AKG Acoustics WMS 400 Electromagnetic Wave Spectrum, Distortion Environment, Directional Antenna

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AKG WMS GLOSSARY

GLOSSARY

DEFINITIONS FROM A TO Z

Inside a bass

drum 3 cm 140 dB (one inch)

from the head

130 dB

Tom-toms 3 cm (one in.)

distance; 120 dB 60 watt guitar

amp, at 30 cm

(12 in.) 110 dB distance

Loud vocals, 100 dB at 15 cm

(6 in.) distance

Acoustic 90 dB guitar, chords

strummed with 80 dB plectrum, at

40 cm (16 in.)

70 dB

Acoustic guitar, at

40 cm (16 in.) 60 dB played

“fingerpicking”

50 dB

Noise level in

an average 40 dB city apparment

20 dB

Threshold of hearing 0 dB

Loud vocals, measured in front of the mouth; threshold of pain

Congas, 2 cm (one in.) from the head Cowbell at

10 cm (4 in.) distance

Saxophone,

trombone, played p, at 40 cm (16 in.) distance

Piano, played pp, at 1 m (3 ft.) distance

Whispering at distance of

10 cm (4 in.) quiet conver- sation at 1 m (3 ft.) distance

Noise level in a good sound- isolated studio

much less sound energy is absorbed by a

Electromagnetic Wave Spectrum

directional microphone than an omnidirec-

Range of frequencies of electromagnetic

tional microphone.

radiation.

Distortion

Environment

Dynamic microphones virtually never dis-

Dynamic microphones will generally stand

tort the signal. To be precise, their distor-

up to extreme environmental conditions

tions at very high sound pressure levels

such as temperatures from -25 °C to +70 °C

(<130 dB) cannot be measured because

and high humidity.

loudspeakers are incapable of reproducing

 

such levels distortion free. For this reason,

Condenser microphones, however, are sus-

we state no maximum SPL for dynamic

ceptible to humidity and condensation.

microphones.

When an object is damp and colder than its

However condenser microphones with their

environment, condensation water will form

on its surface. Drops of condensation water

built-in preamplifier may overload at high

inside the transducer or high-impedance

sound levels. When close miking (from a

preamplifier will cause crackling noises.

few inches) loud instruments such as

 

drums or trumpets the microphone sensiti-

Storing condenser microphones:

vity should be reduced. With the C 535,

 

simply use the preattenuation switch.

1. Store the microphone in a dry and warm

Directional Antenna

place. It should never be colder than its

environment. If it has been transported

Antenna whose sensitivity is highest within

in a cold car or van, allow it to warm up

a limited angle in front of the antenna.

before use.

Directional antennas are used mainly where

 

standard receiving antennas cannot be

2. The supplied silica gel absorbs humidity.

mounted within the range of the transmit-

It will maintain this property as long as

ters so the transmitter signals must be

you keep it in the sealed package and

picked up from greater distances (e.g., in

may be regenerated in the oven if neces-

open-air arenas).

sary.

Diversity

3. Be sure to protect condenser micropho-

Reception technique that ensures clear

nes from rain when using them outdoors.

reception even in difficult environments.

 

Diversity receivers use several antennas for

Equivalent Noise Level

the same carrier frequency and some

Since condenser microphones incorporate

models use several receiving sections, too.

a preamplifier, they introduce a low amount

Downtime

of self-noise which appears at the micro-

phone output as an unwanted signal volta-

Period of time during which a system is

ge. This noise voltage is measured using

inoperative.

standard weighting filters and the result

Dropout

stated as the equivalent noise level in dB.

An equivalent noise level of 20 dB, for

Momentary loss of signal due to squelch

instance, means that the self-noise of the

operation or interference.

microphone is as loud as a sound at 20 dB

 

SPL (see dB SPL).

Crosstalk

Dynamic Microphone

 

The undesired coupling of signals from one

A coil attached to a diaphragm is driven by

Noise level in quiet recording studio:

channel to another channel.

the sound waves and vibrates between the

A low equivalent noise level means that the

dB SPL

poles of a magnet. This movement induces

microphone's self-noise is low. The self-

in the coil a voltage which corresponds to

noise voltage is weighted either conforming

Decibel Sound Pressure Level. A measure

the sound pressure. Dynamic microphones

to IEC 268-1 and DIN 45 405 using the

of the sound level referenced to 20 µPa

handle high sound levels without overloa-

filter according to CCIR 468-3 with the

(the sound pressure corresponding to the

ding and are very rugged. They require no

“quasi-peak” value being quoted, or in

threshold of human hearing). A 6-dB

operating voltage. Dynamic microphones

accordance with IEC 651 or DIN 45 412

increase in SPL would sound about twice

from AKG are designated by the letter “N”

using the A-weighting curve with the rms

as loud.

in front of the model number. Also known

value being quoted. Studio engineers seem

Deep Fade

as “moving coil microphone”.

to prefer the CCIR weighting while A-

 

weighting is still accepted as well.

