AKG Acoustics WMS 4000 manual GB 40 Guitarbug for Guitar and Bass, Jack plug, Accessories

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AKG WMS UHF GUITAR BASS

AKG WMS 40 UHF FOR GUITAR & BASS

THE GB 40 GUITARBUG FOR GUITAR AND BASS

Too long. Too short. Forgot it. Tied up in knots. Tangled up. Gone. Pins reversed. Disconnected. Broken. Must be hard to find a guitarist or bassist who never got furious about their cables and the related mess.

The convenient alternative from AKG is called the GB 40 guitarbug, a WMS 40 Microtools Series miniature transmitter specifically designed for guitars and bas- ses. It matches any instrument with a 1/4" TS jack, including keyboards. The spring-

loaded "FlexJack" swiveling jack plug connects to the instrument and pulls the transmitter against the instrument. The soft-touch coating on the transmitter bot- tom panel stabilizes the transmitter on the instrument and prevents the instrument surface from being scratched.

The GB 40 guitarbug is a UHF transmitter with superior price/performance. Optimized for use by guitarists and bassists at small clubs, rehearsal rooms, or local communi- ty centers, it is exceptionally easy to use.

The operating cost of the GB 40 is surpri- singly low, too. A single AAA size 1.5 V dry battery will last for about eight hours of continuous playing. If you use many bat- tery powered effects units and tuning devi- ces, spending an appreciable part of your fees on batteries for your equipment, you can power the GB 40 with a rechargeable battery (six hours battery life). The optio- nal CU 40 charger will fully charge the GB 40 guitarbug in half an hour, and the half- rack receiver can be rack mounted as easi- ly as you can put it in your guitar bag.

GB 40 guitarbug

Jack plug

Spring-loaded FlexJack™ 1/4" TS jack plug. The plug may be too short for some recessed instrument jacks. In this case, use the supplied extension plug.

 

 

 

 

 

 

ON/MUTE/OFF switch

 

 

 

 

 

 

Setting the switch to the "MUTE" posi-

 

 

 

 

 

 

tion mutes the audio signal, while the

 

Battery status LED

 

transmitter continues radiating the RF

 

carrier frequency. This prevents the

 

Battery life is approx. eight hours for an AAA size 1.5

 

receiver from being disturbed by other

 

V dry battery and approx. six hours for a recharge-

transmitters while the microphone is

 

able battery. When the status LED is lit red con-

"off the air".

 

stantly the battery will be dead in about 50 minutes.

 

 

 

 

The maximum charging time for a rechargeable

Input gain control

 

 

battery is one hour.

 

 

 

 

 

 

 

Sets the sensitivity of the transmitter’s

 

 

 

 

 

 

audio section.

 

 

 

 

 

 

Battery compartment

 

 

 

 

 

 

 

The transmitter can be powered from a dry

 

 

 

 

 

 

or rechargeable battery. The color of the

 

 

 

 

 

 

battery compartment cover indicates the

Flexible antenna

 

carrier frequency of the transmitter and you

To maintain perfect transmission, the

can replace the colored cover with a black

replacement cover if required.

antenna should be visible from the recei-

 

 

 

ver location at all times. So make sure

 

 

 

never to cover the antenna with clothes or

 

 

 

other elements of the costume.

Accessories

We recommend using the optional CU 40 charger to charge the battery inside the battery compartment. The bottom panel charging contacts eliminate the need to remove the battery for charging.

