AKG Acoustics WMS 4000 manual HOW Multichannel Technology Works

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AKG WMS MULTICHANNEL TECHNOLOGY

HOW MULTICHANNEL TECHNOLOGY WORKS

FREQUENCY MANAGEMENT, INTERFERENCE, AND PRACTICAL REMEDIES

A knowledge of the laws of physics governing the propagation of radio waves is essential if one is to gain maximum benefit from the ad- vantages of wireless transmission technology. Radio waves are electromagnetic waves that are used as a carrier for the transmission of signals.

In physical terms, electromagnetic waves transport energy through space. In a vacuum, they are propagated at the speed of light (in other media almost the speed of light, 300,000 km/s). The relationship between fre- quency and wavelength is defined by the follo- wing equation:

l = c/f

(wavelength = speed of light / frequency)

The speed of electromagnetic waves and their ability to pass through obstacles varies depen- ding on their wavelength. Due to the growing popularity of wireless communications such as wireless, radio/television broadcasting, mobile telephony, and wireless LAN networks, the density of the radio signals around us is rapid- ly increasing (see illustration below). Conse- quently, there is also a greater risk of distur- bances caused by RF interference and electro- smog.

Dropouts are the result of zero RF field strength at a receiving antenna. One reason may simp- ly be excessive separation between transmitter and receiver so the receiver will capture no sig-

nal. Another reason may be multipath recep- tion: as the signal is reflected several times, the resulting multiplied signals arrive at the receiving antenna from different directions and in different phases. When this occurs, they may cancel one another out, resulting in signal dropout. Another type of dropouts may be cau- sed by interference that will become audible as noise if the carrier signal is sufficiently weake- ned. In order to prevent this, most receivers are equipped with a muting circuit. Provided this circuit is fast enough, and the muting thres- hold is just above the electrosmog level, it can switch off the audio circuit whilst the signal level drops as described above. It is not possi- ble to completely suppress dropout, which is often accompanied by a crackling sound.

The best way to prevent interference is to eli- minate the source of unwanted signals such as computers. If this is not possible, the solution may be switching the microphone system to another radio frequency (see illustration above right).

Electrosmog is generated by electronic equip- ment such as lighting systems, computers, and other digital equipment. In practice it is advis- able to keep as far away as possible from lighting equipment, computers, fax machines, etc., and not to install other electronic equip- ment in a rack along with the wireless micro- phone unit. If interference occurs, the usual solution is to switch to another frequency.

Apart from intermodulation and digital noise,

the electro-smog inherent in a multichannel system is the sideband noise of the transmit- ters and receivers. Even the best oscillator is unable to generate a signal entirely without phase shift, consisting of a single, infinitely narrow spectral line. All oscillators have a noise skirt whose spectral density decreases with increasing frequency separation from the line. In the case of carrier signals on adjacent fre- quencies, the noise skirts and the carriers may overlap. For example, if a performer with a transmitter gets very close to the receiving antenna, it is possible for the sideband noise to open a muted channel. This can be avoided only with the aid of an additional tone-coded squelch circuit.

In practice it is advisable to keep as far away as possible from lighting equipment, and not to install other electronic equipment in a rack along with the wireless microphone unit. If interference occurs, the usual solution is to switch to another frequency.

Where several wireless systems are to be used simultaneously in the same place, interference may result from intermodulations due to the non-linear distortion of combined carrier fre- quencies (see illustration on the right).

Like most other wireless microphone systems, AKG WMS systems use frequency modulation. This involves changing (modulating) a carrier frequency in step with an audio signal (see also WMS 40, page 9).

The electromagnetic wave spectrum

The electromagnetic wave spectrum is becoming increasingly crowded by a wide variety of applications.

Wireless microphones generally share the same frequency range as televi- sion broadcasts. Allocated bands for UHF wireless microphones are within the 470 to 862 MHz range, in Europe 650 to 863 MHz and in the United States 470 to 806 MHz.

