AKG Acoustics WMS 4000 manual Rule no, Wavelength

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AKG WMS BASICS

HOW WIRELESS TECHNOLOGY WORKS

HOW RADIO SIGNALS ARE TRANSMITTED

Wireless transmission technology is based on the physical principles governing the propa- gation of electromagnetic waves. Radio, tele- vision, mobile telephone communications, mi- crowaves, and light are all based on electro- magnetic waves with different wavelengths.

Short waves have completely different cha- racteristics, and are propagated as high-fre- quency signals in the form of radio waves or X-rays, for instance, traveling incredible distances through the universe and still detectable after millions of years.

Speech and other sound signals, on the other hand, are not electromagnetic waves, and require a high-frequency carrier signal for wireless transmission: it is this carrier signal that serves to transport the audio signal through the air. The process that does the trick is called modulation: this is similar to the audio signal getting into a taxi in a scien- ce-fiction movie (climbing into a radio-fre- quency signal), because the physical laws that now come into effect are similar to the highway code of the future! This metaphori- cal example is not entirely analogous to the physical reality, but it may give a clearer pic- ture.

What happens to our audio signal once it has entered our metaphorical taxi in order to tra- vel from the transmitter to the receiver? First it has to tell the driver its destination, for example: “Please take me the fastest way

from transmitter to receiver.” Since he has been asked to take the fastest route, the taxi driver will try to select this route. However, the thing is that we are not alone on our jour- ney, but have to share the roads with a num- ber of other (wireless) road users: in this situation the following rules apply:

Rule no. 1:

The stronger your radio signal is, the better chance it has of reaching its destination. In our metaphorical example, TV stations do not travel in radio-wave taxis in one lane, but in gigantic trucks occupying several lanes at once. The only solution here is to avoid them by selecting another frequency band, in our example by taking another road so as not to be run over by them!

Rule no. 2:

Keep your distance and stay in your lane! Our taxi needs a road lane on which it can travel, and must keep its distance from vehicles in the adjacent lanes so as to avoid a collision, which we refer to in technical terms as radio interference. Unfortunately, however, we are also obliged to share our lane with signal waves from mobile telephones, television sets, microwave ovens and radio sets, and are permanently faced with congestion and traf- fic jams. These other signal waves continual- ly come dangerously close to our taxi, and we are continually in danger of colliding with other road users: it is therefore essential that we keep our distance!

Rule no. 3:

The higher the frequency, the more “lanes” there are available, and the risk of various radio signals colliding with one another is correspondingly lower. This is why all WMS 40 systems work in the short-wave UHF range, which ensures extremely reliable transmission and optimal signal quality.

AKG has specified various radio frequencies for its WMS 40 wireless systems in order to ensure secure and reliable transmission in the UHF range, normally enabling four systems to be operated simultaneously. This means that we are able, as it were, to send our audio signals from transmitter to receiver using very fast taxis on four safe road lanes.

This is particularly important when transmit- ting speech and music in order to avoid unwanted signal dropouts (see illustrations on facing page and also the illustration of signal characteristics on page 7). The maxi- mum number of channels that can be opera- ted simultaneously varies depending on national licensing regulations.

The licensing regulations issued by the rele- vant regulatory authorities for telecommuni- cations systems also vary from country to country. Your local AKG supplier will be able to tell you whether you require a license to operate a WMS 40 wireless system in your country.

Wavelength

The properties of a wave depend primary on its wavelength. Wavelength is the term used to refer to the distance between points at which the wave has the same phase in two consecutive cycles. The radio waves of wireless microphone systems, and also television and radio sets, mobile telephones and microwave ovens, have a wavelength of about a meter. The wavelength of visible light varies between 770 and 400 nm (1 nm = 1 thousandth of a meter), whilst X-rays, gamma rays, and cosmic radiation have even shorter wavelengths.

