AKG Acoustics WMS 4000 manual PR 40 diversity, Mounting kit, 2 antennas

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AKG WMS OVERVIEW

SPECIFICATIONS

ALL THE SPECS AT A GLANCE

TM 40

PR 40 diversity

SR 400

HT 400

PT 400

SR 4000

HT 4000

PT 4000

710-865 MHz

FM

40-20.000 Hz

typ. 0,8%

typ. 103 dB

1 x 1,5 V AAA size battery

>10 hours (AAA size dry battery); > 6 hours

(rechargeable battery)

typ. 5 mW (ERP)

26 Ø x 125 mm

30g

1 AAA size 1.5 V battery,

color code battery compart-

ment cover, screwdriver

CU 40 charger

710-865 MHz

FM

40-20.000 Hz

typ. 0,8%

typ. 103 dB

2 x 1,5 V AAA size batteries

unbal. line (tip): +6 dBm (10 kohms); headphones (ring): typ. 18 mW (15 ohms), typ. 13 mW (100 ohms)

>8 hours (dry batteries);

>6 hours

(rechargeable batteries

typ. 5 mW (ERP)

77 x 55 x 15 mm

60 g

audio connecting cable,

2 AAA size batteries,

belt clip, Velcro strips for

camera mounting

CU 40 charger,

PA 40 remote powering

adapter

650-680, 680-710, 720-750,

760-790, 790-820 and 835-863 MHz

FM

35-20.000 Hz

typ. <0,3%

typ. >120 dB

balanced XLR and 1/4" TX jack; level switchable to -30 dBm or 0 dBm

200 x 190 x 44 mm

972 g

power supply, RMU 400 rack

mounting kit, 2 antennas

650-680, 680-710, 720-750,

650-680, 680-710, 720-750,

760-790, 790-820

760-790, 790-820

and 835-863 MHz

and 835-863 MHz

FM

FM

35-20.000 Hz

35-20.000 Hz

typ. <0,7%

typ. <0,7%

typ. >120 dB

typ. >120 dB

typ. 6 hours (AA size dry battery)

typ. 6 hours (AA size dry battery)

or typ. 8 hours (1.2 V AA size,

or typ. 8 hours (1.2 V AA size,

2100 mAh rechargeable battery)

2100 mAh rechargeable battery)

50 mW (ERP) max.

50 mW (ERP) max.

229 x max. Ø 52,5 mm

60 x 73,5 x 30 mm

220 g

90 g

1 AAA size 1.5 V battery,

1 AAA size 1.5 V battery,

SA 63 stand adapter

belt clip

remote mute switch

 

 

650-680, 680-710, 720-750,

760-790, 790-820 and 835-863 MHz

FM

35-20.000 Hz

typ. <0,3%

typ. >120 dB

balanced XLR and 1/4" TX jack; level switchable to -30, 0, or +6 dB

200 x 190 x 44 mm

972 g

power supply, RMU 4000

rack mounting kit,

color coding kit, 2 antennas

MK 9/10

650-680, 680-710, 720-750,

760-790, 790-820 and 835-863 MHz

FM

35-20.000 Hz

typ. <0,3%

typ. >120 dB

typ. 15 hours (2 AA size dry bat-

teries) or typ. 12 hours (BP 4000 battery pack)

30 mW (ERP) max.

39 Ø x 239 mm

320 g

SA 63 stand adapter, 2 AA size batteries, color coding kit

650-680, 680-710, 720-750,

760-790, 790-820 and 835-863 MHz

FM

35-20.000 Hz

typ. <0,3%

typ. >120 dB

typ. 15 hours (2 AA size dry bat-

teries) or typ. 12 hours (BP 4000 battery pack)

30 mW (ERP) max.