Massive decline of received signal strength

Electret Condenser Microphone

 

due to cancellation of the carrier in multi-

Condenser microphone that needs no pola-

ERP

path transmission situations.

rization voltage. Instead, a special metali-

Equivalent Radiated Power,

Directivity Factor

zed plastic “electret foil”, in which a per-

a measure of a transmitter's RF output.

manent electrical charge has been stored

 

The directivity of a microphone can be

by application of heat and a high polarizing

Far-Near Difference

expressed in terms of the amount of sound

voltage, is used either for the diaphragm or

The difference between the shortest and

energy it absorbs out of a diffuse sound

the fixed electrode. The latter type is called

the longest distance between stage and

field. The directivity factor indicates how

“back plate electret microphone”.

antenna.

www.akg.com

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Contents Wireless Page Pioneer in Acoustics for Over 50 Years Wireless Technology for the FutureDie DYN Series How it all started …120 DYN Founders Dr. Rudolf Görike and Ing. Ernst Pless180 12 aEarly products Company nameExpansion course BreakthroughPeter Wolf Rock me AmadeusTurning point AKG expands its activities in the wireless marketWMS New research centerCase for wireless mics HOW Radio Signals are TransmittedJust like a radio set Radio waves instead of cablesPositioning the receiver Signal propagationWavelength Rule noFrequency Modulation FM BandwidthInterference Example of AKG WMS 40 carrier frequenciesModular Solutions to Meet Individual Requirements For presenters Clip-on or head-worn microphoneHead-worn microphone for extreme Activities like aerobics and sportsHandheld Mics for Lead and Backing Vocals Volume On/off switchMicrophone cleaning and maintenance Angle of incidenceRear panel and battery compartment PT 40 Portable transmitter Mini XLR connectorHEAD-WORN Mics for Lead and Backing Vocals Flexible antennaAntennas SR 40 diversity Receiver ON/OFF switchAF LEDs Alternative receivers Diversity LEDsXLR connector Battery compartmentSO 40 snapon transmitter Release button Color codeSetting the squelch threshold XLR connector pin 2 hotTM 40 Transmitter module Status LED Battery charging made easyOn/Off switch AF LEDs Wireless and supremely flexible3700M 3800M 880MCable compartment MP 40 Micropen for PresentersMicrophone Color code pen clipPR 40 Portable receiver ON/OFF switch MP 40 micropen in handheld modeDetachable microphone Put it in your pocket …PT 40 Bodypack transmitter More Goodies for PresentersWith C 444 L head-worn or C 417 L lavalier microphone With proven D 880M microphone elementAvoiding feedback 444 L417 L Training communications Wireless Systems for Maximum MobilityPT 40 care PR 40 Portable receiverRadio Links for Portable Instruments AKG WMS 40 UHF for InstrumentsMicroMic C 411 L pickup Connecting to microphone or line inputsInstrument MicroMics Instrument MicroMic Instrument MicroMicsJack plug AccessoriesGB 40 Guitarbug for Guitar and Bass FlexJack for all electric bass models Guitar system in a bagFlexJack for all electric guitar models HOW Multichannel Technology Works Use before each performance WMS frequency band with TV transmitterIntermodulation Automatic frequency setup Multipath transmission Shadow lossProblem poor audio Troubleshooting HintsProblem no sound microphone does not function Modular Solutions for Custom Reqirements Status LEDs SR 400 Receiver On/Off switch Recessed level controlBacklit LC display Metal caseRehearsal mode Auto setupRange of accessories for complex applications Infrared transmissionExtremely rugged spring steel mesh grill On-Mute/Program-Off switchInfrared sensor HT 400 Handheld transmitter DisplayJack for external mute switch Rugged mini XLR connectorBattery status display Frequency preset LCD display Frequency in MHz Low battery capacity warningUser Friendly Quick Charger Input jack for a local or central power supply e.g., PSULocking DC jack Integrated charging contacts for direct chargingAB 4000 Antenna booster PSU 4000 Central power supply unitRA 4000 B Omnidirectional wideband booster antenna HPA 4000 Headphone amplifierIP 3 Intercept Setting UP Multichannel SystemsFrequencies Microphone a carrier frequencySpectrum analyzer trace Frequency Management a good idea for any multichannel system Far-near difference Here is a proven way to add clean frequenciesStage a Stage B Band I + 0,15Modular Solutions for Professional Requirements Signal loss caused by the audience SELECTING, Placing and Using AntennasSkin Fat Muscle CartilageCable position a Cable position B SELECTING, PLACING, and Using AntennasCable type Impedance GageShort antenna cable runs Drawbacks Stadium exampleStadium theater, opera house example TV studio Theater Speech Vocals Guitar/Bass InstrumentsLive sound RA 4000 B CU 4000/BP HUB 4000 Network concentratorSRA 1 Passive wideband dirctional antenna Frequency presets Battery status readoutAutomatic gain setting Battery compartment Jog switchSilent Mode setting Jack for remote Mute switchInscribable color code element Magnesium body Hidden pilot toneBacklit display Half-rack 19 all-metal case CUTTING-EDGE True Diversity ReceiverProgrammable status display SR 4000 ReceiverEnvironment Scan and Rehearsal Mode Battery life displayEnvironment Scan Professional XLR and jack outputsCharging status display LED Recovery key and LED Intelligent WAY to Power WMS 4000 TransmittersCU 4000 Charging unit Lockable DC jack Such as a PSUCU 4000 Charging unit in a flight case Integrated temperature sensorInternal RAM Data interface to transmitter electronicsDaisy-chaining outputs BNC antenna outputsBNC antenna inputs AKG WMS PS Selecting and placing antennas Antennas Tailored to Every SituationCabling example/cable lengths SRA 1 Passive wideband directional antenna ASU 4000 Remote powerd adapter for antennasSRA 2B Active wideband directional antenna ZAPD-21 Antenna combinerLink Between the WMS 4000 and a PC Network Standard PC accessories. This allows you toAs RF levels on site. This makes it incredibly Example WMS 4000/PC networkGet a Cup Setup Mode Moving PC Rehearsal Mode You can even set up the basic parametersYour Computer AS a WMS 4000 Control Center Ensures maximum operating reliabilityAKG WMS 4000 Power Supply Monitoring Without a Mixer Recommended headphonesLine input jacks, DC input lockable Jog control StudioSeminars Specification Amount DescriptionPSU RA 4000 BAmount Description Example 10-CHANNEL System for Tour SoundTour Sound AKG WMS Practical Examples Vienna Konzerthaus Example 16-CHANNEL System for Mobile USEWMS 4000 mobile rack WMS 4000 WiringGala Musical Couples, August Detailed system layout is shown on the following pagesWMS 4000 16-CHANNEL Setup AKG WMS Practical Examples High-tech for pure enjoyment Example 46-CHANNEL System for AN Opera HouseStage Channels Channels Specification WMS 4000 1-CHANNEL SetupAKG WMS Practical Examples Violin and viola GuitarBanjo See guitar. top rightClarinet SaxophoneTubas TromboneBars and clubs AV/sound companySound systems Meeting and social roomsMicrotools HT/PT AKG Wireless Systems AT a GlanceMP 40 micropen ALL the Specs AT a GlanceSystem Mounting kit, 2 antennas PR 40 diversityDefinitions from a to Z Distortion Environment Electromagnetic Wave SpectrumDirectional Antenna DiversityFeedback Phantom PowerFrequency Management Frequency ModulationCardioid Hypercardioid Ultra-directionalPop Noise Pressure Gradient MicrophoneSignal-to-noise S/N Ratio Signal LossReflection Remote AntennaSelected Keywords IndexAppendix Appendix Appendix Appendix Appendix Page AKG ACOUSTICS, U.S
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WMS 40, WMS 400, WMS 4000 specifications