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Contents Wireless Page Wireless Technology for the Future Pioneer in Acoustics for Over 50 Years120 DYN How it all started …Die DYN Series Founders Dr. Rudolf Görike and Ing. Ernst PlessEarly products 12 a180 Company namePeter Wolf BreakthroughExpansion course Rock me AmadeusWMS AKG expands its activities in the wireless marketTurning point New research centerJust like a radio set HOW Radio Signals are TransmittedCase for wireless mics Radio waves instead of cablesSignal propagation Positioning the receiverRule no WavelengthInterference BandwidthFrequency Modulation FM Example of AKG WMS 40 carrier frequenciesModular Solutions to Meet Individual Requirements Head-worn microphone for extreme Clip-on or head-worn microphoneFor presenters Activities like aerobics and sportsHandheld Mics for Lead and Backing Vocals Microphone cleaning and maintenance On/off switchVolume Angle of incidenceHEAD-WORN Mics for Lead and Backing Vocals PT 40 Portable transmitter Mini XLR connectorRear panel and battery compartment Flexible antennaAF LEDs SR 40 diversity Receiver ON/OFF switchAntennas Alternative receivers Diversity LEDsSO 40 snapon transmitter Release button Battery compartmentXLR connector Color codeXLR connector pin 2 hot Setting the squelch thresholdBattery charging made easy TM 40 Transmitter module Status LED3700M 3800M Wireless and supremely flexibleOn/Off switch AF LEDs 880MMicrophone MP 40 Micropen for PresentersCable compartment Color code pen clipDetachable microphone MP 40 micropen in handheld modePR 40 Portable receiver ON/OFF switch Put it in your pocket …With C 444 L head-worn or C 417 L lavalier microphone More Goodies for PresentersPT 40 Bodypack transmitter With proven D 880M microphone element444 L 417 LAvoiding feedback Wireless Systems for Maximum Mobility Training communicationsPR 40 Portable receiver PT 40 careAKG WMS 40 UHF for Instruments Radio Links for Portable InstrumentsInstrument MicroMics Connecting to microphone or line inputsMicroMic C 411 L pickup Instrument MicroMic Instrument MicroMicsAccessories GB 40 Guitarbug for Guitar and BassJack plug Guitar system in a bag FlexJack for all electric guitar modelsFlexJack for all electric bass models HOW Multichannel Technology Works WMS frequency band with TV transmitter IntermodulationUse before each performance Automatic frequency setup Shadow loss Multipath transmissionTroubleshooting Hints Problem no sound microphone does not functionProblem poor audio Modular Solutions for Custom Reqirements Backlit LC display SR 400 Receiver On/Off switch Recessed level controlStatus LEDs Metal caseRange of accessories for complex applications Auto setupRehearsal mode Infrared transmissionInfrared sensor On-Mute/Program-Off switchExtremely rugged spring steel mesh grill HT 400 Handheld transmitter DisplayBattery status display Frequency preset LCD display Rugged mini XLR connectorJack for external mute switch Frequency in MHz Low battery capacity warningLocking DC jack Input jack for a local or central power supply e.g., PSUUser Friendly Quick Charger Integrated charging contacts for direct chargingRA 4000 B Omnidirectional wideband booster antenna PSU 4000 Central power supply unitAB 4000 Antenna booster HPA 4000 Headphone amplifierSetting UP Multichannel Systems IP 3 InterceptMicrophone a carrier frequency Spectrum analyzer traceFrequencies Frequency Management a good idea for any multichannel system Stage a Stage B Here is a proven way to add clean frequenciesFar-near difference Band I + 0,15Modular Solutions for Professional Requirements Skin Fat SELECTING, Placing and Using AntennasSignal loss caused by the audience Muscle CartilageCable type Impedance SELECTING, PLACING, and Using AntennasCable position a Cable position B GageStadium example Stadium theater, opera house exampleShort antenna cable runs Drawbacks Speech Vocals Guitar/Bass Instruments Live soundTV studio Theater CU 4000/BP HUB 4000 Network concentrator SRA 1 Passive wideband dirctional antennaRA 4000 B Automatic gain setting Battery status readoutFrequency presets Battery compartment Jog switchInscribable color code element Magnesium body Jack for remote Mute switchSilent Mode setting Hidden pilot toneProgrammable status display CUTTING-EDGE True Diversity ReceiverBacklit display Half-rack 19 all-metal case SR 4000 ReceiverEnvironment Scan Battery life displayEnvironment Scan and Rehearsal Mode Professional XLR and jack outputsCU 4000 Charging unit Lockable DC jack Intelligent WAY to Power WMS 4000 TransmittersCharging status display LED Recovery key and LED Such as a PSUInternal RAM Integrated temperature sensorCU 4000 Charging unit in a flight case Data interface to transmitter electronicsBNC antenna outputs BNC antenna inputsDaisy-chaining outputs AKG WMS PS Antennas Tailored to Every Situation Cabling example/cable lengthsSelecting and placing antennas SRA 2B Active wideband directional antenna ASU 4000 Remote powerd adapter for antennasSRA 1 Passive wideband directional antenna ZAPD-21 Antenna combinerAs RF levels on site. This makes it incredibly Standard PC accessories. This allows you toLink Between the WMS 4000 and a PC Network Example WMS 4000/PC networkYour Computer AS a WMS 4000 Control Center You can even set up the basic parametersGet a Cup Setup Mode Moving PC Rehearsal Mode Ensures maximum operating reliabilityAKG WMS 4000 Power Supply Line input jacks, DC input lockable Jog control Recommended headphonesMonitoring Without a Mixer StudioSpecification Amount Description SeminarsRA 4000 B PSUExample 10-CHANNEL System for Tour Sound Tour SoundAmount Description AKG WMS Practical Examples Example 16-CHANNEL System for Mobile USE Vienna KonzerthausGala Musical Couples, August WMS 4000 WiringWMS 4000 mobile rack Detailed system layout is shown on the following pagesWMS 4000 16-CHANNEL Setup AKG WMS Practical Examples Example 46-CHANNEL System for AN Opera House High-tech for pure enjoymentStage Channels Channels WMS 4000 1-CHANNEL Setup SpecificationAKG WMS Practical Examples Banjo GuitarViolin and viola See guitar. top rightTubas SaxophoneClarinet TromboneSound systems AV/sound companyBars and clubs Meeting and social roomsAKG Wireless Systems AT a Glance Microtools HT/PTALL the Specs AT a Glance SystemMP 40 micropen PR 40 diversity Mounting kit, 2 antennasDefinitions from a to Z Directional Antenna Electromagnetic Wave SpectrumDistortion Environment DiversityFrequency Management Phantom PowerFeedback Frequency ModulationPop Noise Hypercardioid Ultra-directionalCardioid Pressure Gradient MicrophoneReflection Signal LossSignal-to-noise S/N Ratio Remote AntennaIndex Selected KeywordsAppendix Appendix Appendix Appendix Appendix Page AKG ACOUSTICS, U.S
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WMS 40, WMS 400, WMS 4000 specifications

