AKG Acoustics WMS 400 manual Far-near difference, Here is a proven way to add clean frequencies

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AKG WMS MULTICHANNEL TECHNOLOGY

The far-near difference

Unlike a hardwire microphone, even the best wireless system is susceptible to dropouts because the relative positions of persons and objects within the coverage area will change constantly during an event. At any moment, shadow loss and signal cancellation may coincide with intermodulation and sideband noise in such a way as to cause a dropout. The specified dropout probability under such conditions for the WMS 4000 is less than 0.1%.

This is equivalent to a downtime of one third of a second per hour. Noticing such short interruptions is difficult even for an experienced tonmeister.

However, this low dropout probability can only be achieved inside a Faraday cage in which no other RF or digital equipment is used along with the WMS 4000.

As mentioned above, the dropout probability or immunity to interference depends primarily on the antenna positions. Finding the best antenna locations is always a balancing act. If the antenna is too far away from the stage the re- ceived signal will be too weak and drowned out by receiver self-noise and other unwanted disturbances during a deep fade. If you install the antenna too close to or even on the stage, however, the dreaded intermodulation whistles

generated by the receivers and transmitters may become audible.

Here is where the far-near difference comes in. It is the dif- ference between the receiving antenna’s distance from the rearmost point on the stage where a transmitter will be used and the receiving antenna's distance from the front edge of the stage.

The Applet http://www.akgfrequency.at/antennaposition/ allows you to compute optimum antenna positions from known far-near differences.

To ensure intermodulation-free multichan- nel operation, AKG programs sets of fre- quency presets into each WMS 4000 system. Each preset contains groups of fre- quencies that do not disturb one another by intermodulation.

Depending on local frequency plans, up to 18 channels can be used simultaneously within each 30 MHz subband. "Enhanced- security presets" with 14 channels or less within the respective 30 MHz subbands are available for some countries.

Although all the frequencies of any preset are approved for use in the respective coun- try, you are still required by law to obtain a permit from the local authorities before you can use the system.

Adding channels by duplicating an existing frequency structure

Here is a proven way to add clean frequencies:

1.Refer to the Theater Frequencies table below and start with a frequency group you are using on stage A, for instance, Band I with 18 subchannels.

2.Add to each frequency half the minimum channel spa- cing. (In this example, the minimum channel spacing for a group of 18 frequencies is 300 kHz, one half of that being 150 kHz.) The resulting group for use on stage B (Band I + 0.15 in the table below) has the same pro- perties as the original group.

Provided the two rooms are separated by a brick wall at least 8 inches (20 cm) thick, you can use the new frequen- cy group you derived by adding 150 kHz without risking intermodulation distortion. By repeating this procedure for the other two frequency groups used on stage A, you will obtain the table shown below with 108 subchannels in Bands I, II, and V.

Theater Frequencies

1

2

3

4

5

6

7

8

9

10

11

12

13

14

15

16

17

18

 

 

Stage A

 

 

 

 

Stage B

 

 

 

 

AT 1 preset frequencies

 

 

AT 1 preset frequencies increased by 150 kHz (0.15 MHz)

Band I

 

Band III

 

Band V

Band I + 0,15

 

Band III + 0,15

 

Band V + 0,15

 

 

 

 

650.850

 

720.700

 

790.900

651

 

720.85

 

791.05

651.350

 

721.200

 

791.400

651.5

 

721.35

 

791.55

654.850

 

724.700

 

794.900

655

 

724.85

 

795.05

656.350

 

726.200

 

796.400

656.5

 

726.35

 

796.55

667.950

 

737.800

 

808.000

668.1

 

737.95

 

808.15

673.250

 

743.100

 

813.300

673.4

 

743.25

 

813.45

650.150

 

720.000

 

790.200

650.3

 

720.15

 

790.35

665.050

 

734.900

 

805.100

665.2

 

735.05

 

805.25

666.050

 

735.900

 

806.100

666.2

 

736.05

 

806.25

675.450

 

745.300

 

815.500

675.6

 

745.45

 

815.65

672.450

 

742.300

 

812.500

672.6

 

742.45

 

812.65

676.050

 

745.900

 

816.100

676.2

 

746.05

 

816.25

650.450

 

720.300

 

790.500

650.6

 

720.45

 

790.65

652.450

 

722.300

 

792.500

652.6

 

722.45

 

792.65

658.150

 

728.000

 

798.200

658.3

 

728.15

 

798.35

661.950

 

731.800

 

802.000

662.1

 

731.95

 

802.15

663.350

 

733.200

 

803.400

663.5

 

733.35

 

803.55

671.150

 

