Millennium Enterprises Stereo150 manual Delays, Detuner Parameters, Ranges from -50% to 50%

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Johnson Millennium

Section - 4 Editing Modules

When do I use a detuner? The detuner falls into the same guidelines as the chorus effect. It works with just about everything; It is ideal for thickening up a rhythm guitar track. Remember to experiment with the delay parameters if you are looking for a wider detuning sound. Adding 30-60 ms of delay to the detuner's voices that are panned hard to one side (while not delaying the other side) will change the detuner's stereo imaging greatly.

Detuner Parameters

FX: Lvl

Controls the signal input level fed to the Module. Ranges from Off to 100%.

Dry: Lvl

Controls the level of the dry (uneffected) signal. Ranges from Off to 100%.

Balance

Controls the positioning of the dry signal in the stereo soundfield. Ranges from -99 (all left) to 99 (all right).

Dtn A - B

Controls the detuning amount for detuner voices A and B. Higher detune settings produce a more dissonant sound.

 

Ranges from -50% to 50%.

Dtn C - D

Controls the detuning amount for detuner voices C and D. Ranges from -50% to 50%.

Dtn E -H

Controls the detuning amount for detuner voices E through H. Ranges from -50% to 50%.

Dly A - B

Controls the amount of time before detuner voices A and B are heard. Higher delay time settings produce a short

 

slapback delay effect. Ranges from 0 to 60 milliseconds.

Dly C - D

Controls the amount of time before detuner voices C and D are heard. Ranges from 0 to 60 milliseconds.

Dly E - H

Controls the amount of time before detuner voices E through H are heard. Ranges from 0 to 60 milliseconds.

Out A - B

Adjusts the overall level of detuner voice A or B. Ranges from Off to 100%.

Pan A - B

Controls the stereo soundfield placement of detuner voice A or B. Ranges from -99 (all left) to 99 (all right).

Out C - D

Adjusts the overall level of detuner voice C or D. Ranges from Off to 100%.

Pan C - D

Controls the stereo soundfield placement of detuner voice C or D. Ranges from -99 (all left) to 99 (all right).

Out LA - LB

Adjusts the left side level of detuner voice A or B. Ranges from Off to 100%.

Out RA - RB

Adjusts the right side level of detuner voice A or B. Ranges from Off to 100%.

Spread

Controls the width of the effect’s stereo imaging. The higher the setting, the wider the image. The lower the setting,

 

the more monophonic the effect becomes. Ranges from 1 to 10.

Delays

A delay produces discrete, repeating echoes of the source material at a specified interval. In digital delays, the input signal is "sampled" or recorded into memory, where it is held for the amount of time you specify with the delay time setting, after which the sample is replayed at