AKG Acoustics has long been recognized as a premier brand in the professional audio industry, particularly in the realm of wireless microphone systems. Among its celebrated offerings, the WMS 4000, WMS 400, and WMS 40 series stand out for their advanced technology and robust performance, catering to a range of applications from live performances to studio recordings.

Starting with the WMS 4000, this system is engineered for versatility and reliability. It features a sophisticated transmission diversity system that minimizes dropouts and ensures clear audio quality. The WMS 4000 offers an extensive frequency range, accommodating diverse environments and frequencies. A standout feature is its digital pilot tone, which automatically mutes the transmitter when it is switched off, effectively preventing unwanted noise during transitions. With a range of up to 300 meters, the WMS 4000 is ideal for large venues, allowing performers ample space to move without compromising sound quality.

Next, the WMS 400 series maintains the high standards set by its predecessor while providing a more accessible option for mid-level performers. It combines ease of use with quality audio performance, boasting a user-friendly interface that simplifies setup and operation. The WMS 400 employs an efficient frequency management system, which automatically scans the environment to select the best frequencies available, ensuring optimal performance with minimal interference. The system also features a rugged metal chassis, enhancing durability for live applications.

The WMS 40 series serves as an entry-level solution, perfect for beginners and small venues. It is lightweight and features a straightforward design, making it easy to operate for users without extensive technical knowledge. One of its most notable characteristics is its plug-and-play functionality, allowing for quick setup without complicated configurations. The WMS 40 series also offers excellent sound quality through its crystal-clear audio transmission and robust reception, making it a popular choice for schools, theaters, and small events.

All of these systems benefit from AKG's heritage in sound engineering, incorporating advanced audio processing technologies that ensure superior sound fidelity. They also come with a variety of microphone options, including handheld, lavalier, and headworn microphones, providing flexibility to meet different performance needs. Whether for a professional stage or an intimate setting, the AKG WMS series delivers outstanding performance, reliability, and user-friendly features that cater to a wide range of audio applications.