70 x 90 x 25 mm

320 g

belt clip, 1 AAA size 1.5 V battery, color coding kit

remote mute switch

Wireless microphones and microphone elements

CK 31

Type: prepolarized condenser microphone

Frequency range: 50-20,000 Hz

Polar pattern: Cardioid

Sensitivity: 20 mV/Pa (-34 dBV)

Electrical impedance: < 600 ohms

Powering: 9 to 52 V phantom power - requires DPA adapter (integrated in GN and HN Installation Modules)

Size: 13 Ø x 25 mm

Features/applications: modular microphone system for conferencing, thea- ters, places of worship, and many other applications

CK 32

Type: prepolarized condenser microphone

Frequency range: 20-20,000 Hz

Polar pattern: Omni-Directional

Sensitivity: 14 mV/Pa (-37 dBV)

Electrical impedance: < 600 ohms

Powering: 9 to 52 V phantom power - requires DPA adapter (integrated in GN and HN Installation Modules)

Size: 13 Ø x 25 mm

Features/applications: modular microphone system for conferencing, thea- ters, places of worship, and many other applications

CK 33

Type: prepolarized condenser microphone

Frequency range: 50-20,000 Hz

Polar pattern: Hypercardioid

Sensitivity: 20 mV/Pa (-34 dBV)

Electrical impedance: < 600 ohms

Powering: 9 to 52 V phantom power - requires DPA adapter (integrated in GN and HN Installation Modules)

Size: 13 Ø x 25 mm

Features/applications: modular microphone system for conferencing, thea- ters, places of worship, and many other applications

CK 77

Frequency range: 20-20,000 Hz

Polar pattern: Omni-Directional

Sensitivity: 46 mV/Pa (-27 dBV)

Electrical impedance: < 3500 ohms

Signal/noise ratio (A-weighted): 68 dB

Size: 5.5 Ø x 14 mm

Net weight: 0.4 g

C 444 L

Type: prepolarized condenser microphone

Polar pattern: Cardioid

Frequency range: 20-20,000 Hz

Sensitivity: 40 mV/Pa (-28 dBV)

Electrical impedance: 200 ohms

Recommended load impedance: > 2,000 ohms

Equivalent noise level: 22 dB-A

Max. SPL for 1%/3% THD: 126/130 dB-SPL

Powering: 1 VDC - 10 VDC

Current Consumtion: 0,2 mV

Environment: 99% R.H. at 20°C

Materials: headband: metal, microphone body: Noryl

Finish: matte black

Size: 145 (L) x 110 (W) x 70 (H)

Cable length: approx. 1.5 m

Net weight: 30g without cable

Connector: 3-pin mini XLR

CK 55 L

Type: prepolarized condenser microphone

Frequency range: 150-18,000 Hz

Polar pattern: Cardioid

Electrical impedance: 200 ohms

Powering: 1.5 to 10 V or 9 to 52 V phantom power to DIN 45596 via MPA III L adapter

Size: 8 Ø x 23 mm

C 477 L

Frequency range: 20-20,000 Hz

Polar pattern: Omni-Directional

Sensitivity: 8 mV/Pa (-42 dBV)

Electrical impedance: 3500 ohms

Signal/noise ratio (A-weighted): 68 dB

Size: 180 x 130 x 85 mm

Nettogewicht: 15 g

C 535 WL 1

Frequency range: 20-20,000 Hz

Polar pattern: Cardioid

Sensitivity: 7 mV/Pa (-43 dBV)