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Contents Wireless Page Wireless Technology for the Future Pioneer in Acoustics for Over 50 Years120 DYN How it all started …Die DYN Series Founders Dr. Rudolf Görike and Ing. Ernst PlessEarly products 12 a180 Company namePeter Wolf BreakthroughExpansion course Rock me AmadeusWMS AKG expands its activities in the wireless marketTurning point New research centerJust like a radio set HOW Radio Signals are TransmittedCase for wireless mics Radio waves instead of cablesSignal propagation Positioning the receiverRule no WavelengthInterference BandwidthFrequency Modulation FM Example of AKG WMS 40 carrier frequenciesModular Solutions to Meet Individual Requirements Head-worn microphone for extreme Clip-on or head-worn microphoneFor presenters Activities like aerobics and sportsHandheld Mics for Lead and Backing Vocals Microphone cleaning and maintenance On/off switchVolume Angle of incidenceHEAD-WORN Mics for Lead and Backing Vocals PT 40 Portable transmitter Mini XLR connectorRear panel and battery compartment Flexible antennaAF LEDs SR 40 diversity Receiver ON/OFF switchAntennas Alternative receivers Diversity LEDsSO 40 snapon transmitter Release button Battery compartmentXLR connector Color codeXLR connector pin 2 hot Setting the squelch thresholdBattery charging made easy TM 40 Transmitter module Status LED3700M 3800M Wireless and supremely flexibleOn/Off switch AF LEDs 880MMicrophone MP 40 Micropen for PresentersCable compartment Color code pen clipDetachable microphone MP 40 micropen in handheld modePR 40 Portable receiver ON/OFF switch Put it in your pocket …With C 444 L head-worn or C 417 L lavalier microphone More Goodies for PresentersPT 40 Bodypack transmitter With proven D 880M microphone element417 L 444 LAvoiding feedback Wireless Systems for Maximum Mobility Training communicationsPR 40 Portable receiver PT 40 careAKG WMS 40 UHF for Instruments Radio Links for Portable InstrumentsInstrument MicroMics Connecting to microphone or line inputsMicroMic C 411 L pickup Instrument MicroMic Instrument MicroMicsGB 40 Guitarbug for Guitar and Bass AccessoriesJack plug FlexJack for all electric guitar models Guitar system in a bagFlexJack for all electric bass models HOW Multichannel Technology Works Intermodulation WMS frequency band with TV transmitterUse before each performance Automatic frequency setup Shadow loss Multipath transmissionProblem no sound microphone does not function Troubleshooting HintsProblem poor audio Modular Solutions for Custom Reqirements Backlit LC display SR 400 Receiver On/Off switch Recessed level controlStatus LEDs Metal caseRange of accessories for complex applications Auto setupRehearsal mode Infrared transmissionInfrared sensor On-Mute/Program-Off switchExtremely rugged spring steel mesh grill HT 400 Handheld transmitter DisplayBattery status display Frequency preset LCD display Rugged mini XLR connectorJack for external mute switch Frequency in MHz Low battery capacity warningLocking DC jack Input jack for a local or central power supply e.g., PSUUser Friendly Quick Charger Integrated charging contacts for direct chargingRA 4000 B Omnidirectional wideband booster antenna PSU 4000 Central power supply unitAB 4000 Antenna booster HPA 4000 Headphone amplifierSetting UP Multichannel Systems IP 3 InterceptSpectrum analyzer trace Microphone a carrier frequencyFrequencies Frequency Management a good idea for any multichannel system Stage a Stage B Here is a proven way to add clean frequenciesFar-near difference Band I + 0,15Modular Solutions for Professional Requirements Skin Fat SELECTING, Placing and Using AntennasSignal loss caused by the audience Muscle CartilageCable type Impedance SELECTING, PLACING, and Using AntennasCable position a Cable position B GageStadium theater, opera house example Stadium exampleShort antenna cable runs Drawbacks Live sound Speech Vocals Guitar/Bass InstrumentsTV studio Theater SRA 1 Passive wideband dirctional antenna CU 4000/BP HUB 4000 Network concentratorRA 4000 B Automatic gain setting Battery status readoutFrequency presets Battery compartment Jog switchInscribable color code element Magnesium body Jack for remote Mute switchSilent Mode setting Hidden pilot toneProgrammable status display CUTTING-EDGE True Diversity ReceiverBacklit display Half-rack 19 all-metal case SR 4000 ReceiverEnvironment Scan Battery life displayEnvironment Scan and Rehearsal Mode Professional XLR and jack outputsCU 4000 Charging unit Lockable DC jack Intelligent WAY to Power WMS 4000 TransmittersCharging status display LED Recovery key and LED Such as a PSUInternal RAM Integrated temperature sensorCU 4000 Charging unit in a flight case Data interface to transmitter electronicsBNC antenna inputs BNC antenna outputsDaisy-chaining outputs AKG WMS PS Cabling example/cable lengths Antennas Tailored to Every SituationSelecting and placing antennas SRA 2B Active wideband directional antenna ASU 4000 Remote powerd adapter for antennasSRA 1 Passive wideband directional antenna ZAPD-21 Antenna combinerAs RF levels on site. This makes it incredibly Standard PC accessories. This allows you toLink Between the WMS 4000 and a PC Network Example WMS 4000/PC networkYour Computer AS a WMS 4000 Control Center You can even set up the basic parametersGet a Cup Setup Mode Moving PC Rehearsal Mode Ensures maximum operating reliabilityAKG WMS 4000 Power Supply Line input jacks, DC input lockable Jog control Recommended headphonesMonitoring Without a Mixer StudioSpecification Amount Description SeminarsRA 4000 B PSUTour Sound Example 10-CHANNEL System for Tour SoundAmount Description AKG WMS Practical Examples Example 16-CHANNEL System for Mobile USE Vienna KonzerthausGala Musical Couples, August WMS 4000 WiringWMS 4000 mobile rack Detailed system layout is shown on the following pagesWMS 4000 16-CHANNEL Setup AKG WMS Practical Examples Example 46-CHANNEL System for AN Opera House High-tech for pure enjoymentStage Channels Channels WMS 4000 1-CHANNEL Setup SpecificationAKG WMS Practical Examples Banjo GuitarViolin and viola See guitar. top rightTubas SaxophoneClarinet TromboneSound systems AV/sound companyBars and clubs Meeting and social roomsAKG Wireless Systems AT a Glance Microtools HT/PTSystem ALL the Specs AT a GlanceMP 40 micropen PR 40 diversity Mounting kit, 2 antennasDefinitions from a to Z Directional Antenna Electromagnetic Wave SpectrumDistortion Environment DiversityFrequency Management Phantom PowerFeedback Frequency ModulationPop Noise Hypercardioid Ultra-directionalCardioid Pressure Gradient MicrophoneReflection Signal LossSignal-to-noise S/N Ratio Remote AntennaIndex Selected KeywordsAppendix Appendix Appendix Appendix Appendix Page AKG ACOUSTICS, U.S
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WMS 40, WMS 400, WMS 4000 specifications