741.000

 

811.200

671.3

 

741.15

 

811.35

 

 

 

 

 

 

 

 

 

 

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Contents Wireless Page Pioneer in Acoustics for Over 50 Years Wireless Technology for the FutureFounders Dr. Rudolf Görike and Ing. Ernst Pless How it all started …Die DYN Series 120 DYNCompany name 12 a180 Early productsRock me Amadeus BreakthroughExpansion course Peter WolfNew research center AKG expands its activities in the wireless marketTurning point WMSRadio waves instead of cables HOW Radio Signals are TransmittedCase for wireless mics Just like a radio setPositioning the receiver Signal propagationWavelength Rule noExample of AKG WMS 40 carrier frequencies BandwidthFrequency Modulation FM InterferenceModular Solutions to Meet Individual Requirements Activities like aerobics and sports Clip-on or head-worn microphoneFor presenters Head-worn microphone for extremeHandheld Mics for Lead and Backing Vocals Angle of incidence On/off switchVolume Microphone cleaning and maintenanceFlexible antenna PT 40 Portable transmitter Mini XLR connectorRear panel and battery compartment HEAD-WORN Mics for Lead and Backing VocalsAlternative receivers Diversity LEDs SR 40 diversity Receiver ON/OFF switchAntennas AF LEDsColor code Battery compartmentXLR connector SO 40 snapon transmitter Release buttonSetting the squelch threshold XLR connector pin 2 hotTM 40 Transmitter module Status LED Battery charging made easy880M Wireless and supremely flexibleOn/Off switch AF LEDs 3700M 3800MColor code pen clip MP 40 Micropen for PresentersCable compartment MicrophonePut it in your pocket … MP 40 micropen in handheld modePR 40 Portable receiver ON/OFF switch Detachable microphoneWith proven D 880M microphone element More Goodies for PresentersPT 40 Bodypack transmitter With C 444 L head-worn or C 417 L lavalier microphoneAvoiding feedback 444 L417 L Training communications Wireless Systems for Maximum MobilityPT 40 care PR 40 Portable receiverRadio Links for Portable Instruments AKG WMS 40 UHF for InstrumentsInstrument MicroMic Instrument MicroMics Connecting to microphone or line inputsMicroMic C 411 L pickup Instrument MicroMicsJack plug AccessoriesGB 40 Guitarbug for Guitar and Bass FlexJack for all electric bass models Guitar system in a bagFlexJack for all electric guitar models HOW Multichannel Technology Works Use before each performance WMS frequency band with TV transmitterIntermodulation Automatic frequency setup Multipath transmission Shadow lossProblem poor audio Troubleshooting HintsProblem no sound microphone does not function Modular Solutions for Custom Reqirements Metal case SR 400 Receiver On/Off switch Recessed level controlStatus LEDs Backlit LC displayInfrared transmission Auto setupRehearsal mode Range of accessories for complex applicationsHT 400 Handheld transmitter Display On-Mute/Program-Off switchExtremely rugged spring steel mesh grill Infrared sensorFrequency in MHz Low battery capacity warning Rugged mini XLR connectorJack for external mute switch Battery status display Frequency preset LCD displayIntegrated charging contacts for direct charging Input jack for a local or central power supply e.g., PSUUser Friendly Quick Charger Locking DC jackHPA 4000 Headphone amplifier PSU 4000 Central power supply unitAB 4000 Antenna booster RA 4000 B Omnidirectional wideband booster antennaIP 3 Intercept Setting UP Multichannel SystemsFrequencies Microphone a carrier frequencySpectrum analyzer trace Frequency Management a good idea for any multichannel system Band I + 0,15 Here is a proven way to add clean frequenciesFar-near difference Stage a Stage BModular Solutions for Professional Requirements Muscle Cartilage SELECTING, Placing and Using AntennasSignal loss caused by the audience Skin FatGage SELECTING, PLACING, and Using AntennasCable position a Cable position B Cable type ImpedanceShort antenna cable runs Drawbacks Stadium exampleStadium theater, opera house example TV studio Theater Speech Vocals Guitar/Bass InstrumentsLive sound RA 4000 B CU 4000/BP HUB 4000 Network concentratorSRA 1 Passive wideband dirctional antenna Battery compartment Jog switch Battery status readoutFrequency presets Automatic gain settingHidden pilot tone Jack for remote Mute switchSilent Mode setting Inscribable color code element Magnesium bodySR 4000 Receiver CUTTING-EDGE True Diversity ReceiverBacklit display Half-rack 19 all-metal case Programmable status displayProfessional XLR and jack outputs Battery life displayEnvironment Scan and Rehearsal Mode Environment ScanSuch as a PSU Intelligent WAY to Power WMS 4000 TransmittersCharging status display LED Recovery key and LED CU 4000 Charging unit Lockable DC jackData interface to transmitter electronics Integrated temperature sensorCU 4000 Charging unit in a flight case Internal RAMDaisy-chaining outputs BNC antenna outputsBNC antenna inputs AKG WMS PS Selecting and placing antennas Antennas Tailored to Every SituationCabling example/cable lengths ZAPD-21 Antenna combiner ASU 4000 Remote powerd adapter for antennasSRA 1 Passive wideband directional antenna SRA 2B Active wideband directional antennaExample WMS 4000/PC network Standard PC accessories. This allows you toLink Between the WMS 4000 and a PC Network As RF levels on site. This makes it incrediblyEnsures maximum operating reliability You can even set up the basic parametersGet a Cup Setup Mode Moving PC Rehearsal Mode Your Computer AS a WMS 4000 Control CenterAKG WMS 4000 Power Supply Studio Recommended headphonesMonitoring Without a Mixer Line input jacks, DC input lockable Jog controlSeminars Specification Amount DescriptionPSU RA 4000 BAmount Description Example 10-CHANNEL System for Tour SoundTour Sound AKG WMS Practical Examples Vienna Konzerthaus Example 16-CHANNEL System for Mobile USEDetailed system layout is shown on the following pages WMS 4000 WiringWMS 4000 mobile rack Gala Musical Couples, AugustWMS 4000 16-CHANNEL Setup AKG WMS Practical Examples High-tech for pure enjoyment Example 46-CHANNEL System for AN Opera HouseStage Channels Channels Specification WMS 4000 1-CHANNEL SetupAKG WMS Practical Examples See guitar. top right GuitarViolin and viola BanjoTrombone SaxophoneClarinet TubasMeeting and social rooms AV/sound companyBars and clubs Sound systemsMicrotools HT/PT AKG Wireless Systems AT a GlanceMP 40 micropen ALL the Specs AT a GlanceSystem Mounting kit, 2 antennas PR 40 diversityDefinitions from a to Z Diversity Electromagnetic Wave SpectrumDistortion Environment Directional AntennaFrequency Modulation Phantom PowerFeedback Frequency ManagementPressure Gradient Microphone Hypercardioid Ultra-directionalCardioid Pop NoiseRemote Antenna Signal LossSignal-to-noise S/N Ratio ReflectionSelected Keywords IndexAppendix Appendix Appendix Appendix Appendix Page AKG ACOUSTICS, U.S
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WMS 40, WMS 400, WMS 4000 specifications

