mc12d
High | 0 | High | 0 | High | 0 | High | 0 | High | 0 | High | 0 | High | 0 | High | 0 |
12KHz |
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dB +15 | dB +15 | dB +15 | dB +15 | dB +15 | dB +15 | dB +15 | dB +15 | ||||||||
Sweep | Sweep | Sweep | Sweep | Sweep | Sweep | Sweep | Sweep | ||||||||
1K | 1.5K | 1K | 1.5K | 1K | 1.5K | 1K | 1.5K | 1K | 1.5K | 1K | 1.5K | 1K | 1.5K | 1K | 1.5K |
200 |
| 2.5K | 200 |
| 2.5K | 200 |
| 2.5K | 200 |
| 2.5K | 200 |
| 2.5K | 200 |
| 2.5K | 200 |
| 2.5K | 200 |
| 2.5K |
100 | Hz 8K | 5K | 100 | Hz | 5K | 100 | 80 Hz | 5K | 100 | 80 Hz | 5K | 100 | 80 Hz | 5K | 100 | 80 Hz | 5K | 100 | 80 Hz | 5K | 100 | 80 Hz | 5K |
80 |
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Mid | 0 |
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dB | +10 | dB | +10 | dB | +10 | dB | +10 | dB | +10 | dB | +10 | dB | +10 | dB | +10 | ||||||||
Low | 0 |
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80Hz |
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| Clip | Level |
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12KHz |
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dB | +15 | dB | +15 | 2 |
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Mid | 0 |
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1KHz |
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dB | +15 | dB | +15 | Clip | 1 |
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Low | 0 |
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80Hz |
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| 9 |
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Bass
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| 5 | dB | +15 |
| 5 | dB | +15 |
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Mon | 4 | 6 |
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1 | 3 |
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Mon | 4 | 6 |
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2 | 3 |
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Aux |
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Pan | Pan | Pan | Pan | Pan | Pan | Pan | Pan | Bal | Bal |
EFX |
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Send |
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| VU Meter | ||
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Clip | 1 |
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| Solo Mode | ||||
Aux |
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| 4 |
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Send |
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| PFL | +2 |
Clip | 1 |
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| AFL | |
4 | 5 | 6 |
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2 |
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| 8 | EFX Rtn 2 |
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1 |
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0 | 5 | 10 |
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| Phones | |||
4 | 6 |
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| Mon 2 | 4 | 6 |
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3 |
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| 8 | EFX Rtn | 2 |
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1 |
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0 |
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Mono OUT
Clip | 4 | 5 | 6 |
3 |
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| Level |
Zone/Sub
Mode
Sub
120Hz
Main Power
On
EFXAux
| 1 |
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| 7 |
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| EFX |
| Aux |
| MAIN |
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| Mute |
| Mute |
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| Mute |
| Mute |
| Mute |
| Mute |
| Mute |
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8 | Clip | 8 | Clip | 8 | Clip | 8 | Clip | 8 | Clip | 8 | Clip | 8 | Clip | 8 | Clip | 8 | Clip | 8 | Clip | 8 | Clip | 8 | Clip | Clip | Clip |
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| Lmt |
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| Lmt |
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3 |
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+ | + + | + + | + + | + + | + + | + + | + + | + + | + + | + + | + + | + | 3 |
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0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | + |
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- | - - | - - | - - | - - | - - | - - | - - | - - | - - | - - | - - | - |
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3 |
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6 | Solo | 6 | Solo | 6 | Solo | 6 | Solo | 6 | Solo | 6 | Solo | 6 | Solo | 6 | Solo | 6 | Solo | 6 | Solo | 6 | Solo | 6 | Solo | 6 |
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12 | 12 | 12 | 12 | 12 | 12 | 12 | 12 | 12 | 12 | 12 | 12 | 12 | 12 | 12 | 12 | 12 | 12 | 12 | 12 | 12 | 12 | 12 | 12 |
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24 | 24 | 24 | 24 | 24 | 24 | 24 | 24 | 24 | 24 | 24 | 24 | 24 | 24 | 24 | 24 | 24 | 24 | 24 | 24 | 24 | 24 | 24 | 24 |
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0 0 | 0 0 | 0 0 | 0 0 | 0 0 | 0 0 | 0 0 | 0 0 | 0 0 | 0 0 | 0 0 | 0 0 | 0 0 | 0 0 | 0 0 | 0 0 | 0 0 | 0 0 | 0 0 | 0 0 | 0 0 | 0 0 | 0 0 | 0 0 | 0 0 |
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| Int / Ext |
| External | M AI N |
EFX |
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| ES |
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P LA | 9 10 O | |||||||
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| 1 | 16 15 | T | MOD |
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Clip |
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-+
Modify
Effect Modify
1. Room Reverb | decay |
2. Hall Reverb | decay |
3. Hall Reverb - Voc |
4.Hall ‘verb w/Echo
5.Plate Reverb
6.Plate Reverb - Voc decay
7.Plate ‘verb w/Echo
8. Gated Reverb | decay |
9. Fast Echo | decay |
10.Short Decay Echo
11. Long Decay Echo | delay |
12.Chorus
13. Flanger | rate |
14.Rotary Speaker
15. Distortion | gain |
16. Harmonizer | pitch |
24
Mixeur 12 Canaux MC12D
Introduction
Nous vous remercions de faire usage du mixeur non amplifié à 12 canaux MC12D de Yorkville. Le MC12D has a été conçu pour compter parmi les mixeurs pour performance live les plus polyvalents, les plus facile à utiliser et les mieux équipés. L’expérience de plusieurs de nos client jumelée à notre expérience nous a amené à produire un mixeur qui non seule- ment offre une liste exhaustive de caractéristiques, mais qui est de plus facile à utiliser dès le premier usage! Ce manuel contient l’information qui vous aidera à obtenir la meilleure performance de votre MC12D. Nous espérons que vous prendrez quelque instants pour le lire.
Survole des Caractéristiques
•12 canaux d’entrées, jusqu’à 10 microphones et 2 sources stéréos
•2 envois aux moniteur (pré fader) et 2 envois aux effets (post fader) par canal
•Commutateur Mute et Solo sur tous les canaux
•Faders 100mm
•Appareil d’effets numériques
•Compresseur/Limiteur
•Canaux stéréos qui inclus des entrées RCA additionnels avec commande de niveau
•
•Capacité en Mode Solo d’écoute pré fader et après fader
•Égalisateur graphique 2/3 d’octave/9 bandes intégré avec commandes additionnelles de graves et d’aiguës sur les Sorties Principales
•Prises Media In et Media Out avec commandes séparées (peuvent êtres utilisés comme bus d’enregistrement ou pour le raccordement d’une source de programme musicale pour les pauses).
•Sortie Mono contenant la somme des signaux. Cette sortie est équipée d’un filtre com- mutable intégré de coupure à 120Hz pour l’entraînement de subwoofers.
•Alimentation en Duplex de 48 Volt sur tous les canaux pour microphone
9