Millennium Enterprises Stereo150 manual Flanger Parameters

Page 51

Johnson Millennium

Section - 4 Editing Modules

Out C - D

Adjusts the overall level of chorus voice C or D. Ranges from Off to 100%.

Pan C - D

Controls the placement of chorus voice C or D in the stereo image. Ranges from -99 to 99.

Out LA - LB

Adjusts the left-side level of chorus voice A or B. Ranges from Off to 100%.

Out RA - RB

Adjusts the right-side level of chorus voice A or B. Ranges from Off to 100%.

Spread

Controls the width of the effect’s stereo imaging. The higher the setting, the wider the image. The lower the setting,

 

the more monophonic the effect becomes. Ranges from 1 to 10.

Flanger

A flanger is just a chorus that loops back into itself, causing what can be described as a tubular sound (since it sounds much like the reflections heard inside a large cement or metal pipe). It is still a modulating effect, so you hear a lot of sweeping movement. This makes the flanger a very colorful effect that can be easily overused if you're not careful. The more you feed the flanger back to itself, the more intense the sound becomes.

When do I use Flanger? An electric guitar is the first sound that begs for the flanger effect. It works very well with both clean and distorted guitar sounds. By setting the Speed and Depth parameters to higher settings, this will add more depth and body to the overall guitar signal.

Flanger Parameters

Note: Not all of of the parameter listed below are available in all of the Flanger modules.

FX: Lvl

Controls the signal input level fed to the Module. Ranges from Off to 100%.

Dry: Lvl

Controls the level of the dry (uneffected) signal. Ranges from Off to 100%.

Balance

Controls the positioning of the dry signal in the stereo soundfield. Ranges from -99 (all left) to 99 (all right).

Speed

Controls the Low Frequency Oscillator (LFO) speed of the flanger. Ranges from 0.06 to 16.0 Hz.

Depth

Controls the intensity of the flange effect. High settings of DEPTH combined with high settings of FDBCK produce

 

dramatic, synth-like textures. Ranges from 0 to 30 milliseconds.

FdBck

Controls how much of the flanged signal is fed back to the input of the Module. The FDBACK Parameter is what

 

gives flangers their distinctive voice. Flangers are capable of both positive and negative feedback loops, so

 

experiment to find the sound you like best. Ranges from -99% to 99%.

WvFrm

Selects which waveform the LFO follows. Options for this control include sine, triangle, SP1 (Special 1), and SP2

 

(Special 2). The sine wave setting is probably the most easily recognized, but the smooth response of the triangle

