Millennium Enterprises Stereo150 manual Chorus Parameters

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Section - 4 Editing Modules

Johnson Millennium

When do I use Chorus? The Chorus effect is so vast in applications, an easier question would probably be “When can’t I use a Chorus. When playing the Blues, turn the Speed and Depth parameters up to produce an almost Leslie-Type effect When trying to obtain “Big” rock guitar tone, use the Chorus to thicken-up and add depth to your sound.And, any time your using a clean tone program, guitar always sounds so lush when chorus is added.

Chorus Parameters:

Note: not all of the parameters listed below are available in all Chorus modules.

FX: Lvl

Controls the signal input level fed to the Module. Ranges from Off to 100%.

Dry: Lvl

Controls the level of the dry (uneffected) signal. Ranges from Off to 100%.

Balance

Controls the left/right positioning of the dry signal in the stereo soundfield. Ranges from -99 (all left) to 99 (all right).

Speed

Controls the Low Frequency Oscillator (LFO) speed of the chorus. Ranges from 0.06 to 16.0 Hz.

Depth

Adjusts the intensity of the chorus effect. High settings produce dramatic modulation, while lower settings can be

 

used to produce a more subtle, ambient swirling. Ranges from 0 to 30 milliseconds.

Depth 1 - 2

DEPTH1 adjusts the intensity of chorus voices 1-4. DEPTH2 adjusts the intensity of chorus voices 5-8. Ranges from 0

 

to 30 milliseconds.

Wander Speed

Controls the secondary LFO speed of chorus voices 5-8. This is a secondary oscillator for voices 5-8 that causes

 

deviations from the oscillation path set by DEPTH2. This control can produce radical new textures when used

 

creatively. Try setting it slightly faster or slower than SPEED. Ranges from 0.06 to 2.0 Hz.

Wander Depth

Adjusts the intensity of the oscillation deviations produced by WANDER SPEED. WANDER DEPTH produces dramatic

 

psycho-acoustic swirling effects when set higher than DEPTH2. Ranges from 0 to 10 milliseconds.

WvFrm

Selects which waveform the LFO follows. Options: sine, triangle, SP1 (special 1), and SP2 (special 2). See figure 3-4

Dly A - B

Controls the delay time of chorus voices A and B. Higher delay time settings produce a more dramatic sweeping

 

sound. Ranges from 0 to 60 milliseconds.

Dly C - D

Controls the delay time of chorus voices C and D. Higher delay time settings produce a more dramatic sweeping

 

sound. Ranges from 0 to 60 milliseconds

Dly E - H

Controls the delay time of chorus voices E through H. Higher delay time settings produce a more dramatic sweeping

 

sound. Ranges from 0 to 60 milliseconds

Out A - B

Adjusts the overall level of chorus voice A or B. Ranges from Off to 100%.

Pan A - B

Controls the placement of chorus voice A or B. Ranges from -99 to 99.

