Millennium Enterprises Stereo150 manual Effects include

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Johnson Millennium

Section - 1 Introduction

Digital Effects

Not only is the MIllennium a great stand-alone Guitar Amplifier, but it also has a world class digital multi-effect section that includes almost every Studio-quality effect imaginable.

Effects include:

 

• Reverbs (Natural & Spring)

• Auto panners

• Choruses

• Analog/Digital Delays

• Tremolos

• Whammy Effects

• Rotary Speaker Simulation

• Chromatic Pitch Shifters

• Phasers

• Intelligent Pitch Shifter

• Flangers

• Detuners

• Digital Compressor

 

Real Time Parameter Modifiers: Modifiers are unique tools that can be used to dramatically alter your sound based on information from signal amplitude, the settings of a Low Frequency Oscillator (LFO) or MIDI Continuous Controller information.

Every Preset in the Millennium has a set of modifiers. Up to 16 Modifier links can be assigned to control parameters. There are 5 types of Modifiers that can be linked to a parameter: Foot Switch, Expression Pedal, MIDI CCs, LFOs, and Dynamic (signal level dependent).

MIDI CCs: When you use MIDI CCs, your Millennium responds to CC numbers 0-127 and CHP (channel pressure or aftertouch).

For example, you can have a synth's modulation wheel (usually MIDI CC#1) control the Input level of a reverb and chorus in one Preset, while the delay feedback may be controlled in another. For more information on MIDI CCs, please see pg. 56.

LFOs: When you use LFOs, parameter values can be controlled automatically between a defined minimum and maximum setting at a user- definable rate. Your Millennium has 2 user definable LFOs in each preset that can use unique speeds and waveforms, and can be assigned to any Parameter.

For example, you can create an auto panner without using an auto panner module. Simply link an effect's output pan parameter to the LFO modifier and the LFO will move that parameter back and forth. This modifier can be a very useful weapon in the ongoing battle of new sound creation. For more information on LFOs, please see pg. 56.

Dynamic Modifiers: When you use Dynamic Modifiers, the parameter values are controlled in relation to the dynamics of the input signal. The possibilities are nearly endless. For more information on Dynamic Modifiers, please see pg. 56.

For example, you could link the Dynamic Modifier of a Preset to control a chorus level. It doesn't sound like much on paper, but imagine the expressiveness of this type of effect on a lead. As you play the guitar harder, the chorus becomes less apparent. Play softly and the chorus increases. ALL IN REAL TIME!

For more information on using modifiers see the “Assigning Modifiers” section. on page 56