User Guide

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Contents User’s Guide Mains Plug Warning Manufacturer’s Name EN 55013EN 55020 Apply Power Adjust Input and Output Connect J-3 Multi-Function FootswitchSelect Preset Quick StartTable of Contents Amplifier Section Editing Modules Advanced TopicsMidi Functions Digital Effects SectionAppendix Using the Johnson Amplification J-12 Foot ControllerUser Guide Congratulations IntroductionUser Guide Front Panel Quick Tour of the Millennium100 User Guide F FX Library Buttons Midi Rear PanelAmerican Stack Dual Rectifier, Boogie MK II, Soldano SLO Amplifier Model TypesEffects include Programmable Mono FX Loop Basic SpecificationsJohnson Amplification J-12 foot controller Foot Controller CompatibilityModule Sizes Module TypesMaking Connections Setting UpXLR Cabinet Emulation functions To Exit this mode, simply press the Preset buttonFX Edit Mode Preset ModeUtility Mode Assign ModeGain Adjustments Input and Master Output AdjustmentsEQ and Preset Level Getting SoundsWet/Dry Mix Adjustments Global or Local Amplifier Model and Channel SelectionAmplifier Contour Control Digital FX Quick Adjust Knobs Using the Tuner Selecting a PresetUtility Menu Tuner Mode Press the Utility button once. The display readsJohnson Amplification J-12 Tuner Mode Instant Tuner AccessReference and Output Naming the Preset Naming and Storing PresetsAfter which you are taken to the preset you have just stored Storing the PresetPreset Editing Sections Editing a PresetIntegrated Amplifier Model Editing Integrated Amplifier Model SelectionBgain LVL Adig LVL Analog Wah EditingAvail Link for Pedal 1 OFF Noise Gate EditingConfig Series 4,4,4,4 Selecting Effect Configuration RoutesAdjusting the Module’s Parameters Selecting a DefaultCustom Defaults Changing Effect ModulesComparing Original Pst Comparing ChangesNaming the Default Storing/Naming DefaultsEditing a Module Storing the DefaultOutput Module Functions Scrolling through a Module’s PagesEffect Name Digital Effect Module Size and TypeChoruses Default ListAnalog Wah Effects LibraryAmplifier Types Analog Wah ParametersNoise Gate Parameters Noise GateReverbs Digital EffectsReverb Stereo Reverb a true stereo version of the Reverb ModuleReverb Parameters Gated ReverbOver Freq Over TypeLow Pass TimeChoruses and Flangers Chorus T C HChorus Parameters Flanger Parameters FlangerPhasers Ranges from 0 to 60 millisecondsOut a B Mode Rotary Speaker SimulatorLevel OverTremolo Tremolo and Auto-PannerAuto Panner Tremolo & Auto Panner ParametersPitch Shifters Parameters Pitch Shifters and HarmonyDetuners Slapback delay effect. Ranges from 0 to 60 milliseconds DelaysDetuner Parameters Ranges from -50% to 50%Delay Parameters Compressor Parameters CompressorEqualizers Graphic EqualizersGraphic Equalizer Parameters Parametric Equalizers Multi Effects Modules Chorus/Delay and Flange/DelayParametric Equalizer Parameters Multi-Effect Module ParametersWhammy Effect Parameters Whammy EffectsAuto Wah Effect Parameters Auto WahMidi CCs Assigning ModifiersDynamic Modifiers LFOsLinking a Parameter to a Modifier External Expression PedalsSetting up a Dynamic Modifier Setting up an LFOAmplifier Morphing Morphing Pedal AssignmentsMorphing Between Effect Modules Volume Pedal AssignmentsVol Pdl Morph Pdl Preset Receive Map Setting the Midi ChannelsMidi Functions Midi MergingSysEx Device Channel Preset Transmit MapSysExDump UserPst³PstNum Sysex DumpsSysEx Dump Bulk System After which it returns to the User default screenFactory Reset Other Utility FunctionsGlobal vs. Local XLR Cabinet Emulation Footswitch Set-Up Output ModeConfiguring the Pedalboard Connecting the Johnson Amplification J-12 Foot ControllerExpression Pedal Names Assigning Presets to Footswitches Press the Preset button to exitAssigning Functions Gain Exp 1 Min 56Max Assigning Parameters to Footswitches/ Expression PedalsTurn the Page knob to page 10 and the display reads Other Footswitch FunctionsAssigning Midi Control to the Expression Pedals 12 will appear like this When connected. The display now readsTurn Page knob to page 3 and the display will read Momentary Footswitch AssignmentUsing the Tuner Bank Up/ Tuner and Bank Down / Bypass FootswitchesOther Pedalboard Tidbits Naming BanksWill now read Available Link Un-Linking or Viewing Parameter ControlBank 2 Fender Bank 1 TopBank 4 Vox MatchlessBank 13 Country Bank 19 Morph Bank 12 Alternative Bank 18 DynamicsBank 14 Vintage StudioBank 3 Boogie/Soldano Millennium Preset DescriptionsBank 6 Marshall Bank 5 MatchlessBank 8 Signature Bank 13 Country Bank 12 AlternativeBank 16 Jazz/Fusion Bank 15 StudioBank 18 Dynamics ConfigStereo 2,2 ConfigParall 4,4,2 ConfigMonoSplit 4,4,4,4 Effect Configuration ChartHarmony Interval Charts Power Requirements Power Amp SectionAudio Outputs Audio InputsRemarks Midi Implementation ChartMidi Basics System Exclusive ImplementationJohnson Amplification Los Angeles, California 90056 USA 213General Format ProceduresSyshead 48h, dd1st1 dd1st2, ... ddnth1, ddnth2, F7h Ddn Request ONE Preset 01hTt = Vv = Software version number Rr =Syshead 17h, aa1, aa2,bbs1, bbs2, F7h BbsModules User requested Number of ModulesIndicates the beginning of the xth Module Number of available parameters in the FX ModuleSYSHEAD, 54h, cc, F7h 02h Effect Module 03h 04h Whole Effect ModuleSYSHEAD, 22h, F7h Reset Preset 20hKey Label Hex equivalent SysEx Button/Keys/Footswitch codesSysEx Preset Dump Example Fx Module codes and numbers PEQ 100 101 102 103 104 105 106 Section

Stereo150 specifications

Millennium Enterprises has long been recognized for its commitment to quality and innovation in the audio technology industry, and the Stereo150 amplifier is a testament to that legacy. This high-performance stereo amplifier is designed for audiophiles seeking exceptional sound quality and versatility in their media setups.

One of the standout features of the Stereo150 is its impressive power output. With a robust 150 watts per channel, it delivers clear, dynamic sound that can fill even the largest rooms with rich audio. The amplifier employs Class D technology, which not only enhances efficiency but also reduces heat generation, allowing it to operate for extended periods without the risk of overheating. This class of amplification is known for producing high fidelity sound while maintaining a compact form factor, making the Stereo150 an ideal choice for both home and professional setups.

The Stereo150 also incorporates advanced digital signal processing (DSP) technology. This allows for precise audio tuning, enabling users to tailor their listening experience according to their preferences. With customizable EQ settings, you can enhance low frequencies for a more bass-heavy sound or adjust high frequencies for clarity in vocals and instruments. This flexibility ensures that the Stereo150 can adapt to a wide variety of musical genres, from classical to rock to electronic.

Connectivity is another strong suit of the Stereo150. It features multiple input options, including RCA, balanced XLR, and optical inputs, facilitating seamless integration with various audio sources, such as turntables, CD players, and streaming devices. Additionally, the amplifier supports Bluetooth connectivity, making it easy to stream music directly from smartphones and tablets without the hassle of wires.

Durability and aesthetics have not been overlooked in the design of the Stereo150. The chassis is constructed from high-quality materials, providing both a modern look and sturdiness for long-term use. The front panel includes a user-friendly interface with LED indicators, making it easy to navigate settings and monitor the status of the amplifier.

In conclusion, the Millennium Enterprises Stereo150 stands out as a powerful, versatile, and aesthetically appealing stereo amplifier. Its combination of robust performance, advanced features, and diverse connectivity options make it an excellent choice for anyone looking to elevate their audio experience with high-quality sound. Whether used in a home theater, a studio, or for casual listening, the Stereo150 is poised to satisfy even the most discerning audio enthusiasts.
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