Millennium Enterprises Stereo150 manual Tremolo and Auto-Panner, Auto Panner, Milliseconds

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Section - 4 Editing Modules

Johnson Millennium

Tremolo and Auto-Panner

Look out, because the popular Tremolo and Auto panner effects of the 50’s and 60’s are back with a vengeance. These effects that revolution- ized “Surf-Style” music can be heard all over the air waves in the 90’s. Tremolos and auto panners are similar to one another in that they both use an LFO to modulate input levels to produce vibrato effects.

Tremolo

The word tremolo actually has several definitions in the music world. It basically means that a sound is being modulated in amplitude (the volume is beating or pulsing). It could be emulated by turning a volume knob up and down. But you probably have better things to do than turn a volume control up and down throughout a whole song, so let the Millennium do it for you.

Aside from speed and depth parameters, the tremolo also has an LFO waveform that determines the way a signal's volume is increased and decreased. While the Sine wave is probably the most common to the ear, the Triangle and Special 2 waveforms are progressively more intense.

When do I use Tremolo? Tremolo is truly a vintage sound for the guitar, electric piano and organ. Most pronounced on the guitar, you can hear it used on everything from sweet ballads to blues rock 'n roll.

Auto Panner

The auto panner is really just a dual version of a tremolo. It changes the amplitude of the left signal just as a tremolo does, but the amplitude of the right signal is inverse to that of the left signal. This gives the illusion that the signal is moving back and forth between the left and right speakers.

The Auto Panner's Speed typically doesn't get set as fast as the Tremolo since you usually want a sound to move smoothly back and forth in the stereo image. The Millennium auto panner is especially flexible since it can be used for either mono or stereo input sources. When used with a mono source, the signal pans back and forth as described earlier. When a stereo sound source is used, the original stereo image is maintained by moving the volume of the left signal exactly opposite of the right signal. The stereo image fades back and forth between the stereo extremes.

When do I use an auto panner? The auto panner can be a very creative tool. When running your guitar rig in a stereo set-up with the right amount of cabinet separation, the Auto-Panner creates a stereo panning effect that is right out of this world.

Auto panners can also add life to delays or choruses by moving them around instead of just sitting in one place in the mix. Simply place an auto panner module after a delay or chorus module. You don't need to set the auto panner's depth parameter too deep since you just want some gentle movement.

Tremolo & Auto Panner Parameters:

FX: Lvl

Controls the signal input level fed to the Module. Ranges from Off to 100%.

Speed

Controls the Low Frequency Oscillator (LFO) speed of the effect. Ranges from 0.06 to 16.0 Hz.

Depth

Controls the intensity of the effect. As DEPTH increases, volume changes become more dramatic. Ranges from 0 to 30

 

milliseconds.

