Roland FP-5 owner manual Simulating the Creation of Organ Tones Tone Wheel Mode, What Are Feet?

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Chapter 1 Playing the Keyboard

Simulating the Creation of Organ Tones (Tone Wheel Mode)

When any of the “Tone Wheel” Tones is selected, you can perform in “Tone Wheel mode,” in which the creation of organ sounds is simulated.

An organ features nine “harmonic bars” that can be drawn in and out, and by using the bars in different combinations of positions, a variety of different tones can be created. Different “Feet” are assigned to each bar, with the pitches of the sounds being determined by these “Feet.”

You can simulate the creation of tones using the harmonic bars by assigning footages to the Tone buttons.

In Tone Wheel mode, the footages are switched by pressing the [Tone Wheel] button, and a total of nine footages and percussion instruments are assigned to the Tone buttons other than [Piano] button.

What Are “Feet?”

Feet basically refers to the lengths of pipe used in pipe organs. The length of pipe used to produce the reference pitch (the fundamental) for the keyboard is eight feet. Reducing the pipe to half its length produces a pitch one octave higher; conversely, doubling the pipe length creates a pitch one octave lower. Therefore, a pipe producing a pitch one octave below that of the reference of 8’ (eight feet) would be 16’; for one octave above the reference, the pipe would be 4’, and to take the pitch up yet another octave it would be shortened to 2’.

On tone wheel organs, in the high range of the keyboard, high-pitched feet are “wrapped around” one octave down.

Folding back the high-frequency portion prevents the high-frequency sounds from being unpleasantly shrill, and folding back the low-frequency portion prevents the sound from becoming “muddy.”

On the FP-5 faithfully simulates this characteristic.

NOTE

When the Tone Wheel is

selected, you cannot enable

the dual mode (p. 18).

