Master a OUT L/R, Inputs Power AMP L/R, Master B

POWERMATE3

Play USB to 2TRACK on page 33) are still outputted, providing you with a very comfortable solution to play intermission music during performance breaks.

CAUTION: The signal feed to the internal power amplifier is also interrupted.

54 - MASTER A OUT L/R

The signals at the MASTER A OUT L/R outputs are post master fader and mainly meant to feed additional, external power amplifiers. Through these outputs it is also possible to establish two-way active system set-ups. In this case the active crossovers – respectively the active subwoofers – have to be connected to the MASTER A OUT L/R outputs. If you want to use the internal power amplifier to drive the high frequency cabinets, the treble signal coming from the crossover has to be fed back into the PowerMate via the INPUTS POWER AMP L/R connectors.

55 - INPUTS POWER AMP L/R

The INPUTS POWER AMP L/R are also provided via electronically balanced phone jacks with breaker function. When inserting a phone plug, the signal path gets split up between the master and the internal power amplifier, which allows operating the internal power amps via INPUTS POWER AMP L/R inputs.

56 - MASTER B OUTPUTS L/R

At the MASTER B OUTPUTS the L/R master audio signal is present that can be used for additional monitoring, side fill and “next door” applications, or for the connection of a delay-line or subwoofer. The output is pre/post- and also stereo/ mono-switchable.

57 - MASTER B

This control allows adjusting the level of the MASTER B output. The signal levels at MASTER A OUT L/R and MASTER B OUTPUTS L/R are identical if the MASTER B control is set to the position „5“ and the PRE/POST switch is set to POST.

58 - PRE/POST OF MASTER B

When PRE is selected the MASTER B is outputted pre master faders (and, if used, pre GEQ), i.e. the level at the MASTER B OUTPUTS is independent from the master faders settings. When POST is selected the MASTER B is outputted post master faders, i.e. the level at the MASTER B OUTPUTS depends on the setting of the master faders.

Controlling a connected Sub’s level via master fader makes sense when using an active subwoofer. For monitoring ap- plications, e.g. side fill on the stage, using the pre-fader setting seems more reasonable.

59 - STEREO/MONO OF MASTER B

When STEREO is selected the MASTER L/R signal is not changed and outputted in stereo. When MONO is selected the MASTER L/R signal is summed and outputted in mono at MASTER B L and also MASTER B R. Using MONO is recom- mended when mono subwoofers are connected to MASTER B outputs.

60 - PHONES

Stereo phone jack for the connection of headphones with an impedance of 32 to 600 ohms. The audio signals of the channels with PFL buttons engaged is outputted via this connector. The phones output presents the master L/R signal when there is no PFL button engaged. As the output is protected against short circuit, headphones or in ear monitor systems with an impedance below 32 ohms can be connected. In this case the maximum reachable volume is reduced.

61 - PHONES

This control sets the volume of the headphones connected.

CAUTION: Make sure to set the control to its minimum position before connecting headphones. Permanent hear- ing loss may occur if headphones are used at high volume.

62 - REC SEND L/R

These RCA-type connectors carry the pre fader master L/R signal. The signal is not affected by the setting of the master faders and therefore mostly used for the connection of cassette decks, open reel tape decks or DAT recorders for re- cording purposes. Use the REC SEND & USB OUT control to adjuste the output level.