0

0dB gain

50Hz

Off

Off

18

BassMgr 80Hz

Music, video and post for domestic (Not Cinema) use - Stereo, 5.1, 5.3 and 6.1

0

0

0

0

0

0

0dB gain

80Hz

Off

Off

19

BassMgr 95Hz

Music, video and post for domestic (Not Cinema) use - Stereo, 5.1, 5.3 and 6.1

0

0

0

0

0

0

0dB gain

95Hz

Off

Off

20

BassMgr 110Hz

Music, video and post for domestic (Not Cinema) use - Stereo, 5.1, 5.3 and 6.1

0

0

0

0

0

0

0dB gain

110Hz

Off

Off

21

BassMgr 115Hz

Music, video and post for domestic (Not Cinema) use - Stereo, 5.1, 5.3 and 6.1

0

0

0

0

0

0

0dB gain

115Hz

Off

Off

22

BassMgr 120Hz

Music, video and post for domestic (Not Cinema) use - Stereo, 5.1, 5.3 and 6.1

0

0

0

0

0

0

0dB gain

120Hz

Off

Off

23

Cinema Flat

Mixing for Cinema without compensation for X-curve. 5.1

0

0

0

-3

-3

0

0dB gain

Off

Off

Off

24

Cine X-curve

Mixing for Cinema in a small room - compensates for X-curve. 5.1

0

0

0

-3

-3

0

0dB gain

Off

Yes

Off

25

Cine X-curve2

Mixing for Cinema in a small room - compensates for modified X-curve. 5.1

0

0

0

-3

-3

0

0dB gain

Off

Off

Yes

26

Cinema X+50Hz

Mixing for Cinema with small room X-curve compensation and bass Management.

0

0

0

-3

-3

0

0dB gain

80Hz

Yes

Off

27

Cinema X+80Hz

Mixing for Cinema with small room X-curve compensation and bass Management

0

0

0

-3

-3

0

0dB gain

80Hz

Yes

Off

28

CinemX+120Hz

Mixing for Cinema with small room X-curve compensation and bass Management

0

0

0

-3

-3

0

0dB gain

120Hz

Yes

Off

29

Cinema 80Hz

Mixing for Cinema with Bass management but without compensation for X-curve

0

0

0

-3

-3

0

0dB gain

80Hz

Off

Off

30

Cinema 120Hz

Mixing for Cinema with Bass management but without compensation for X-curve

0

0

0

-3

-3

0

0dB gain

120Hz

Off

Off

31

OB Van 120Hz

OB vans and very small rooms where rear-channels are close to sweetspot

0

0

0

-2

-2

0

0dB gain

120Hz

Off

Off

32

Neutral

All parameters neutral - a good starting point

0

0

0

0

0

0

0dB gain

Off

Off

Off

 

X-curve #1

ANSI / SMPTE222M (1.5dB roll off per oct. from 2kHz)) Please refer to page 25

 

 

 

 

 

 

 

 

 

 

 

X-curve #2

ANSI / SMPTE222M Mod. (3dB roll off per oct. from 4kHz) Please refer to page 25

 

 

 

 

 

 

 

 

 

 

 

LFE Gain

Please note that the LFE channel should be mixed with +10dB headroom.

 

 

 

 

 

 

 

 

 

 

 

 

If you are not able to boost your LFE monitor output, you should add +10dB gain on

 

 

 

 

 

 

 

 

 

 

your AIR-Base.

Most format encoders / decoders take the LFE boost into account, meaning that you should leave the AIR-Base LFE gain at 0dB