User Guide

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Contents User’s Guide Mains Plug Warning EN 55020 Manufacturer’s NameEN 55013 Apply Power Adjust Input and Output Connect J-3 Multi-Function FootswitchSelect Preset Quick StartTable of Contents Amplifier Section Editing Modules Advanced TopicsMidi Functions Digital Effects SectionAppendix Using the Johnson Amplification J-12 Foot ControllerUser Guide Congratulations IntroductionUser Guide Front Panel Quick Tour of the Millennium100 User Guide F FX Library Buttons Midi Rear PanelAmerican Stack Dual Rectifier, Boogie MK II, Soldano SLO Amplifier Model TypesEffects include Programmable Mono FX Loop Basic SpecificationsJohnson Amplification J-12 foot controller Foot Controller CompatibilityModule Sizes Module TypesMaking Connections Setting UpXLR Cabinet Emulation functions To Exit this mode, simply press the Preset buttonFX Edit Mode Preset ModeUtility Mode Assign ModeGain Adjustments Input and Master Output AdjustmentsEQ and Preset Level Getting SoundsAmplifier Contour Control Wet/Dry Mix Adjustments Global or LocalAmplifier Model and Channel Selection Digital FX Quick Adjust Knobs Using the Tuner Selecting a PresetUtility Menu Tuner Mode Press the Utility button once. The display readsReference and Output Johnson Amplification J-12 Tuner ModeInstant Tuner Access Naming the Preset Naming and Storing PresetsAfter which you are taken to the preset you have just stored Storing the PresetPreset Editing Sections Editing a PresetIntegrated Amplifier Model Editing Integrated Amplifier Model SelectionBgain LVL Adig LVL Analog Wah EditingAvail Link for Pedal 1 OFF Noise Gate EditingConfig Series 4,4,4,4 Selecting Effect Configuration RoutesAdjusting the Module’s Parameters Selecting a DefaultCustom Defaults Changing Effect ModulesComparing Original Pst Comparing ChangesNaming the Default Storing/Naming DefaultsEditing a Module Storing the DefaultOutput Module Functions Scrolling through a Module’s PagesEffect Name Digital Effect Module Size and TypeChoruses Default ListAnalog Wah Effects LibraryAmplifier Types Analog Wah ParametersNoise Gate Parameters Noise GateReverbs Digital EffectsReverb Stereo Reverb a true stereo version of the Reverb ModuleReverb Parameters Gated ReverbOver Freq Over TypeLow Pass TimeChoruses and Flangers Chorus T C HChorus Parameters Flanger Parameters FlangerOut a B PhasersRanges from 0 to 60 milliseconds Mode Rotary Speaker SimulatorLevel OverTremolo Tremolo and Auto-PannerAuto Panner Tremolo & Auto Panner ParametersPitch Shifters Parameters Pitch Shifters and HarmonyDetuners Slapback delay effect. Ranges from 0 to 60 milliseconds DelaysDetuner Parameters Ranges from -50% to 50%Delay Parameters Compressor Parameters CompressorGraphic Equalizer Parameters EqualizersGraphic Equalizers Parametric Equalizers Multi Effects Modules Chorus/Delay and Flange/DelayParametric Equalizer Parameters Multi-Effect Module ParametersWhammy Effect Parameters Whammy EffectsAuto Wah Effect Parameters Auto WahMidi CCs Assigning ModifiersDynamic Modifiers LFOsLinking a Parameter to a Modifier External Expression PedalsSetting up a Dynamic Modifier Setting up an LFOAmplifier Morphing Morphing Pedal AssignmentsMorphing Between Effect Modules Volume Pedal AssignmentsVol Pdl Morph Pdl Preset Receive Map Setting the Midi ChannelsMidi Functions Midi MergingSysEx Device Channel Preset Transmit MapSysExDump UserPst³PstNum Sysex DumpsSysEx Dump Bulk System After which it returns to the User default screenGlobal vs. Local XLR Cabinet Emulation Factory ResetOther Utility Functions Footswitch Set-Up Output ModeExpression Pedal Names Configuring the PedalboardConnecting the Johnson Amplification J-12 Foot Controller Assigning Functions Assigning Presets to FootswitchesPress the Preset button to exit Gain Exp 1 Min 56Max Assigning Parameters to Footswitches/ Expression PedalsTurn the Page knob to page 10 and the display reads Other Footswitch FunctionsAssigning Midi Control to the Expression Pedals 12 will appear like this When connected. The display now readsTurn Page knob to page 3 and the display will read Momentary Footswitch AssignmentUsing the Tuner Bank Up/ Tuner and Bank Down / Bypass FootswitchesOther Pedalboard Tidbits Naming BanksWill now read Available Link Un-Linking or Viewing Parameter ControlBank 2 Fender Bank 1 TopBank 4 Vox MatchlessBank 13 Country Bank 19 Morph Bank 12 Alternative Bank 18 DynamicsBank 14 Vintage StudioBank 3 Boogie/Soldano Millennium Preset DescriptionsBank 6 Marshall Bank 5 MatchlessBank 8 Signature Bank 13 Country Bank 12 AlternativeBank 16 Jazz/Fusion Bank 15 StudioBank 18 Dynamics ConfigStereo 2,2 ConfigParall 4,4,2 ConfigMonoSplit 4,4,4,4 Effect Configuration ChartHarmony Interval Charts Power Requirements Power Amp SectionAudio Outputs Audio InputsRemarks Midi Implementation ChartMidi Basics System Exclusive ImplementationJohnson Amplification Los Angeles, California 90056 USA 213General Format ProceduresSyshead 48h, dd1st1 dd1st2, ... ddnth1, ddnth2, F7h Ddn Request ONE Preset 01hTt = Vv = Software version number Rr =Syshead 17h, aa1, aa2,bbs1, bbs2, F7h BbsModules User requested Number of ModulesIndicates the beginning of the xth Module Number of available parameters in the FX ModuleSYSHEAD, 54h, cc, F7h 02h Effect Module 03h 04h Whole Effect ModuleSYSHEAD, 22h, F7h Reset Preset 20hKey Label Hex equivalent SysEx Button/Keys/Footswitch codesSysEx Preset Dump Example Fx Module codes and numbers PEQ 100 101 102 103 104 105 106 Section
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