AKG Acoustics WMS 400 MicroMic C 411 L pickup, Instrument MicroMics, For flute and harmonica

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AKG WMS UHF INSTRUMENTS

MicroMic C 411 L pickup

For guitar, violin, viola, banjo, zither, or hammered dulcimer.

Fix the pickup near the bridge (left).

D 409 instrument MicroMics

For saxophone, clarinet, tubas, trombone, trumpet.

C 416 L instrument MicroMic

C 419 L instrument MicroMics

C 420 L head-worn MicroMic

To mic up an accordion, use two AKG C 416 L with a B 29L

For saxophone, clarinet, tubas, trombone, trumpet.

For flute and harmonica.

battery supply/mini mixer.

 

 

For detailed hints on using MicroMics refer to pages 80/81.

RF LEDs

Illuminates to indicate that RF signal is being received. If the RF signal fails or the squelch comes on, the MUTE LED will be lit.

Antennas

The swiveling antennas are mounted on the front panel, allowing the receiver to be rack mounted.

AF LEDs

The green AF LED indicates the input level to the audio section is within the optimum range. If the audio input level is too high, the PEAK LED comes on.

SR 40 diversity Receiver

ON/OFF switch

with status LED.

Alternative receivers

You can also use the PT 40 with the SR 40 stationary receiver or the PR 40 portable receiver.

Diversity LEDs

Indicate which of the two receiving antennas is currently active.

Frequency color code platelet

Receivers using the same frequency are marked with the same color code.

Case

The 1 U half-rack case is easy to mount in a rack and allows you to install two receivers in a single slot.

Volume

Matches the output level of the receiver to the input gain of the mixer. (For details see illus- tration below)

Connecting to microphone or line inputs

Use an XLR cable to connect the MIC OUT socket on the SR 40 to a balanced (XLR) microphone input on the mixer. Turn the VOLUME control on the SR 40 all the way CCW (left). Use an XLR to 1/4" cable to connect the LINE OUT socket on the SR 40 to an unbalanced line input (1/4" jack) on the mixer. Turn the VOLUME control on the receiver all the way CW (right).

Never use both receiver outputs simultaneously! This may cause a loss in signal level and increased noise.

