Yorkville Sound YS1080 owner manual Input Channels

High 0

12KHz

-15 dB +15 Sweep

1K 1.5K

2002.5K

1005K

80 Hz 8K

Mid 0

	-25		dB	+10
	Low		0
	80Hz
	-15	5	dB	+15
Mon 4			6
1	3			7

28

1 9

Mon		0	5	10
		4		6
2	3			7

28

19

0 10

EFX

010

Aux

010

Pan

		mc12d
Input Channels 1-8			Instrument In
1. Bal Line Input				Hi-Z
The Bal Line input ¼-inch TRS (stereo)	Bal
jack for connecting line-level sources, e.g.	Line
instrument amp line outputs. Balanced or
unbalanced sources may be connected us-
ing balanced or unbalanced shielded cable.
Note: Channels 7 and 8 have
unbalanced instrument-level	Mic		Mic
¼-inch inputs rather than line-
level so that guitars and bass-	Insert	Tip: SEND	Insert	Tip: SEND
es can be connected directly		Ring: RETURN		Ring: RETURN
to the board.
2. Mic Input
The Mic input is a standard low-impedance	Gain	+15	Gain	+15
XLR mic-level input.	0	+35	0	+35
3. Insert Jack	-3		-3
Use a Y-insert cable (e.g. the Apex A203SPY	-5	dB +62	-5	dB +62
or A210SXY) to connect sound processing	HPF		HPF
– EQ, compressor, etc - directly to an input
channel. Tip=Send, Ring=Return.		80Hz		80Hz
4. Gain Control	1		7
To aid in matching input signal levels, adjust
the Gain level while using a signal that rep-

resents the loudest signal that will be used; set the Gain just

before the Limit LED begins to illuminate. This will optimize the channel’s gain for a given source’s output voltage. During a sound check, depress the channel Solo Switch and using the Gain control, set the PFL level to O (zero dB) on the VU Meter display. The channel’s Limit LED can also be useful as a Gain indicator.

5. HPF Button

High-pass filter, press to roll off the bass under 80Hz on vocal, guitar, etc. channels in order to minimize microphone handling noise and unwanted low-frequency sound spillover.

6. Equalization

The Low and High EQ controls are +/-15dB shelving at 80 & 12 kHz respectively. Mid = –25 dB to +12 dB with Sweep from 80 Hz to 8 kHz.

7. Mon 1 and Mon 2 Controls

The monitor signals are post-EQ, pre-fade and send signal to their respective Mon Send masters and Monitor Out jacks.

8. EFX Control

The EFX Sends are post-EQ and post-fader. The channel's signal is routed through the EFX Send control to the Internal Effects unit and the External Effects Send jack.

9. Aux Control

The Aux path sends post-EQ, post-fader signal to the Aux Send master and Aux Send jack.

2