when playing back a DTS or DOLBY encoded material on your AIR system

PRESET LIST

Air_US_rev_111.qxd 16-12-2004 14:18 Page 58

Image 60
Contents AirUSrev111.qxd 16-12-2004 1414 AirUSrev111.qxd 16-12-2004 1414 Important Safety Instructions Voltage Line plug according to standardQuick Setup Reference AirUSrev111.qxd 16-12-2004 1415 Page c Table of Contents Introduction This ManualBreak Product ConceptRemote Control Common FeaturesMaster Unit Slave & Sub UnitsRear Panel Description Master Master Unit Analog I/OSlave/Sub Optional Digital I/O cardOperational Overview Main DisplayAIR Display & Setting UP Setting up IntroductionGeneral Setup Procedure Setups Stereo SetupStereo Setup with mono Subs Stereo Setup with stereo SubsDigital Setup Analog SetupThis illustration shows how to connect a 5.1 digital setup This illustration shows how to connect a 5.1 analog setupThis illustration shows how to connect a 5.3 Digital setup This illustration shows how to connect a 5.3 Analog setupThis illustration shows how to connect a 6.1 Analog setup Dig/6 MasterStereo Setup With Chains on L & R Other Chained SetupsDigital 192 kHz Digital Setup When the Monitors are Connected OverviewPress Enter to access the Select Mode Parameter DescriptionBasic operation in all menus Main DisplaySetup Menu SetupSet Monitor Task External ClockPresets In General LFE channel noteRecall StorePlacing the Monitors Close to wall / Wall On the bridge / ConsoleOther situations Phase checking Checking by ear when listening to the signals In phaseEvaluation Checking the placingEqualizing NextCalibrating Main Monitors CurvesInterchannel calibration Acoustic level calibrationPlacing the Subwoofer Low frequency sweeps EvaluationChecking summing phase cancellation To CalibrateControlling standing waves Checking the CrosspointPhase LFE GainPolarity Acoustics Good acousticsReverberation time Sabines formula Absorbers DiffusersMembrane absorbers Absorbtion or diffusion ? Resonance absorbersBackground Info Acoustics Standing WavesRoom modes Axial Tangential RadialHow to prohibit standing waves How does the standing waves influence the sound field?Acoustics Background Info Comb Filtering Or + Dip frequenciesRear wall cancellation Subwoofer Background Info SubwooferSubwoofer & LFE Channel Background Info LFE ChannelCross-overs Low Pass LFE GainDelaying Monitors LINE-UP & Calibration Acoustic summation of audio signalsCinema set-up How to measure the sound pressure? LINE-UP & Calibration Background InfoCalibration of 5.1 in an ITU-775 arrangement Remote Control Features AIR RemoteIntroduction Preset 1/3 and 2/4 keys Volume potentiometerREF Level 1-3 keys Shift keyAIR Soft Navigating AIR SoftMain ToolsPreset List NetworkSystem Setup Calibrate AIR Base Chained monitorsReset Procedures MiscellaneousGlobal Parameters Local ParametersCables TC Link Standard Cat-5 cablesAES/EBU Standard cables Serial to Cat-5 cableAIR 6 & AIR 15 Master and Slave AIR 20 & AIR 25 Master and SlaveAIR Base-1 & AIR Base-2 Room & DistanceGeneral for all Products AIR Remote specs AIR RemoteDelay in System & Error Messages ETC Error messages etcCertificate of Conformity Certificate Of ConformityAIR Preset List # Name

pmn specifications

Dynaudio, a company renowned for its high-fidelity audio products, has made significant strides in the field of professional monitoring through its PPM (Professional Precision Monitoring) series. Among the standout models in this series is the Dynaudio PMN (Professional Monitoring Nearfield), which has garnered attention for its outstanding sound quality, precise technical performance, and sophisticated design.

One of the key features of the Dynaudio PMN monitors is their advanced driver technology. Equipped with proprietary drivers, the PMN series employs custom-designed woofers and tweeters that deliver an incredibly accurate frequency response. The woofers utilize a lightweight diaphragm, ensuring that low frequencies are produced with power while maintaining clarity. The tweeters, known for their soft dome design, excel in reproducing high frequencies with exquisite detail and minimal distortion, making the listening experience both immersive and enjoyable.

In terms of design, the PMN monitors boast a sleek and modern aesthetic that fits seamlessly into any studio environment. The cabinet construction employs advanced materials and techniques that minimize resonance, thus reducing unwanted coloration in sound. The unique curved shape of the cabinets is not only visually appealing but also supports optimal acoustic performance by enhancing sound dispersion.

Another notable characteristic of the Dynaudio PMN is its versatility. The monitors are equipped with multiple inputs, allowing for seamless integration into various set-ups, whether in a professional studio or a home listening environment. This flexibility is further complemented by adjustable bass and treble controls, empowering users to tailor the sound profile to their specific requirements.

Dynaudio has also incorporated advanced technologies such as room correction in certain PMN models, which enables precise calibration according to the acoustics of the room. This feature ensures that audio professionals can rely on consistent and accurate sound reproduction regardless of their monitoring environment.

Overall, the Dynaudio PMN series represents a blend of pioneering audio technology, meticulous craftsmanship, and user-focused design. For professionals seeking precise monitoring solutions for music production, film scoring, or any audio-related projects, the Dynaudio PMN monitors provide an exceptional listening experience that stands the test of time. With their stellar performance and innovative features, these monitors have become a top choice for sound engineers, musicians, and audio enthusiasts alike.