TC electronic SDN BHD M3000 user manual Midi Monitor & Midi Implementation, Ll Midi Implementation

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MIDI MONITOR & MIDI IMPLEMENTATION

»MIDI MONITOR SCREEN«

Program changes

Note on/off

Controllers

System exclusive

Channel pointer

MIDI Monitor

Press SHIFT followed by UTIL/MIDI to access MIDI Monitor.

In the MIDI Monitor, you are able to see all MIDI messages received by the M3000. The actions are displayed according to the current channels.

Prog.

Displays program changes.

Note

Displays Note On/Off.

Ctrl

Displays Control changes

Sys-x

Displays System exclusive commands

Chan

Displays the MIDI channels

Press any key to exit MIDI Monitor.

ll MIDI Implementation

The M3000 features full MIDI implementation giving you control of all parameters via an external

MIDI controller.

For a complete list of MIDI controller numbers please visit our web site at www.tcelectronic.com and go to the download section.

This is useful in numerous situations. Here is a post production example showing you how to utilize the full MIDI implementation of the M3000.

Exercise 4:

Two persons have a conversation in an elevator. The elevator stops, and the two persons step out into a hall still talking. You want to use a preset with a short decay time for the “elevator-scene” and another with a longer decay time for for the “hall-scene”. To simulate the surroundings of the two rooms you

need two presets simulating the two rooms.

To simulate the transition between the rooms you wish to lower the Output of the first preset while increasing the Output of the second preset. For this scenario you can use a MIDI remote device with manual faders. E.g. a Peavey PC 1600.

-Use the M3000 in an aux. setup with a mixer.

-Use the Parallel or Dual Input routing mode.

-Press I/O to enter the I/O display and select Mix=100%

-Recall the presets you wish to use in the two Engines.

-Go to the MIDI input section in the UTIL/MIDI menu and select MIDI channel 1 for Engine 1 and MIDI channel 2 for Engine 2. (Any channels could be used).

-Setup the two faders you wish to use on the MIDI controller. Assign e.g. fader 1 to MIDI channel 1 and MIDI fader 2

to channel 2.

-The MIDI range on fader 1 should be: 127-70 and on

Fader 2 the range should be set to: 70-127. Setting up the faders this way lets you decrease the Output of Engine 1 while increasing the Output of Engine 2. We found that for this specific operation the value of 70 gives a smooth cross-fade, but experiment with this setting according to your application.

-The MIDI controller number for the Output is 11 and

therefore both faders should naturally be assigned to controller no. 11.

Now you can perform a manual smooth fade between the two engines that exactly applies the scenario.

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Contents M3000 Page Important Safety Instructions ServiceFor the customers in Canada Certificate Of ConformityTable of Contents Page Main Features Algorithms in the M3000 are IntroductionFront Panel OverloadEngine 1 or Recall Rear Panel PdifSignal Flow Recalling a Preset RecallRecall Displays Factory/User Presets Preset banksCombined Recall Index feature in the Recall Mode Recall & SnapshotsSnapshots Storing a User preset and handling preset names Using a Memory CardStore Combined StoreReverb Wizard Signal SignalInput Optical ThruStatus Bit DitherLevels Menu RangesRouting ParallelDual Mono LinkedRouting & Studio Setup Examples Use two sends on your mixing consoleCreate your own Vocal Reverb Two individual inserts on your mixing consoleHow to move around Preset glideUTILITY/MIDI DisplayMemory Backup Midi OutputSecurity Memory CopyPress Shift followed by UTIL/MIDI to access Midi Monitor Midi Monitor & Midi ImplementationMidi Monitor Ll Midi ImplementationTempo Expert mode Exercise How to edit a presetEdit EditDynamic Morphing Dynamic MorphingMorph direction Constructing a Reverb Preset with the VSS algorithms VSS IntroductionFinding the right Early Type & Size for your track To use the M3000 as a Stereo ReverbVSS Introduction Pre Delay versus Rev Delay Overview of the VSS Reverb SectionMixing the Reverb Out Levels Modulation of the Reverb TailVSS for Film and Post Production Vssfp & VsssrVssfp Film and Post Vsssr Surround Vsssr SurroundVSS3 Reverb ProgramsVSS3 Reverb Early ReflectionsReverb tail ModulationVssgate Reverb ModSpace Mod VSSGateGate Type ColorLow Cut RevBal Lmid DecayLow Xover Low DecayReverb Modulation Vssfp Film & Post Vssfp ReverbEarly Type Several types Early PosRev Width Modulation Front Delay Rear DelayFront Decay Rear DecayRev Depth Reverb Mod R.E ReflectionsREV-3 Rev-3Additional Effects Delay & Pitch DelayPitch Additional Effects EQ FrequencyBand width EQ levelAdditional Effects Chorus & Flanger ChorusFlanger LFO Phase 0, 90 or 180º Additional Effects Flanger & TremoloTremolo Cross FeedbackAdditional Effects Phaser & EXPANDER/GATE PhaserExpander/Gate Additional Effects Compressor CompressorOut Gain Additional Effects DE-ESSER De-esserAppendix the Reset Reset System ParametersReset all presets Store User DefAppendix Self Test Appendix Troubleshooting Appendix Glossary DitheringAppendix Technical Specifications Technical Specifications are subjectTo change without notice Appendix Midi Implementation Chart Control ChangeMidi Cable Pedal CableJack unbalanced XLR Jack balanced XLRM3000 Preset List Top 20 PresetsPreset #21 to HallsClub Carib Bright Slap Reverb Long Pre Dly Medium Guitar HallBallad Drums Medium Vocal Hall Vocal For Thin Voice Big Empty Club114 Sweet Basil Vocal R.E 115 Blackface Amp Preset #137 to Rooms116 Large Hall Clear 117 Soupy Ballad VerbDelayed Hall Preset #191 toPlates Bossa Nova Perc Room R.EGated Reverb Presets ClubsOther Algorithms Vssfp Presets Ultra small reverb presets Indoor Mini Presets #251 toSmall rooms and spaces Indoor Small 301 Wine Cellar M3000 Preset List M3000 Preset List Block of dedicated nature area reverbs Vsssr algorithm presets Effect reverb settingsCombined presets M3000 Preset List M3000 Preset List
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