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Contents Wireless Page Pioneer in Acoustics for Over 50 Years Wireless Technology for the FutureDie DYN Series How it all started …120 DYN Founders Dr. Rudolf Görike and Ing. Ernst Pless180 12 aEarly products Company nameExpansion course BreakthroughPeter Wolf Rock me AmadeusTurning point AKG expands its activities in the wireless marketWMS New research centerCase for wireless mics HOW Radio Signals are TransmittedJust like a radio set Radio waves instead of cablesPositioning the receiver Signal propagationWavelength Rule noFrequency Modulation FM BandwidthInterference Example of AKG WMS 40 carrier frequenciesModular Solutions to Meet Individual Requirements For presenters Clip-on or head-worn microphoneHead-worn microphone for extreme Activities like aerobics and sportsHandheld Mics for Lead and Backing Vocals Volume On/off switchMicrophone cleaning and maintenance Angle of incidenceRear panel and battery compartment PT 40 Portable transmitter Mini XLR connectorHEAD-WORN Mics for Lead and Backing Vocals Flexible antennaAntennas SR 40 diversity Receiver ON/OFF switchAF LEDs Alternative receivers Diversity LEDsXLR connector Battery compartmentSO 40 snapon transmitter Release button Color codeSetting the squelch threshold XLR connector pin 2 hotTM 40 Transmitter module Status LED Battery charging made easyOn/Off switch AF LEDs Wireless and supremely flexible3700M 3800M 880MCable compartment MP 40 Micropen for PresentersMicrophone Color code pen clipPR 40 Portable receiver ON/OFF switch MP 40 micropen in handheld modeDetachable microphone Put it in your pocket …PT 40 Bodypack transmitter More Goodies for PresentersWith C 444 L head-worn or C 417 L lavalier microphone With proven D 880M microphone elementAvoiding feedback 444 L417 L Training communications Wireless Systems for Maximum MobilityPT 40 care PR 40 Portable receiverRadio Links for Portable Instruments AKG WMS 40 UHF for InstrumentsMicroMic C 411 L pickup Connecting to microphone or line inputsInstrument MicroMics Instrument MicroMic Instrument MicroMicsJack plug AccessoriesGB 40 Guitarbug for Guitar and Bass FlexJack for all electric bass models Guitar system in a bagFlexJack for all electric guitar models HOW Multichannel Technology Works Use before each performance WMS frequency band with TV transmitterIntermodulation Automatic frequency setup Multipath transmission Shadow lossProblem poor audio Troubleshooting HintsProblem no sound microphone does not function Modular Solutions for Custom Reqirements Status LEDs SR 400 Receiver On/Off switch Recessed level controlBacklit LC display Metal caseRehearsal mode Auto setupRange of accessories for complex applications Infrared transmissionExtremely rugged spring steel mesh grill On-Mute/Program-Off switchInfrared sensor HT 400 Handheld transmitter DisplayJack for external mute switch Rugged mini XLR connectorBattery status display Frequency preset LCD display Frequency in MHz Low battery capacity warningUser Friendly Quick Charger Input jack for a local or central power supply e.g., PSULocking DC jack Integrated charging contacts for direct chargingAB 4000 Antenna booster PSU 4000 Central power supply unitRA 4000 B Omnidirectional wideband booster antenna HPA 4000 Headphone amplifierIP 3 Intercept Setting UP Multichannel SystemsFrequencies Microphone a carrier frequencySpectrum analyzer trace Frequency Management a good idea for any multichannel system Far-near difference Here is a proven way to add clean frequenciesStage a Stage B Band I + 0,15Modular Solutions for Professional Requirements Signal loss caused by the audience SELECTING, Placing and Using AntennasSkin Fat Muscle CartilageCable position a Cable position B SELECTING, PLACING, and Using AntennasCable type Impedance GageShort antenna cable runs Drawbacks Stadium exampleStadium theater, opera house example TV studio Theater Speech Vocals Guitar/Bass InstrumentsLive sound RA 4000 B CU 4000/BP HUB 4000 Network concentratorSRA 1 Passive wideband dirctional antenna Frequency presets Battery status readoutAutomatic gain setting Battery compartment Jog switchSilent Mode setting Jack for remote Mute switchInscribable color code element Magnesium body Hidden pilot toneBacklit display Half-rack 19 all-metal case CUTTING-EDGE True Diversity ReceiverProgrammable status display SR 4000 ReceiverEnvironment Scan and Rehearsal Mode Battery life displayEnvironment Scan Professional XLR and jack outputsCharging status display LED Recovery key and LED Intelligent WAY to Power WMS 4000 TransmittersCU 4000 Charging unit Lockable DC jack Such as a PSUCU 4000 Charging unit in a flight case Integrated temperature sensorInternal RAM Data interface to transmitter electronicsDaisy-chaining outputs BNC antenna outputsBNC antenna inputs AKG WMS PS Selecting and placing antennas Antennas Tailored to Every SituationCabling example/cable lengths SRA 1 Passive wideband directional antenna ASU 4000 Remote powerd adapter for antennasSRA 2B Active wideband directional antenna ZAPD-21 Antenna combinerLink Between the WMS 4000 and a PC Network Standard PC accessories. This allows you toAs RF levels on site. This makes it incredibly Example WMS 4000/PC networkGet a Cup Setup Mode Moving PC Rehearsal Mode You can even set up the basic parametersYour Computer AS a WMS 4000 Control Center Ensures maximum operating reliabilityAKG WMS 4000 Power Supply Monitoring Without a Mixer Recommended headphonesLine input jacks, DC input lockable Jog control StudioSeminars Specification Amount DescriptionPSU RA 4000 BAmount Description Example 10-CHANNEL System for Tour SoundTour Sound AKG WMS Practical Examples Vienna Konzerthaus Example 16-CHANNEL System for Mobile USEWMS 4000 mobile rack WMS 4000 WiringGala Musical Couples, August Detailed system layout is shown on the following pagesWMS 4000 16-CHANNEL Setup AKG WMS Practical Examples High-tech for pure enjoyment Example 46-CHANNEL System for AN Opera HouseStage Channels Channels Specification WMS 4000 1-CHANNEL SetupAKG WMS Practical Examples Violin and viola GuitarBanjo See guitar. top rightClarinet SaxophoneTubas TromboneBars and clubs AV/sound companySound systems Meeting and social roomsMicrotools HT/PT AKG Wireless Systems AT a GlanceMP 40 micropen ALL the Specs AT a GlanceSystem Mounting kit, 2 antennas PR 40 diversityDefinitions from a to Z Distortion Environment Electromagnetic Wave SpectrumDirectional Antenna DiversityFeedback Phantom PowerFrequency Management Frequency ModulationCardioid Hypercardioid Ultra-directionalPop Noise Pressure Gradient MicrophoneSignal-to-noise S/N Ratio Signal LossReflection Remote AntennaSelected Keywords IndexAppendix Appendix Appendix Appendix Appendix Page AKG ACOUSTICS, U.S
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WMS 40, WMS 400, WMS 4000 specifications

AKG Acoustics has long been recognized as a premier brand in the professional audio industry, particularly in the realm of wireless microphone systems. Among its celebrated offerings, the WMS 4000, WMS 400, and WMS 40 series stand out for their advanced technology and robust performance, catering to a range of applications from live performances to studio recordings.

Starting with the WMS 4000, this system is engineered for versatility and reliability. It features a sophisticated transmission diversity system that minimizes dropouts and ensures clear audio quality. The WMS 4000 offers an extensive frequency range, accommodating diverse environments and frequencies. A standout feature is its digital pilot tone, which automatically mutes the transmitter when it is switched off, effectively preventing unwanted noise during transitions. With a range of up to 300 meters, the WMS 4000 is ideal for large venues, allowing performers ample space to move without compromising sound quality.

Next, the WMS 400 series maintains the high standards set by its predecessor while providing a more accessible option for mid-level performers. It combines ease of use with quality audio performance, boasting a user-friendly interface that simplifies setup and operation. The WMS 400 employs an efficient frequency management system, which automatically scans the environment to select the best frequencies available, ensuring optimal performance with minimal interference. The system also features a rugged metal chassis, enhancing durability for live applications.

The WMS 40 series serves as an entry-level solution, perfect for beginners and small venues. It is lightweight and features a straightforward design, making it easy to operate for users without extensive technical knowledge. One of its most notable characteristics is its plug-and-play functionality, allowing for quick setup without complicated configurations. The WMS 40 series also offers excellent sound quality through its crystal-clear audio transmission and robust reception, making it a popular choice for schools, theaters, and small events.

All of these systems benefit from AKG's heritage in sound engineering, incorporating advanced audio processing technologies that ensure superior sound fidelity. They also come with a variety of microphone options, including handheld, lavalier, and headworn microphones, providing flexibility to meet different performance needs. Whether for a professional stage or an intimate setting, the AKG WMS series delivers outstanding performance, reliability, and user-friendly features that cater to a wide range of audio applications.