Dynacord 2200-3, 1600-3, 1000-3 owner manual Gain MIC, Gain Line CD / USB, Input, PowerMate, Stereo

POWERMATE3

Illustration 2-11: Unbalanced or balanced assignment of phone plus

UNBALANCED

SHIELD

HOT

BALANCED

SHIELD COLD

HOT

Using RCA plugs

The RCA inputs CD 1-2 and CD 3-4 are connected in parallel to the phone inputs. Do not connect signal sources to phone and RCA inputs at the same time.

Illustration 2-12: RCA inputs CD 1-2 and 3-4

Input	PowerMate 1000	PowerMate 1600	PowerMate 2200
CD 1-2	Stereo 7-8	Stereo 13-14
CD 3-4	Stereo 9-10	Stereo 15-16

Table 2-13: Assignment of CD 1-2 or CD 3-4 inputs to PowerMate input channels

Using the DIGITAL AUDIO INTERFACE (USB)

When using the DIGITAL AUDIO INTERFACE two stereo signals are available at USB 1-2 or USB 3-4. Do not connect signal sources to phone inputs when using the DIGITAL AUDIO INTERFACE for playback. See page 21 for more details about the DIGITAL AUDIO INTERFACE.

Illustration 2-14: DIGITAL AUDIO INTERFACE

Input	PowerMate 1000	PowerMate 1600	PowerMate 2200
USB 1-2	Stereo 11-12	Stereo 17-18
USB 3-4	Stereo 13-14	Stereo 19-20

Table 2-15: Assignment of USB 1-2 or USB 3-4 inputs to PowerMate input channels

18 - GAIN MIC

Rotary controls for adjusting the MIC inputs’ sensitivity, providing the possibility to optimally match the incoming signals with the mixer’s internal operation level. The GAIN MIC control in the stereo channel is only active for the XLR-type input. For further information about setting and functioning of these controls, please refer to the chapter “GAIN” of the MONO INPUT description within this manual.

CAUTION: The GAIN MIC control of an inactive microphone input should always be set to its minimum position. Otherwise the noise of the inactive input is added to the audio signal of the corresponding LINE input, which could lead to unnecessary extra noise at the master output, becoming clearly intelligible in pro- gram breaks.

19 - GAIN LINE CD / USB

These rotary controls are for matching the incoming line level signals to the operating level of the PowerMate. The total adjustment range is 30 dB. Unity gain – no amplification (0 dB) – is achieved at the 0 dB mark. The control offers level reduction of -10 dB and an amplification of +20 dB. This range allows the connection of most professional, semi profes- sional, and hi-fi sound sources. For further details on how to set the LINE TRIM control, please refer to the description of the GAIN control in monaural channels.

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