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Contents Main Features Do not open or modify in any way the unit or its AC adaptor Protect the unit from strong impact. Do not drop it Additional Precautions Power SupplyPlacement MaintenanceContents Front Panel Panel DescriptionsPanel Descriptions Rear PanelInstalling the Music Stand Before You PlayMaking Connections Connecting Pedals Turning the Power On and OffTurning On the Power Some Notes on Using Headphones Adjusting the Sound’s Volume and BrillianceConnecting Headphones Turning Off the PowerHold down the Setup button and press the Split button Playing the KeyboardListening to Demo Songs Listening to Internal Songs Playing Back All Songs Continuously All Song PlayPlaying the Keyboard Press the Play/Stop button to stop playback Listening to Each Part SeparatelyPress one of the Tone buttons to choose a Tone Group Performing with a Variety of SoundsWhat Are Feet? Simulating the Creation of Organ Tones Tone Wheel ModeAbout the lighting of the Tone Wheel button indicators Changing volume of feet Selecting the FootageAbout Perc Percussion To exit Dual Play, press either Tone button Performing With Two Layered Tones Dual PlayExample Try Layering Piano and String Tones Hold down the Piano button and press the Strings/Pad ButtonTo exit Split Play, press the Split button once more Press the Split button, getting its indicator to lightExample Let’s try split play with the piano tones Press the Piano buttonChanging the Lower Tone Changing Tone Group and Tone variationChanging the Keyboard’s Split Point Changing the Upper ToneUse the Balance knob to adjust the volume balance Changing the Volume Balance for Dual Play and Split PlayPress the Transpose button or the Reverb button Changing the Keyboard’s TouchHold down the Transpose button and press the Reverb Button Press the or + buttons to select the touchHold down the Reverb button and press the or + Button Press the Reverb button, getting its indicator to lightAdding Reverberation to Sounds The Reverb Effect Changing the Depth of Reverb EffectPress the Effects button, getting its indicator to light Adding a Variety Effects to the SoundChanging the Effect type Resonance Press the or + button to select the effectPress the Organ button and select the organ tone Changing the Depth of EffectHold down the Effects button and press the or + button Adding a Spinning Sound to Organ Tones Rotary EffectWhat Pitch Bend and Modulation Do Changing the Sound’s Pitch in Real Time Pedal ControlTransposing the Key of the Keyboard Key Transpose Press the Metronome button to have the metronome sound Using the MetronomePress the or + button to adjust the tempo Changing the TempoChanging the Beat of Metronome Changing the VolumeWhat are the FP-5’s Rhythms? What is Session Partner?Playing Along with Rhythms What You Can Do With Session PartnerSelecting Parts Performing Along With Session PartnerPlaying Along with Rhythms Press the Start/Stop buttonChanging Rhythms As You Perform Changing the Volume of a PartSelecting a Rhythm Press the or + button to select the RhythmPress the + and buttons to adjust the tempo Changing a Rhythm’s TempoSelecting a Rhythm’s Chord Progression To exit, press the Chord Progression button To stop the Rhythm, press the Start/Stop buttonRecording the Chord Progression Chord Progression Hold down the Chord Progression button and press Rec buttonChanging the Stored Measure Count Press the Setup buttons Storing Settings SetupSelecting Stored Settings Hold down the Setup button and press the ether Tone ButtonRecording a Performance Recording a PerformancePress the Rec button Press the Play/Stop button to stop recording Recording a Performance Using Session PartnerRecording Selected Track buttons Recording a PerformanceRecording along with internal songs Hold down the Song button and press the Rec button Erasing Recorded PerformancesHow to make settings Other FunctionsPress one of the flashing buttons How the Sostenuto PedalFC1 effects are applied Changing How the Pedal Effects Are AppliedChanging How the Pedals Work How the Soft PedalFC2 effects are appliedWorks of the Soft PedalFC2 Setting the Part to Which Effects Are AddedChanging the Work of the Pedal Control Changing the Pitch Lower Tone in Octave Steps Octave ShiftChanging the Velocity When the Key Touch Is Set to Fixed Tuning to Other Instruments’ Pitches Master TuningAdjusting the Tuning Temperament Press the or + button to change the beat division Switch to Function mode, and press Metronome buttonChanging the Beat Pattern Press a key corresponding to the keynoteFixing a Set Chord Progression Setting the Intro and Ending on or offSetting the Root Note of the Chord Progression Setting the Chord Display on or offConnecting to Audio Equipment About the FP-5 Sound GeneratorConnection Examples Making the Connections Connecting to the USB ConnectorConnecting Midi Devices ConnectorsSwitching Local Control On and Off How to Enjoy MidiMidi Settings Midi Send Channel SettingsSwitch to Function mode, and press the Play Stop button Setting the Midi Out ModeSwitch to Function mode, and press the Song Button Press the or + button to switch Local Control on and offStop the external sequencer Using the Pedal to Switch Setup Pedal shiftPress the or + button to select pedal setting Other Functions Transferring the Program Change messageDisabling Everything Except Piano Play Panel Lock Making the Settings for the USB DriverSwitch to Function mode, and press the Tone Wheel button Adjust the volumeCase Cause/What to do TroubleshootingSticks TroubleshootingDisplay Meaning Error Messages/Other MessagesRhythm Tone ListTone Wheel Tone ListPop Drum Set Jazz Drum Set Vox Drum Set House Drum Set Rhythm Set ListGM2 Room Set GM2 Power Set GM2 Electric Set GM2 Jazz Set GM2 Brush Set → Selecting a Rhythm’s Chord Progression p Rhythm ListChord Progression Chord Progression Pattern ListChord Progression Pattern List DM7 Chord Fingering ListChord Fingering List GM7 AM7 → Listening to Demo Songs p Internal Song ListInternal Song List Settings Stored in the Setup Stored SettingsNot Stored Settings Easy Operation List Power on Press the Key10 11 12 16 17 19 20 Easy Operation ListMidi Implementation Chart Main Specifications Index Rec button 38-41 IndexInformation Avis 03124823 ’05-2-7N