AKG Acoustics WMS 4000 manual HOW Radio Signals are Transmitted, Case for wireless mics

Page 8

AKG WMS BASICS

HOW WIRELESS TECHNOLOGY WORKS

HOW RADIO SIGNALS ARE TRANSMITTED

The case for wireless mics

The popularity of wireless systems is gro- wing continuously, and they are no longer found only at open-air events, in theaters, and conference centers. The increasing sel- ection of small portable wireless systems is the key to virtually unrestricted wireless free- dom even for amateur musicians and low- budget users, opening up a huge diversity of applications.

The decisive factors behind the dramatic success of wireless systems are the easy handling and reliable, interference-free ope- ration now offered by most of the medium- price wireless systems available on the mar- ket today. In practice, however, wireless technology is often unreasonably put down when minimal technical conditions are not met, usually by people who do not know any better.

The following section examines the princi- ples of trouble-free wireless transmission and

gives an insight into what is technically pos- sible, and how to achieve the best results.

Just like a radio set

At first it may sound simplistic to maintain that the operation of a wireless system is almost as simple as that of a radio set. However, in practice closer inspection shows that this comparison is entirely appropriate. Everybody knows that the reception quality of radio signals depends not only on the locati- on of the receiver, but also on the quality of the transmitter, i.e. whether or not you are inside a building, and which transmission frequency is selected (FM 100.4, for instance). If the reception is poor, the first thing we do is to try and change the position of the receiver (the radio set). Then we try to change the position of the antenna, and if none of these remedies helps, we try to recei- ve the desired radio station on another fre- quency (FM 94.7, for instance). This is a per- fectly normal procedure, and no one would think of calling a radio set defective or unre-

liable, simply because each of us can opera- te a radio with our eyes shut.

Since reasonably priced, high-quality wire- less microphone systems have only been available to the general public for a few years, it will probably take a while for people to become as familiar with this new techno- logy. However, the comparison with a radio set is particularly appropriate and helpful for the technically uninitiated, since most peo- ple are able to operate radio sets correctly thanks to their intuition and experience.

Radio waves instead of cables!

With wireless technology, radio waves are used instead of a microphone cable to trans- mit a signal. For this purpose, we need a transmitter that transforms the audio input signal (voice, instrument, etc.) into a UHF or VHF signal and broadcasts it just like a miniature FM radio station. The receiver then transforms this high-frequency UHF or VHF signal back into an audio signal and ampli-

Reflection and scattering

Every wave has certain physical properties, and this also applies in the case of wireless transmission. When a wave travels from one medium to another, part of it is reflected and another part of it absorbed. Propagation of the absorbed part of the wave in the denser medium is considerably reduced, whilst the reflected part is returned at the same angle as the angle of incidence (diagram on left).

When a wave meets an irregular surface, it is not reflected uniformly and linearly, but is scattered in several partial waves, each deflected by a differing amount (diagram on right). The energy level of the wave naturally declines every time it is reflected, absorbed or scattered.

Transmitter/receiver

The situation with a transmitter and a receiver can be com- pared to the transmission of a signal between a radio stati- on and a radio set. When we encounter problems with recep- tion, we will either reposition the antenna, or look for the sta- tion on another frequency. The principles are exactly the same when it comes to a wireless microphone system. One of the most important rules is that you can only receive one sta- tion at a time with a radio, never several simultaneously.

Shadowing

When a wave passes close to an obstacle, it is deflected slight- ly from its linear path. Thus a number of small obstacles in a room, such as wire screens, etc., can result in shadowing los- ses although visually they appear transparent.