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User Guide

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Page 49 Page 51
Contents User’s Guide Mains Plug Warning EN 55020 Manufacturer’s NameEN 55013 Select Preset Connect J-3 Multi-Function FootswitchApply Power Adjust Input and Output Quick StartTable of Contents Midi Functions Editing Modules Advanced TopicsAmplifier Section Digital Effects SectionUsing the Johnson Amplification J-12 Foot Controller AppendixUser Guide Introduction CongratulationsUser Guide Quick Tour of the Millennium Front Panel100 User Guide F FX Library Buttons Rear Panel MidiAmplifier Model Types American Stack Dual Rectifier, Boogie MK II, Soldano SLOEffects include Basic Specifications Programmable Mono FX LoopFoot Controller Compatibility Johnson Amplification J-12 foot controllerModule Types Module SizesSetting Up Making ConnectionsTo Exit this mode, simply press the Preset button XLR Cabinet Emulation functionsUtility Mode Preset ModeFX Edit Mode Assign ModeEQ and Preset Level Input and Master Output AdjustmentsGain Adjustments Getting SoundsAmplifier Contour Control Wet/Dry Mix Adjustments Global or LocalAmplifier Model and Channel Selection Digital FX Quick Adjust Knobs Utility Menu Tuner Mode Selecting a PresetUsing the Tuner Press the Utility button once. The display readsReference and Output Johnson Amplification J-12 Tuner ModeInstant Tuner Access Naming and Storing Presets Naming the PresetStoring the Preset After which you are taken to the preset you have just storedIntegrated Amplifier Model Editing Editing a PresetPreset Editing Sections Integrated Amplifier Model SelectionBgain LVL Analog Wah Editing Adig LVLNoise Gate Editing Avail Link for Pedal 1 OFFSelecting Effect Configuration Routes Config Series 4,4,4,4Custom Defaults Selecting a DefaultAdjusting the Module’s Parameters Changing Effect ModulesComparing Changes Comparing Original PstStoring/Naming Defaults Naming the DefaultStoring the Default Editing a ModuleScrolling through a Module’s Pages Output Module FunctionsDigital Effect Module Size and Type Effect NameDefault List ChorusesAmplifier Types Effects LibraryAnalog Wah Analog Wah ParametersNoise Gate Noise Gate ParametersReverb Digital EffectsReverbs Stereo Reverb a true stereo version of the Reverb ModuleGated Reverb Reverb ParametersLow Pass Over TypeOver Freq TimeChoruses and Flangers T C H ChorusChorus Parameters Flanger Flanger ParametersOut a B PhasersRanges from 0 to 60 milliseconds Level Rotary Speaker SimulatorMode OverAuto Panner Tremolo and Auto-PannerTremolo Tremolo & Auto Panner ParametersPitch Shifters and Harmony Pitch Shifters ParametersDetuners Detuner Parameters DelaysSlapback delay effect. Ranges from 0 to 60 milliseconds Ranges from -50% to 50%Delay Parameters Compressor Compressor ParametersGraphic Equalizer Parameters EqualizersGraphic Equalizers Parametric Equalizer Parameters Multi Effects Modules Chorus/Delay and Flange/DelayParametric Equalizers Multi-Effect Module ParametersWhammy Effects Whammy Effect ParametersAuto Wah Auto Wah Effect ParametersDynamic Modifiers Assigning ModifiersMidi CCs LFOsExternal Expression Pedals Linking a Parameter to a ModifierSetting up an LFO Setting up a Dynamic ModifierMorphing Pedal Assignments Amplifier MorphingVolume Pedal Assignments Morphing Between Effect ModulesVol Pdl Morph Pdl Midi Functions Setting the Midi ChannelsPreset Receive Map Midi MergingPreset Transmit Map SysEx Device ChannelSysex Dumps SysExDump UserPst³PstNumAfter which it returns to the User default screen SysEx Dump Bulk SystemGlobal vs. Local XLR Cabinet Emulation Factory ResetOther Utility Functions Output Mode Footswitch Set-UpExpression Pedal Names Configuring the PedalboardConnecting the Johnson Amplification J-12 Foot Controller Assigning Functions Assigning Presets to FootswitchesPress the Preset button to exit Assigning Parameters to Footswitches/ Expression Pedals Gain Exp 1 Min 56MaxOther Footswitch Functions Turn the Page knob to page 10 and the display readsAssigning Midi Control to the Expression Pedals When connected. The display now reads 12 will appear like thisMomentary Footswitch Assignment Turn Page knob to page 3 and the display will readOther Pedalboard Tidbits Bank Up/ Tuner and Bank Down / Bypass FootswitchesUsing the Tuner Naming BanksUn-Linking or Viewing Parameter Control Will now read Available LinkBank 4 Vox Bank 1 TopBank 2 Fender MatchlessBank 14 Vintage Bank 12 Alternative Bank 18 DynamicsBank 13 Country Bank 19 Morph StudioMillennium Preset Descriptions Bank 3 Boogie/SoldanoBank 5 Matchless Bank 6 MarshallBank 8 Signature Bank 12 Alternative Bank 13 CountryBank 15 Studio Bank 16 Jazz/FusionBank 18 Dynamics Effect Configuration Chart ConfigStereo 2,2 ConfigParall 4,4,2 ConfigMonoSplit 4,4,4,4Harmony Interval Charts Audio Outputs Power Amp SectionPower Requirements Audio InputsMidi Implementation Chart RemarksJohnson Amplification System Exclusive ImplementationMidi Basics Los Angeles, California 90056 USA 213Procedures General FormatRequest ONE Preset 01h Syshead 48h, dd1st1 dd1st2, ... ddnth1, ddnth2, F7h DdnSyshead 17h, aa1, aa2,bbs1, bbs2, F7h Vv = Software version number Rr =Tt = BbsIndicates the beginning of the xth Module Number of ModulesModules User requested Number of available parameters in the FX Module02h Effect Module 03h 04h Whole Effect Module SYSHEAD, 54h, cc, F7hReset Preset 20h SYSHEAD, 22h, F7hSysEx Button/Keys/Footswitch codes Key Label Hex equivalentSysEx Preset Dump Example Fx Module codes and numbers PEQ 100 101 102 103 104 105 106 Section

Stereo150 specifications

Millennium Enterprises has long been recognized for its commitment to quality and innovation in the audio technology industry, and the Stereo150 amplifier is a testament to that legacy. This high-performance stereo amplifier is designed for audiophiles seeking exceptional sound quality and versatility in their media setups.

One of the standout features of the Stereo150 is its impressive power output. With a robust 150 watts per channel, it delivers clear, dynamic sound that can fill even the largest rooms with rich audio. The amplifier employs Class D technology, which not only enhances efficiency but also reduces heat generation, allowing it to operate for extended periods without the risk of overheating. This class of amplification is known for producing high fidelity sound while maintaining a compact form factor, making the Stereo150 an ideal choice for both home and professional setups.

The Stereo150 also incorporates advanced digital signal processing (DSP) technology. This allows for precise audio tuning, enabling users to tailor their listening experience according to their preferences. With customizable EQ settings, you can enhance low frequencies for a more bass-heavy sound or adjust high frequencies for clarity in vocals and instruments. This flexibility ensures that the Stereo150 can adapt to a wide variety of musical genres, from classical to rock to electronic.

Connectivity is another strong suit of the Stereo150. It features multiple input options, including RCA, balanced XLR, and optical inputs, facilitating seamless integration with various audio sources, such as turntables, CD players, and streaming devices. Additionally, the amplifier supports Bluetooth connectivity, making it easy to stream music directly from smartphones and tablets without the hassle of wires.

Durability and aesthetics have not been overlooked in the design of the Stereo150. The chassis is constructed from high-quality materials, providing both a modern look and sturdiness for long-term use. The front panel includes a user-friendly interface with LED indicators, making it easy to navigate settings and monitor the status of the amplifier.

In conclusion, the Millennium Enterprises Stereo150 stands out as a powerful, versatile, and aesthetically appealing stereo amplifier. Its combination of robust performance, advanced features, and diverse connectivity options make it an excellent choice for anyone looking to elevate their audio experience with high-quality sound. Whether used in a home theater, a studio, or for casual listening, the Stereo150 is poised to satisfy even the most discerning audio enthusiasts.
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