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User Guide

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Contents User’s Guide Mains Plug Warning Manufacturer’s Name EN 55013EN 55020 Select Preset Connect J-3 Multi-Function FootswitchApply Power Adjust Input and Output Quick StartTable of Contents Midi Functions Editing Modules Advanced TopicsAmplifier Section Digital Effects SectionUsing the Johnson Amplification J-12 Foot Controller AppendixUser Guide Introduction CongratulationsUser Guide Quick Tour of the Millennium Front Panel100 User Guide F FX Library Buttons Rear Panel MidiAmplifier Model Types American Stack Dual Rectifier, Boogie MK II, Soldano SLOEffects include Basic Specifications Programmable Mono FX LoopFoot Controller Compatibility Johnson Amplification J-12 foot controllerModule Types Module SizesSetting Up Making ConnectionsTo Exit this mode, simply press the Preset button XLR Cabinet Emulation functionsUtility Mode Preset ModeFX Edit Mode Assign ModeEQ and Preset Level Input and Master Output AdjustmentsGain Adjustments Getting SoundsWet/Dry Mix Adjustments Global or Local Amplifier Model and Channel SelectionAmplifier Contour Control Digital FX Quick Adjust Knobs Utility Menu Tuner Mode Selecting a PresetUsing the Tuner Press the Utility button once. The display readsJohnson Amplification J-12 Tuner Mode Instant Tuner AccessReference and Output Naming and Storing Presets Naming the PresetStoring the Preset After which you are taken to the preset you have just storedIntegrated Amplifier Model Editing Editing a PresetPreset Editing Sections Integrated Amplifier Model SelectionBgain LVL Analog Wah Editing Adig LVLNoise Gate Editing Avail Link for Pedal 1 OFFSelecting Effect Configuration Routes Config Series 4,4,4,4Custom Defaults Selecting a DefaultAdjusting the Module’s Parameters Changing Effect ModulesComparing Changes Comparing Original PstStoring/Naming Defaults Naming the DefaultStoring the Default Editing a ModuleScrolling through a Module’s Pages Output Module FunctionsDigital Effect Module Size and Type Effect NameDefault List ChorusesAmplifier Types Effects LibraryAnalog Wah Analog Wah ParametersNoise Gate Noise Gate ParametersReverb Digital EffectsReverbs Stereo Reverb a true stereo version of the Reverb ModuleGated Reverb Reverb ParametersLow Pass Over TypeOver Freq TimeChoruses and Flangers T C H ChorusChorus Parameters Flanger Flanger ParametersPhasers Ranges from 0 to 60 millisecondsOut a B Level Rotary Speaker SimulatorMode OverAuto Panner Tremolo and Auto-PannerTremolo Tremolo & Auto Panner ParametersPitch Shifters and Harmony Pitch Shifters ParametersDetuners Detuner Parameters DelaysSlapback delay effect. Ranges from 0 to 60 milliseconds Ranges from -50% to 50%Delay Parameters Compressor Compressor ParametersEqualizers Graphic EqualizersGraphic Equalizer Parameters Parametric Equalizer Parameters Multi Effects Modules Chorus/Delay and Flange/DelayParametric Equalizers Multi-Effect Module ParametersWhammy Effects Whammy Effect ParametersAuto Wah Auto Wah Effect ParametersDynamic Modifiers Assigning ModifiersMidi CCs LFOsExternal Expression Pedals Linking a Parameter to a ModifierSetting up an LFO Setting up a Dynamic ModifierMorphing Pedal Assignments Amplifier MorphingVolume Pedal Assignments Morphing Between Effect ModulesVol Pdl Morph Pdl Midi Functions Setting the Midi ChannelsPreset Receive Map Midi MergingPreset Transmit Map SysEx Device ChannelSysex Dumps SysExDump UserPst³PstNumAfter which it returns to the User default screen SysEx Dump Bulk SystemFactory Reset Other Utility FunctionsGlobal vs. Local XLR Cabinet Emulation Output Mode Footswitch Set-UpConfiguring the Pedalboard Connecting the Johnson Amplification J-12 Foot ControllerExpression Pedal Names Assigning Presets to Footswitches Press the Preset button to exitAssigning Functions Assigning Parameters to Footswitches/ Expression Pedals Gain Exp 1 Min 56MaxOther Footswitch Functions Turn the Page knob to page 10 and the display readsAssigning Midi Control to the Expression Pedals When connected. The display now reads 12 will appear like thisMomentary Footswitch Assignment Turn Page knob to page 3 and the display will readOther Pedalboard Tidbits Bank Up/ Tuner and Bank Down / Bypass FootswitchesUsing the Tuner Naming BanksUn-Linking or Viewing Parameter Control Will now read Available LinkBank 4 Vox Bank 1 TopBank 2 Fender MatchlessBank 14 Vintage Bank 12 Alternative Bank 18 DynamicsBank 13 Country Bank 19 Morph StudioMillennium Preset Descriptions Bank 3 Boogie/SoldanoBank 5 Matchless Bank 6 MarshallBank 8 Signature Bank 12 Alternative Bank 13 CountryBank 15 Studio Bank 16 Jazz/FusionBank 18 Dynamics Effect Configuration Chart ConfigStereo 2,2 ConfigParall 4,4,2 ConfigMonoSplit 4,4,4,4Harmony Interval Charts Audio Outputs Power Amp SectionPower Requirements Audio InputsMidi Implementation Chart RemarksJohnson Amplification System Exclusive ImplementationMidi Basics Los Angeles, California 90056 USA 213Procedures General FormatRequest ONE Preset 01h Syshead 48h, dd1st1 dd1st2, ... ddnth1, ddnth2, F7h DdnSyshead 17h, aa1, aa2,bbs1, bbs2, F7h Vv = Software version number Rr =Tt = BbsIndicates the beginning of the xth Module Number of ModulesModules User requested Number of available parameters in the FX Module02h Effect Module 03h 04h Whole Effect Module SYSHEAD, 54h, cc, F7hReset Preset 20h SYSHEAD, 22h, F7hSysEx Button/Keys/Footswitch codes Key Label Hex equivalentSysEx Preset Dump Example Fx Module codes and numbers PEQ 100 101 102 103 104 105 106 Section

Stereo150 specifications

Millennium Enterprises has long been recognized for its commitment to quality and innovation in the audio technology industry, and the Stereo150 amplifier is a testament to that legacy. This high-performance stereo amplifier is designed for audiophiles seeking exceptional sound quality and versatility in their media setups.

One of the standout features of the Stereo150 is its impressive power output. With a robust 150 watts per channel, it delivers clear, dynamic sound that can fill even the largest rooms with rich audio. The amplifier employs Class D technology, which not only enhances efficiency but also reduces heat generation, allowing it to operate for extended periods without the risk of overheating. This class of amplification is known for producing high fidelity sound while maintaining a compact form factor, making the Stereo150 an ideal choice for both home and professional setups.

The Stereo150 also incorporates advanced digital signal processing (DSP) technology. This allows for precise audio tuning, enabling users to tailor their listening experience according to their preferences. With customizable EQ settings, you can enhance low frequencies for a more bass-heavy sound or adjust high frequencies for clarity in vocals and instruments. This flexibility ensures that the Stereo150 can adapt to a wide variety of musical genres, from classical to rock to electronic.

Connectivity is another strong suit of the Stereo150. It features multiple input options, including RCA, balanced XLR, and optical inputs, facilitating seamless integration with various audio sources, such as turntables, CD players, and streaming devices. Additionally, the amplifier supports Bluetooth connectivity, making it easy to stream music directly from smartphones and tablets without the hassle of wires.

Durability and aesthetics have not been overlooked in the design of the Stereo150. The chassis is constructed from high-quality materials, providing both a modern look and sturdiness for long-term use. The front panel includes a user-friendly interface with LED indicators, making it easy to navigate settings and monitor the status of the amplifier.

In conclusion, the Millennium Enterprises Stereo150 stands out as a powerful, versatile, and aesthetically appealing stereo amplifier. Its combination of robust performance, advanced features, and diverse connectivity options make it an excellent choice for anyone looking to elevate their audio experience with high-quality sound. Whether used in a home theater, a studio, or for casual listening, the Stereo150 is poised to satisfy even the most discerning audio enthusiasts.