6

www.akg.com

Image 8
Contents Wireless Page Wireless Technology for the Future Pioneer in Acoustics for Over 50 YearsHow it all started … Die DYN Series120 DYN Founders Dr. Rudolf Görike and Ing. Ernst Pless12 a 180Early products Company nameBreakthrough Expansion coursePeter Wolf Rock me AmadeusAKG expands its activities in the wireless market Turning pointWMS New research centerHOW Radio Signals are Transmitted Case for wireless micsJust like a radio set Radio waves instead of cablesSignal propagation Positioning the receiverRule no WavelengthBandwidth Frequency Modulation FMInterference Example of AKG WMS 40 carrier frequenciesModular Solutions to Meet Individual Requirements Clip-on or head-worn microphone For presentersHead-worn microphone for extreme Activities like aerobics and sportsHandheld Mics for Lead and Backing Vocals On/off switch VolumeMicrophone cleaning and maintenance Angle of incidencePT 40 Portable transmitter Mini XLR connector Rear panel and battery compartmentHEAD-WORN Mics for Lead and Backing Vocals Flexible antennaSR 40 diversity Receiver ON/OFF switch AntennasAF LEDs Alternative receivers Diversity LEDsBattery compartment XLR connectorSO 40 snapon transmitter Release button Color codeXLR connector pin 2 hot Setting the squelch thresholdBattery charging made easy TM 40 Transmitter module Status LEDWireless and supremely flexible On/Off switch AF LEDs3700M 3800M 880MMP 40 Micropen for Presenters Cable compartmentMicrophone Color code pen clipMP 40 micropen in handheld mode PR 40 Portable receiver ON/OFF switchDetachable microphone Put it in your pocket …More Goodies for Presenters PT 40 Bodypack transmitterWith C 444 L head-worn or C 417 L lavalier microphone With proven D 880M microphone elementAvoiding feedback 444 L417 L Wireless Systems for Maximum Mobility Training communicationsPR 40 Portable receiver PT 40 careAKG WMS 40 UHF for Instruments Radio Links for Portable InstrumentsConnecting to microphone or line inputs MicroMic C 411 L pickupInstrument MicroMics Instrument MicroMic Instrument MicroMicsJack plug AccessoriesGB 40 Guitarbug for Guitar and Bass FlexJack for all electric bass models Guitar system in a bagFlexJack for all electric guitar models HOW Multichannel Technology Works Use before each performance WMS frequency band with TV transmitterIntermodulation Automatic frequency setup Shadow loss Multipath transmissionProblem poor audio Troubleshooting HintsProblem no sound microphone does not function Modular Solutions for Custom Reqirements SR 400 Receiver On/Off switch Recessed level control Status LEDsBacklit LC display Metal caseAuto setup Rehearsal modeRange of accessories for complex applications Infrared transmissionOn-Mute/Program-Off switch Extremely rugged spring steel mesh grillInfrared sensor HT 400 Handheld transmitter DisplayRugged mini XLR connector Jack for external mute switchBattery status display Frequency preset LCD display Frequency in MHz Low battery capacity warningInput jack for a local or central power supply e.g., PSU User Friendly Quick ChargerLocking DC jack Integrated charging contacts for direct chargingPSU 4000 Central power supply unit AB 4000 Antenna boosterRA 4000 B Omnidirectional wideband booster antenna HPA 4000 Headphone amplifierSetting UP Multichannel Systems IP 3 InterceptFrequencies Microphone a carrier frequencySpectrum analyzer trace Frequency Management a good idea for any multichannel system Here is a proven way to add clean frequencies Far-near differenceStage a Stage B Band I + 0,15Modular Solutions for Professional Requirements SELECTING, Placing and Using Antennas Signal loss caused by the audienceSkin Fat Muscle CartilageSELECTING, PLACING, and Using Antennas Cable position a Cable position BCable type Impedance GageShort antenna cable runs Drawbacks Stadium exampleStadium theater, opera house example TV studio Theater Speech Vocals Guitar/Bass InstrumentsLive sound RA 4000 B CU 4000/BP HUB 4000 Network concentratorSRA 1 Passive wideband dirctional antenna Battery status readout Frequency presetsAutomatic gain setting Battery compartment Jog switchJack for remote Mute switch Silent Mode settingInscribable color code element Magnesium body Hidden pilot toneCUTTING-EDGE True Diversity Receiver Backlit display Half-rack 19 all-metal caseProgrammable status display SR 4000 ReceiverBattery life display Environment Scan and Rehearsal ModeEnvironment Scan Professional XLR and jack outputsIntelligent WAY to Power WMS 4000 Transmitters Charging status display LED Recovery key and LEDCU 4000 Charging unit Lockable DC jack Such as a PSUIntegrated temperature sensor CU 4000 Charging unit in a flight caseInternal RAM Data interface to transmitter electronicsDaisy-chaining outputs BNC antenna outputsBNC antenna inputs AKG WMS PS Selecting and placing antennas Antennas Tailored to Every SituationCabling example/cable lengths ASU 4000 Remote powerd adapter for antennas SRA 1 Passive wideband directional antennaSRA 2B Active wideband directional antenna ZAPD-21 Antenna combinerStandard PC accessories. This allows you to Link Between the WMS 4000 and a PC NetworkAs RF levels on site. This makes it incredibly Example WMS 4000/PC networkYou can even set up the basic parameters Get a Cup Setup Mode Moving PC Rehearsal ModeYour Computer AS a WMS 4000 Control Center Ensures maximum operating reliabilityAKG WMS 4000 Power Supply Recommended headphones Monitoring Without a MixerLine input jacks, DC input lockable Jog control StudioSpecification Amount Description SeminarsRA 4000 B PSUAmount Description Example 10-CHANNEL System for Tour SoundTour Sound AKG WMS Practical Examples Example 16-CHANNEL System for Mobile USE Vienna KonzerthausWMS 4000 Wiring WMS 4000 mobile rackGala Musical Couples, August Detailed system layout is shown on the following pagesWMS 4000 16-CHANNEL Setup AKG WMS Practical Examples Example 46-CHANNEL System for AN Opera House High-tech for pure enjoymentStage Channels Channels WMS 4000 1-CHANNEL Setup SpecificationAKG WMS Practical Examples Guitar Violin and violaBanjo See guitar. top rightSaxophone ClarinetTubas TromboneAV/sound company Bars and clubsSound systems Meeting and social roomsAKG Wireless Systems AT a Glance Microtools HT/PTMP 40 micropen ALL the Specs AT a GlanceSystem PR 40 diversity Mounting kit, 2 antennasDefinitions from a to Z Electromagnetic Wave Spectrum Distortion EnvironmentDirectional Antenna DiversityPhantom Power FeedbackFrequency Management Frequency ModulationHypercardioid Ultra-directional CardioidPop Noise Pressure Gradient MicrophoneSignal Loss Signal-to-noise S/N RatioReflection Remote AntennaIndex Selected KeywordsAppendix Appendix Appendix Appendix Appendix Page AKG ACOUSTICS, U.S
Related manuals
Manual 96 pages 54.6 Kb Manual 104 pages 7.89 Kb