AKG Acoustics has long been recognized as a premier brand in the professional audio industry, particularly in the realm of wireless microphone systems. Among its celebrated offerings, the WMS 4000, WMS 400, and WMS 40 series stand out for their advanced technology and robust performance, catering to a range of applications from live performances to studio recordings.

Starting with the WMS 4000, this system is engineered for versatility and reliability. It features a sophisticated transmission diversity system that minimizes dropouts and ensures clear audio quality. The WMS 4000 offers an extensive frequency range, accommodating diverse environments and frequencies. A standout feature is its digital pilot tone, which automatically mutes the transmitter when it is switched off, effectively preventing unwanted noise during transitions. With a range of up to 300 meters, the WMS 4000 is ideal for large venues, allowing performers ample space to move without compromising sound quality.

Next, the WMS 400 series maintains the high standards set by its predecessor while providing a more accessible option for mid-level performers. It combines ease of use with quality audio performance, boasting a user-friendly interface that simplifies setup and operation. The WMS 400 employs an efficient frequency management system, which automatically scans the environment to select the best frequencies available, ensuring optimal performance with minimal interference. The system also features a rugged metal chassis, enhancing durability for live applications.

The WMS 40 series serves as an entry-level solution, perfect for beginners and small venues. It is lightweight and features a straightforward design, making it easy to operate for users without extensive technical knowledge. One of its most notable characteristics is its plug-and-play functionality, allowing for quick setup without complicated configurations. The WMS 40 series also offers excellent sound quality through its crystal-clear audio transmission and robust reception, making it a popular choice for schools, theaters, and small events.

All of these systems benefit from AKG's heritage in sound engineering, incorporating advanced audio processing technologies that ensure superior sound fidelity. They also come with a variety of microphone options, including handheld, lavalier, and headworn microphones, providing flexibility to meet different performance needs. Whether for a professional stage or an intimate setting, the AKG WMS series delivers outstanding performance, reliability, and user-friendly features that cater to a wide range of audio applications.