AKG Acoustics has long been recognized as a premier brand in the professional audio industry, particularly in the realm of wireless microphone systems. Among its celebrated offerings, the WMS 4000, WMS 400, and WMS 40 series stand out for their advanced technology and robust performance, catering to a range of applications from live performances to studio recordings.

Starting with the WMS 4000, this system is engineered for versatility and reliability. It features a sophisticated transmission diversity system that minimizes dropouts and ensures clear audio quality. The WMS 4000 offers an extensive frequency range, accommodating diverse environments and frequencies. A standout feature is its digital pilot tone, which automatically mutes the transmitter when it is switched off, effectively preventing unwanted noise during transitions. With a range of up to 300 meters, the WMS 4000 is ideal for large venues, allowing performers ample space to move without compromising sound quality.

Next, the WMS 400 series maintains the high standards set by its predecessor while providing a more accessible option for mid-level performers. It combines ease of use with quality audio performance, boasting a user-friendly interface that simplifies setup and operation. The WMS 400 employs an efficient frequency management system, which automatically scans the environment to select the best frequencies available, ensuring optimal performance with minimal interference. The system also features a rugged metal chassis, enhancing durability for live applications.

The WMS 40 series serves as an entry-level solution, perfect for beginners and small venues. It is lightweight and features a straightforward design, making it easy to operate for users without extensive technical knowledge. One of its most notable characteristics is its plug-and-play functionality, allowing for quick setup without complicated configurations. The WMS 40 series also offers excellent sound quality through its crystal-clear audio transmission and robust reception, making it a popular choice for schools, theaters, and small events.

All of these systems benefit from AKG's heritage in sound engineering, incorporating advanced audio processing technologies that ensure superior sound fidelity. They also come with a variety of microphone options, including handheld, lavalier, and headworn microphones, providing flexibility to meet different performance needs. Whether for a professional stage or an intimate setting, the AKG WMS series delivers outstanding performance, reliability, and user-friendly features that cater to a wide range of audio applications.