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Contents Wireless Page Wireless Technology for the Future Pioneer in Acoustics for Over 50 YearsHow it all started … Die DYN Series120 DYN Founders Dr. Rudolf Görike and Ing. Ernst Pless12 a 180Early products Company nameBreakthrough Expansion coursePeter Wolf Rock me AmadeusAKG expands its activities in the wireless market Turning pointWMS New research centerHOW Radio Signals are Transmitted Case for wireless micsJust like a radio set Radio waves instead of cablesSignal propagation Positioning the receiverRule no WavelengthBandwidth Frequency Modulation FMInterference Example of AKG WMS 40 carrier frequenciesModular Solutions to Meet Individual Requirements Clip-on or head-worn microphone For presentersHead-worn microphone for extreme Activities like aerobics and sportsHandheld Mics for Lead and Backing Vocals On/off switch VolumeMicrophone cleaning and maintenance Angle of incidencePT 40 Portable transmitter Mini XLR connector Rear panel and battery compartmentHEAD-WORN Mics for Lead and Backing Vocals Flexible antennaSR 40 diversity Receiver ON/OFF switch AntennasAF LEDs Alternative receivers Diversity LEDsBattery compartment XLR connectorSO 40 snapon transmitter Release button Color codeXLR connector pin 2 hot Setting the squelch thresholdBattery charging made easy TM 40 Transmitter module Status LEDWireless and supremely flexible On/Off switch AF LEDs3700M 3800M 880MMP 40 Micropen for Presenters Cable compartmentMicrophone Color code pen clipMP 40 micropen in handheld mode PR 40 Portable receiver ON/OFF switchDetachable microphone Put it in your pocket …More Goodies for Presenters PT 40 Bodypack transmitterWith C 444 L head-worn or C 417 L lavalier microphone With proven D 880M microphone elementAvoiding feedback 444 L417 L Wireless Systems for Maximum Mobility Training communicationsPR 40 Portable receiver PT 40 careAKG WMS 40 UHF for Instruments Radio Links for Portable InstrumentsConnecting to microphone or line inputs MicroMic C 411 L pickupInstrument MicroMics Instrument MicroMic Instrument MicroMicsJack plug AccessoriesGB 40 Guitarbug for Guitar and Bass FlexJack for all electric bass models Guitar system in a bagFlexJack for all electric guitar models HOW Multichannel Technology Works Use before each performance WMS frequency band with TV transmitterIntermodulation Automatic frequency setup Shadow loss Multipath transmissionProblem poor audio Troubleshooting HintsProblem no sound microphone does not function Modular Solutions for Custom Reqirements SR 400 Receiver On/Off switch Recessed level control Status LEDsBacklit LC display Metal caseAuto setup Rehearsal modeRange of accessories for complex applications Infrared transmissionOn-Mute/Program-Off switch Extremely rugged spring steel mesh grillInfrared sensor HT 400 Handheld transmitter DisplayRugged mini XLR connector Jack for external mute switchBattery status display Frequency preset LCD display Frequency in MHz Low battery capacity warningInput jack for a local or central power supply e.g., PSU User Friendly Quick ChargerLocking DC jack Integrated charging contacts for direct chargingPSU 4000 Central power supply unit AB 4000 Antenna boosterRA 4000 B Omnidirectional wideband booster antenna HPA 4000 Headphone amplifierSetting UP Multichannel Systems IP 3 InterceptFrequencies Microphone a carrier frequencySpectrum analyzer trace Frequency Management a good idea for any multichannel system Here is a proven way to add clean frequencies Far-near differenceStage a Stage B Band I + 0,15Modular Solutions for Professional Requirements SELECTING, Placing and Using Antennas Signal loss caused by the audienceSkin Fat Muscle CartilageSELECTING, PLACING, and Using Antennas Cable position a Cable position BCable type Impedance GageShort antenna cable runs Drawbacks Stadium exampleStadium theater, opera house example TV studio Theater Speech Vocals Guitar/Bass InstrumentsLive sound RA 4000 B CU 4000/BP HUB 4000 Network concentratorSRA 1 Passive wideband dirctional antenna Battery status readout Frequency presetsAutomatic gain setting Battery compartment Jog switchJack for remote Mute switch Silent Mode settingInscribable color code element Magnesium body Hidden pilot toneCUTTING-EDGE True Diversity Receiver Backlit display Half-rack 19 all-metal caseProgrammable status display SR 4000 ReceiverBattery life display Environment Scan and Rehearsal ModeEnvironment Scan Professional XLR and jack outputsIntelligent WAY to Power WMS 4000 Transmitters Charging status display LED Recovery key and LEDCU 4000 Charging unit Lockable DC jack Such as a PSUIntegrated temperature sensor CU 4000 Charging unit in a flight caseInternal RAM Data interface to transmitter electronicsDaisy-chaining outputs BNC antenna outputsBNC antenna inputs AKG WMS PS Selecting and placing antennas Antennas Tailored to Every SituationCabling example/cable lengths ASU 4000 Remote powerd adapter for antennas SRA 1 Passive wideband directional antennaSRA 2B Active wideband directional antenna ZAPD-21 Antenna combinerStandard PC accessories. This allows you to Link Between the WMS 4000 and a PC NetworkAs RF levels on site. This makes it incredibly Example WMS 4000/PC networkYou can even set up the basic parameters Get a Cup Setup Mode Moving PC Rehearsal ModeYour Computer AS a WMS 4000 Control Center Ensures maximum operating reliabilityAKG WMS 4000 Power Supply Recommended headphones Monitoring Without a MixerLine input jacks, DC input lockable Jog control StudioSpecification Amount Description SeminarsRA 4000 B PSUAmount Description Example 10-CHANNEL System for Tour SoundTour Sound AKG WMS Practical Examples Example 16-CHANNEL System for Mobile USE Vienna KonzerthausWMS 4000 Wiring WMS 4000 mobile rackGala Musical Couples, August Detailed system layout is shown on the following pagesWMS 4000 16-CHANNEL Setup AKG WMS Practical Examples Example 46-CHANNEL System for AN Opera House High-tech for pure enjoymentStage Channels Channels WMS 4000 1-CHANNEL Setup SpecificationAKG WMS Practical Examples Guitar Violin and violaBanjo See guitar. top rightSaxophone ClarinetTubas TromboneAV/sound company Bars and clubsSound systems Meeting and social roomsAKG Wireless Systems AT a Glance Microtools HT/PTMP 40 micropen ALL the Specs AT a GlanceSystem PR 40 diversity Mounting kit, 2 antennasDefinitions from a to Z Electromagnetic Wave Spectrum Distortion EnvironmentDirectional Antenna DiversityPhantom Power FeedbackFrequency Management Frequency ModulationHypercardioid Ultra-directional CardioidPop Noise Pressure Gradient MicrophoneSignal Loss Signal-to-noise S/N RatioReflection Remote AntennaIndex Selected KeywordsAppendix Appendix Appendix Appendix Appendix Page AKG ACOUSTICS, U.S
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WMS 40, WMS 400, WMS 4000 specifications