Electrical impedance: < 200 ohms

Signal/noise ratio (A-weighted): 75 dB

Max. SPL for 1% THD: 137 dB-SPL

Size: 46 x 184 mm

Net/shipping weight: 300/800 g

www.akg.com

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Contents Wireless Page Pioneer in Acoustics for Over 50 Years Wireless Technology for the FutureFounders Dr. Rudolf Görike and Ing. Ernst Pless How it all started …Die DYN Series 120 DYNCompany name 12 a180 Early productsRock me Amadeus BreakthroughExpansion course Peter WolfNew research center AKG expands its activities in the wireless marketTurning point WMSRadio waves instead of cables HOW Radio Signals are TransmittedCase for wireless mics Just like a radio setPositioning the receiver Signal propagationWavelength Rule noExample of AKG WMS 40 carrier frequencies BandwidthFrequency Modulation FM InterferenceModular Solutions to Meet Individual Requirements Activities like aerobics and sports Clip-on or head-worn microphoneFor presenters Head-worn microphone for extremeHandheld Mics for Lead and Backing Vocals Angle of incidence On/off switchVolume Microphone cleaning and maintenanceFlexible antenna PT 40 Portable transmitter Mini XLR connectorRear panel and battery compartment HEAD-WORN Mics for Lead and Backing VocalsAlternative receivers Diversity LEDs SR 40 diversity Receiver ON/OFF switchAntennas AF LEDsColor code Battery compartmentXLR connector SO 40 snapon transmitter Release buttonSetting the squelch threshold XLR connector pin 2 hotTM 40 Transmitter module Status LED Battery charging made easy880M Wireless and supremely flexibleOn/Off switch AF LEDs 3700M 3800MColor code pen clip MP 40 Micropen for PresentersCable compartment MicrophonePut it in your pocket … MP 40 micropen in handheld modePR 40 Portable receiver ON/OFF switch Detachable microphoneWith proven D 880M microphone element More Goodies for PresentersPT 40 Bodypack transmitter With C 444 L head-worn or C 417 L lavalier microphone444 L 417 LAvoiding feedback Training communications Wireless Systems for Maximum MobilityPT 40 care PR 40 Portable receiverRadio Links for Portable Instruments AKG WMS 40 UHF for InstrumentsInstrument MicroMic Instrument MicroMics Connecting to microphone or line inputsMicroMic C 411 L pickup Instrument MicroMicsAccessories GB 40 Guitarbug for Guitar and BassJack plug Guitar system in a bag FlexJack for all electric guitar modelsFlexJack for all electric bass models HOW Multichannel Technology Works WMS frequency band with TV transmitter IntermodulationUse before each performance Automatic frequency setup Multipath transmission Shadow lossTroubleshooting Hints Problem no sound microphone does not functionProblem poor audio Modular Solutions for Custom Reqirements Metal case SR 400 Receiver On/Off switch Recessed level controlStatus LEDs Backlit LC displayInfrared transmission Auto setupRehearsal mode Range of accessories for complex applicationsHT 400 Handheld transmitter Display On-Mute/Program-Off switchExtremely rugged spring steel mesh grill Infrared sensorFrequency in MHz Low battery capacity warning Rugged mini XLR connectorJack for external mute switch Battery status display Frequency preset LCD displayIntegrated charging contacts for direct charging Input jack for a local or central power supply e.g., PSUUser Friendly Quick Charger Locking DC jackHPA 4000 Headphone amplifier PSU 4000 Central power supply unitAB 4000 Antenna booster RA 4000 B Omnidirectional wideband booster antennaIP 3 Intercept Setting UP Multichannel SystemsMicrophone a carrier frequency Spectrum analyzer traceFrequencies Frequency Management a good idea for any multichannel system Band I + 0,15 Here is a proven way to add clean frequenciesFar-near difference Stage a Stage BModular Solutions for Professional Requirements Muscle Cartilage SELECTING, Placing and Using AntennasSignal loss caused by the audience Skin FatGage SELECTING, PLACING, and Using AntennasCable position a Cable position B Cable type ImpedanceStadium example Stadium theater, opera house exampleShort antenna cable runs Drawbacks Speech Vocals Guitar/Bass Instruments Live soundTV studio Theater CU 4000/BP HUB 4000 Network concentrator SRA 1 Passive wideband dirctional antennaRA 4000 B Battery compartment Jog switch Battery status readoutFrequency presets Automatic gain settingHidden pilot tone Jack for remote Mute switchSilent Mode setting Inscribable color code element Magnesium bodySR 4000 Receiver CUTTING-EDGE True Diversity ReceiverBacklit display Half-rack 19 all-metal case Programmable status displayProfessional XLR and jack outputs Battery life displayEnvironment Scan and Rehearsal Mode Environment ScanSuch as a PSU Intelligent WAY to Power WMS 4000 TransmittersCharging status display LED Recovery key and LED CU 4000 Charging unit Lockable DC jackData interface to transmitter electronics Integrated temperature sensorCU 4000 Charging unit in a flight case Internal RAMBNC antenna outputs BNC antenna inputsDaisy-chaining outputs AKG WMS PS Antennas Tailored to Every Situation Cabling example/cable lengthsSelecting and placing antennas ZAPD-21 Antenna combiner ASU 4000 Remote powerd adapter for antennasSRA 1 Passive wideband directional antenna SRA 2B Active wideband directional antennaExample WMS 4000/PC network Standard PC accessories. This allows you toLink Between the WMS 4000 and a PC Network As RF levels on site. This makes it incrediblyEnsures maximum operating reliability You can even set up the basic parametersGet a Cup Setup Mode Moving PC Rehearsal Mode Your Computer AS a WMS 4000 Control CenterAKG WMS 4000 Power Supply Studio Recommended headphonesMonitoring Without a Mixer Line input jacks, DC input lockable Jog controlSeminars Specification Amount DescriptionPSU RA 4000 BExample 10-CHANNEL System for Tour Sound Tour SoundAmount Description AKG WMS Practical Examples Vienna Konzerthaus Example 16-CHANNEL System for Mobile USEDetailed system layout is shown on the following pages WMS 4000 WiringWMS 4000 mobile rack Gala Musical Couples, AugustWMS 4000 16-CHANNEL Setup AKG WMS Practical Examples High-tech for pure enjoyment Example 46-CHANNEL System for AN Opera HouseStage Channels Channels Specification WMS 4000 1-CHANNEL SetupAKG WMS Practical Examples See guitar. top right GuitarViolin and viola BanjoTrombone SaxophoneClarinet TubasMeeting and social rooms AV/sound companyBars and clubs Sound systemsMicrotools HT/PT AKG Wireless Systems AT a GlanceALL the Specs AT a Glance SystemMP 40 micropen Mounting kit, 2 antennas PR 40 diversityDefinitions from a to Z Diversity Electromagnetic Wave SpectrumDistortion Environment Directional AntennaFrequency Modulation Phantom PowerFeedback Frequency ManagementPressure Gradient Microphone Hypercardioid Ultra-directionalCardioid Pop NoiseRemote Antenna Signal LossSignal-to-noise S/N Ratio ReflectionSelected Keywords IndexAppendix Appendix Appendix Appendix Appendix Page AKG ACOUSTICS, U.S
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WMS 40, WMS 400, WMS 4000 specifications