User Guide

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Contents User’s Guide Mains Plug Warning Manufacturer’s Name EN 55013EN 55020 Quick Start Connect J-3 Multi-Function FootswitchApply Power Adjust Input and Output Select PresetTable of Contents Digital Effects Section Editing Modules Advanced TopicsAmplifier Section Midi FunctionsAppendix Using the Johnson Amplification J-12 Foot ControllerUser Guide Congratulations IntroductionUser Guide Front Panel Quick Tour of the Millennium100 User Guide F FX Library Buttons Midi Rear PanelAmerican Stack Dual Rectifier, Boogie MK II, Soldano SLO Amplifier Model TypesEffects include Programmable Mono FX Loop Basic SpecificationsJohnson Amplification J-12 foot controller Foot Controller CompatibilityModule Sizes Module TypesMaking Connections Setting UpXLR Cabinet Emulation functions To Exit this mode, simply press the Preset buttonAssign Mode Preset ModeFX Edit Mode Utility ModeGetting Sounds Input and Master Output AdjustmentsGain Adjustments EQ and Preset LevelWet/Dry Mix Adjustments Global or Local Amplifier Model and Channel SelectionAmplifier Contour Control Digital FX Quick Adjust Knobs Press the Utility button once. The display reads Selecting a PresetUsing the Tuner Utility Menu Tuner ModeJohnson Amplification J-12 Tuner Mode Instant Tuner AccessReference and Output Naming the Preset Naming and Storing PresetsAfter which you are taken to the preset you have just stored Storing the PresetIntegrated Amplifier Model Selection Editing a PresetPreset Editing Sections Integrated Amplifier Model EditingBgain LVL Adig LVL Analog Wah EditingAvail Link for Pedal 1 OFF Noise Gate EditingConfig Series 4,4,4,4 Selecting Effect Configuration RoutesChanging Effect Modules Selecting a DefaultAdjusting the Module’s Parameters Custom DefaultsComparing Original Pst Comparing ChangesNaming the Default Storing/Naming DefaultsEditing a Module Storing the DefaultOutput Module Functions Scrolling through a Module’s PagesEffect Name Digital Effect Module Size and TypeChoruses Default ListAnalog Wah Parameters Effects LibraryAnalog Wah Amplifier TypesNoise Gate Parameters Noise GateStereo Reverb a true stereo version of the Reverb Module Digital EffectsReverbs ReverbReverb Parameters Gated ReverbTime Over TypeOver Freq Low PassChoruses and Flangers Chorus T C HChorus Parameters Flanger Parameters FlangerPhasers Ranges from 0 to 60 millisecondsOut a B Over Rotary Speaker SimulatorMode LevelTremolo & Auto Panner Parameters Tremolo and Auto-PannerTremolo Auto PannerPitch Shifters Parameters Pitch Shifters and HarmonyDetuners Ranges from -50% to 50% DelaysSlapback delay effect. Ranges from 0 to 60 milliseconds Detuner ParametersDelay Parameters Compressor Parameters CompressorEqualizers Graphic EqualizersGraphic Equalizer Parameters Multi-Effect Module Parameters Multi Effects Modules Chorus/Delay and Flange/DelayParametric Equalizers Parametric Equalizer ParametersWhammy Effect Parameters Whammy EffectsAuto Wah Effect Parameters Auto WahLFOs Assigning ModifiersMidi CCs Dynamic ModifiersLinking a Parameter to a Modifier External Expression PedalsSetting up a Dynamic Modifier Setting up an LFOAmplifier Morphing Morphing Pedal AssignmentsMorphing Between Effect Modules Volume Pedal AssignmentsVol Pdl Morph Pdl Midi Merging Setting the Midi ChannelsPreset Receive Map Midi FunctionsSysEx Device Channel Preset Transmit MapSysExDump UserPst³PstNum Sysex DumpsSysEx Dump Bulk System After which it returns to the User default screenFactory Reset Other Utility FunctionsGlobal vs. Local XLR Cabinet Emulation Footswitch Set-Up Output ModeConfiguring the Pedalboard Connecting the Johnson Amplification J-12 Foot ControllerExpression Pedal Names Assigning Presets to Footswitches Press the Preset button to exitAssigning Functions Gain Exp 1 Min 56Max Assigning Parameters to Footswitches/ Expression PedalsTurn the Page knob to page 10 and the display reads Other Footswitch FunctionsAssigning Midi Control to the Expression Pedals 12 will appear like this When connected. The display now readsTurn Page knob to page 3 and the display will read Momentary Footswitch AssignmentNaming Banks Bank Up/ Tuner and Bank Down / Bypass FootswitchesUsing the Tuner Other Pedalboard TidbitsWill now read Available Link Un-Linking or Viewing Parameter ControlMatchless Bank 1 TopBank 2 Fender Bank 4 VoxStudio Bank 12 Alternative Bank 18 DynamicsBank 13 Country Bank 19 Morph Bank 14 VintageBank 3 Boogie/Soldano Millennium Preset DescriptionsBank 6 Marshall Bank 5 MatchlessBank 8 Signature Bank 13 Country Bank 12 AlternativeBank 16 Jazz/Fusion Bank 15 StudioBank 18 Dynamics ConfigStereo 2,2 ConfigParall 4,4,2 ConfigMonoSplit 4,4,4,4 Effect Configuration ChartHarmony Interval Charts Audio Inputs Power Amp SectionPower Requirements Audio OutputsRemarks Midi Implementation ChartLos Angeles, California 90056 USA 213 System Exclusive ImplementationMidi Basics Johnson AmplificationGeneral Format ProceduresSyshead 48h, dd1st1 dd1st2, ... ddnth1, ddnth2, F7h Ddn Request ONE Preset 01hBbs Vv = Software version number Rr =Tt = Syshead 17h, aa1, aa2,bbs1, bbs2, F7hNumber of available parameters in the FX Module Number of ModulesModules User requested Indicates the beginning of the xth ModuleSYSHEAD, 54h, cc, F7h 02h Effect Module 03h 04h Whole Effect ModuleSYSHEAD, 22h, F7h Reset Preset 20hKey Label Hex equivalent SysEx Button/Keys/Footswitch codesSysEx Preset Dump Example Fx Module codes and numbers PEQ 100 101 102 103 104 105 106 Section

Stereo150 specifications

Millennium Enterprises has long been recognized for its commitment to quality and innovation in the audio technology industry, and the Stereo150 amplifier is a testament to that legacy. This high-performance stereo amplifier is designed for audiophiles seeking exceptional sound quality and versatility in their media setups.

One of the standout features of the Stereo150 is its impressive power output. With a robust 150 watts per channel, it delivers clear, dynamic sound that can fill even the largest rooms with rich audio. The amplifier employs Class D technology, which not only enhances efficiency but also reduces heat generation, allowing it to operate for extended periods without the risk of overheating. This class of amplification is known for producing high fidelity sound while maintaining a compact form factor, making the Stereo150 an ideal choice for both home and professional setups.

The Stereo150 also incorporates advanced digital signal processing (DSP) technology. This allows for precise audio tuning, enabling users to tailor their listening experience according to their preferences. With customizable EQ settings, you can enhance low frequencies for a more bass-heavy sound or adjust high frequencies for clarity in vocals and instruments. This flexibility ensures that the Stereo150 can adapt to a wide variety of musical genres, from classical to rock to electronic.

Connectivity is another strong suit of the Stereo150. It features multiple input options, including RCA, balanced XLR, and optical inputs, facilitating seamless integration with various audio sources, such as turntables, CD players, and streaming devices. Additionally, the amplifier supports Bluetooth connectivity, making it easy to stream music directly from smartphones and tablets without the hassle of wires.

Durability and aesthetics have not been overlooked in the design of the Stereo150. The chassis is constructed from high-quality materials, providing both a modern look and sturdiness for long-term use. The front panel includes a user-friendly interface with LED indicators, making it easy to navigate settings and monitor the status of the amplifier.

In conclusion, the Millennium Enterprises Stereo150 stands out as a powerful, versatile, and aesthetically appealing stereo amplifier. Its combination of robust performance, advanced features, and diverse connectivity options make it an excellent choice for anyone looking to elevate their audio experience with high-quality sound. Whether used in a home theater, a studio, or for casual listening, the Stereo150 is poised to satisfy even the most discerning audio enthusiasts.