Jacks and Control Features | Hughes & Kettner Tape Delay Simulator

REPLEX-MANUAL

2. JACKS AND CONTROL FEATURES

2.1. CABLE CONNECTIONS

NOTE: The best point in the signal chain at which to connect the REPLEX to your amp is immediately before it. While it is theoretically possible to insert the REPLEX into a post-pre- amp effects loop, doing so would make little sense in tonal terms.

INPUT: Plug your guitar into this input jack.

OUTPUT: Connect the output jack of the REPLEX to the gui- tar input jack of your amp.

2.2. KNOBS

DRIVE: Establishes the input impedance (gain) and thereby the degree of tube distortion.

SAT: The SAT LED lights up when the tube is driven to its saturation threshold and the signal is just beginning to break up.

OUTPUT: Controls the output level of the REPLEX.

REVERB VOLUME: Controls the level of the reverb effect.

VOLUME: In Single Head mode, controls the level of the delay effect. In Dual Head mode, controls the level of the first simulated head.

FEEDBACK: Controls the intensity of feedback and thus the number of repetitions that the delay generates.

VINTAGE FACTOR: Simulates the complex sound-shaping effects of magnetic tape recordings and controls their intensity. The more you turn the knob, the more intensely these factors will color the sound.

SINGLE HEAD TIME: In Single Head mode, controls delay time. In Dual Head mode, controls delay time of the first simulated head.

DUAL HEAD TIME: Controls the delay time of the second simulated head in Dual Head mode.

DUAL HEAD VOLUME: Controls the level of the second simulated head in Dual Head mode.

2.3. SWITCHES

Note: The pedal’s Reverb and Delay sections operate independently, i.e. you cannot operate both at the same time.

BYPASS: Switches the effect on and off. This is a true hardwire bypass. That is, when the Replex is switched off (green LED off), the signal at the input is routed directly to the output, absolutely unaffected by the internal circuitry.

REVERB: Switches the reverb effect off or on.

SINGLE HEAD DELAY: Switches the Single-Head-mode delay effect off or on.

DUAL HEAD DELAY: Switches the Dual-Head-mode delay effect off or on.

3. TROUBLESHOOTING

Noise: The REPLEX is an effects device equipped largely with analog circuitry. Particularly the on-board tube, which is responsible for the highly desirable tube tone, can generate audible noise.

Tube: When you power the REPLEX up, the Tube Sat LED will illuminate until the tube has heated up to operating temperature. If the tube is already warm, this of course won’t take as long. If the LED does not light up, check the power supply to verify that it is plugged in.

If the LED continues to illuminate for longer than the standard heat-up period, the tube is defective and needs to be replaced.

If you find that the effect generates ugly distortion or sounds muddy, in all likelihood the tube is worn out and needs to be replaced.

The tube should be replaced by qualified service technicians only.

4. TECHNICAL SPECIFICATIONS

Weight with AC power pack: 5.2 lbs / 2.35 kg

Weight without AC power pack: 4.4 lbs / 2 kg

Dimensions:

Width: 10.07" / 256 mm

Height: 3.15" / 80 mm

Depth: 8.46" / 215 mm

General electrical specifications:

Maximum current consumption: 690 mA at 13 volts AC

Maximum power draw: 11 VA

Mains power supply: Use original power supply only!!

Tube: (1) ECC83 or 12AX7A

Input sensitivity: -25 dB

Input impedance: 1 MΩ

Output level: 0 dB

Impedance: 1 KΩ

Tape Delay Simulator specifications

Hughes & Kettner, a renowned name in the world of musical equipment, has introduced an impressive Tape Delay Simulator that embodies the nostalgia of vintage tape echo units while integrating modern technology for enhanced sound manipulation. This unit caters not only to guitarists but also to keyboardists and producers seeking to add depth, warmth, and character to their audio.

One of the standout features of the Hughes & Kettner Tape Delay Simulator is its authentic emulation of classic tape delay effects. By capturing the essence of the original tape echo units, it provides users with the iconic, rich sound characterized by warm repeats and a slight degradation that comes from analog technology. The unit allows for detailed control of delay parameters, including feedback, delay time, and blend, letting musicians personalize their sound with precision.

At the heart of the Tape Delay Simulator is its advanced DSP technology, which enables high-fidelity sound processing without the limitations typically associated with traditional tape echo systems. This technology ensures that the natural warmth and resonance of tape delay are preserved while also offering pristine signal fidelity. Additionally, the simulator features multiple delay modes, each offering distinct sonic characteristics that can be easily toggled to match different musical contexts.

Another key characteristic is the intuitive user interface, featuring a straightforward control layout that allows musicians to dial in settings quickly and efficiently. With dedicated knobs for feedback, time, and mix, users can create from subtle echoes to more extensive atmospheric sounds with ease. Furthermore, the Tape Delay Simulator includes a modulation section, which adds a layer of depth and movement to the echoes, enhancing the overall richness of the output.

The unit is also equipped with stereo outputs, enabling users to create a spacious soundstage that is essential in both live performance and studio scenarios. Whether integrating it into a pedalboard setup or using it as a standalone effect, the Hughes & Kettner Tape Delay Simulator proves to be a versatile tool for any musician's arsenal.

Moreover, the build quality of the unit reflects Hughes & Kettner’s commitment to craftsmanship, with a robust chassis and durable controls designed to withstand the rigors of live performance. In summary, the Hughes & Kettner Tape Delay Simulator combines vintage charm with modern tech, providing musicians with a powerful and flexible tool to enhance their sound with rich, warm delays that can transform any performance or recording.