AKG Acoustics has long been recognized as a premier brand in the professional audio industry, particularly in the realm of wireless microphone systems. Among its celebrated offerings, the WMS 4000, WMS 400, and WMS 40 series stand out for their advanced technology and robust performance, catering to a range of applications from live performances to studio recordings.

Starting with the WMS 4000, this system is engineered for versatility and reliability. It features a sophisticated transmission diversity system that minimizes dropouts and ensures clear audio quality. The WMS 4000 offers an extensive frequency range, accommodating diverse environments and frequencies. A standout feature is its digital pilot tone, which automatically mutes the transmitter when it is switched off, effectively preventing unwanted noise during transitions. With a range of up to 300 meters, the WMS 4000 is ideal for large venues, allowing performers ample space to move without compromising sound quality.

Next, the WMS 400 series maintains the high standards set by its predecessor while providing a more accessible option for mid-level performers. It combines ease of use with quality audio performance, boasting a user-friendly interface that simplifies setup and operation. The WMS 400 employs an efficient frequency management system, which automatically scans the environment to select the best frequencies available, ensuring optimal performance with minimal interference. The system also features a rugged metal chassis, enhancing durability for live applications.

The WMS 40 series serves as an entry-level solution, perfect for beginners and small venues. It is lightweight and features a straightforward design, making it easy to operate for users without extensive technical knowledge. One of its most notable characteristics is its plug-and-play functionality, allowing for quick setup without complicated configurations. The WMS 40 series also offers excellent sound quality through its crystal-clear audio transmission and robust reception, making it a popular choice for schools, theaters, and small events.

All of these systems benefit from AKG's heritage in sound engineering, incorporating advanced audio processing technologies that ensure superior sound fidelity. They also come with a variety of microphone options, including handheld, lavalier, and headworn microphones, providing flexibility to meet different performance needs. Whether for a professional stage or an intimate setting, the AKG WMS series delivers outstanding performance, reliability, and user-friendly features that cater to a wide range of audio applications.