AKG Acoustics has long been recognized as a premier brand in the professional audio industry, particularly in the realm of wireless microphone systems. Among its celebrated offerings, the WMS 4000, WMS 400, and WMS 40 series stand out for their advanced technology and robust performance, catering to a range of applications from live performances to studio recordings.

Starting with the WMS 4000, this system is engineered for versatility and reliability. It features a sophisticated transmission diversity system that minimizes dropouts and ensures clear audio quality. The WMS 4000 offers an extensive frequency range, accommodating diverse environments and frequencies. A standout feature is its digital pilot tone, which automatically mutes the transmitter when it is switched off, effectively preventing unwanted noise during transitions. With a range of up to 300 meters, the WMS 4000 is ideal for large venues, allowing performers ample space to move without compromising sound quality.

Next, the WMS 400 series maintains the high standards set by its predecessor while providing a more accessible option for mid-level performers. It combines ease of use with quality audio performance, boasting a user-friendly interface that simplifies setup and operation. The WMS 400 employs an efficient frequency management system, which automatically scans the environment to select the best frequencies available, ensuring optimal performance with minimal interference. The system also features a rugged metal chassis, enhancing durability for live applications.

The WMS 40 series serves as an entry-level solution, perfect for beginners and small venues. It is lightweight and features a straightforward design, making it easy to operate for users without extensive technical knowledge. One of its most notable characteristics is its plug-and-play functionality, allowing for quick setup without complicated configurations. The WMS 40 series also offers excellent sound quality through its crystal-clear audio transmission and robust reception, making it a popular choice for schools, theaters, and small events.

All of these systems benefit from AKG's heritage in sound engineering, incorporating advanced audio processing technologies that ensure superior sound fidelity. They also come with a variety of microphone options, including handheld, lavalier, and headworn microphones, providing flexibility to meet different performance needs. Whether for a professional stage or an intimate setting, the AKG WMS series delivers outstanding performance, reliability, and user-friendly features that cater to a wide range of audio applications.