AKG Acoustics has long been recognized as a premier brand in the professional audio industry, particularly in the realm of wireless microphone systems. Among its celebrated offerings, the WMS 4000, WMS 400, and WMS 40 series stand out for their advanced technology and robust performance, catering to a range of applications from live performances to studio recordings.

Starting with the WMS 4000, this system is engineered for versatility and reliability. It features a sophisticated transmission diversity system that minimizes dropouts and ensures clear audio quality. The WMS 4000 offers an extensive frequency range, accommodating diverse environments and frequencies. A standout feature is its digital pilot tone, which automatically mutes the transmitter when it is switched off, effectively preventing unwanted noise during transitions. With a range of up to 300 meters, the WMS 4000 is ideal for large venues, allowing performers ample space to move without compromising sound quality.

Next, the WMS 400 series maintains the high standards set by its predecessor while providing a more accessible option for mid-level performers. It combines ease of use with quality audio performance, boasting a user-friendly interface that simplifies setup and operation. The WMS 400 employs an efficient frequency management system, which automatically scans the environment to select the best frequencies available, ensuring optimal performance with minimal interference. The system also features a rugged metal chassis, enhancing durability for live applications.

The WMS 40 series serves as an entry-level solution, perfect for beginners and small venues. It is lightweight and features a straightforward design, making it easy to operate for users without extensive technical knowledge. One of its most notable characteristics is its plug-and-play functionality, allowing for quick setup without complicated configurations. The WMS 40 series also offers excellent sound quality through its crystal-clear audio transmission and robust reception, making it a popular choice for schools, theaters, and small events.

All of these systems benefit from AKG's heritage in sound engineering, incorporating advanced audio processing technologies that ensure superior sound fidelity. They also come with a variety of microphone options, including handheld, lavalier, and headworn microphones, providing flexibility to meet different performance needs. Whether for a professional stage or an intimate setting, the AKG WMS series delivers outstanding performance, reliability, and user-friendly features that cater to a wide range of audio applications.