WMS 40, WMS 400, WMS 4000 specifications

AKG Acoustics has long been recognized as a premier brand in the professional audio industry, particularly in the realm of wireless microphone systems. Among its celebrated offerings, the WMS 4000, WMS 400, and WMS 40 series stand out for their advanced technology and robust performance, catering to a range of applications from live performances to studio recordings.

Starting with the WMS 4000, this system is engineered for versatility and reliability. It features a sophisticated transmission diversity system that minimizes dropouts and ensures clear audio quality. The WMS 4000 offers an extensive frequency range, accommodating diverse environments and frequencies. A standout feature is its digital pilot tone, which automatically mutes the transmitter when it is switched off, effectively preventing unwanted noise during transitions. With a range of up to 300 meters, the WMS 4000 is ideal for large venues, allowing performers ample space to move without compromising sound quality.

Next, the WMS 400 series maintains the high standards set by its predecessor while providing a more accessible option for mid-level performers. It combines ease of use with quality audio performance, boasting a user-friendly interface that simplifies setup and operation. The WMS 400 employs an efficient frequency management system, which automatically scans the environment to select the best frequencies available, ensuring optimal performance with minimal interference. The system also features a rugged metal chassis, enhancing durability for live applications.

The WMS 40 series serves as an entry-level solution, perfect for beginners and small venues. It is lightweight and features a straightforward design, making it easy to operate for users without extensive technical knowledge. One of its most notable characteristics is its plug-and-play functionality, allowing for quick setup without complicated configurations. The WMS 40 series also offers excellent sound quality through its crystal-clear audio transmission and robust reception, making it a popular choice for schools, theaters, and small events.

All of these systems benefit from AKG's heritage in sound engineering, incorporating advanced audio processing technologies that ensure superior sound fidelity. They also come with a variety of microphone options, including handheld, lavalier, and headworn microphones, providing flexibility to meet different performance needs. Whether for a professional stage or an intimate setting, the AKG WMS series delivers outstanding performance, reliability, and user-friendly features that cater to a wide range of audio applications.