Dynacord 1000-3, 2200-3, 1600-3 owner manual Setting up, PowerMate Cable Application

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POWERMATE3

2+ and 2- are connected through. This provides the pos- sibility to use these cables in an active 2-way system con- figuration, as well. DYNACORD’s accessory assortment comprises different speaker cables with Speakon con- nectors, available at your local professional audio dealer.

LF-CABLES - BALANCED OR UNBALANCED?

For LF-cabling – all the low current wiring – your best choice are balanced cables (2 signal conductors + ground shielding) with XLR-type connectors or stereo phone plugs. The cables should be step-on proof, shielded, and never longer than really needed. Too many too long ca- bles mostly lead to confusion and generate unnecessary problems. Of course, connecting unbalanced cables with monaural phone plugs to the PowerMate’s in- and out- puts is also possible and in most cases no interference will occur because of its superb grounding managing sys- tem. Generally spoken, if you have the choice, a balanced LF-cable is always the better solution. Today’s modern

audio equipment – like amplifiers, equalizers, FX units, mixing consoles, and even some keyboards – offers bal- anced in- and outputs. In a balanced signal path the cable screen provides gapless connection of all metal parts, of- fering efficient shielding against the induction of external noise. The balanced cabling in conjunction with the com- monmode rejection of the PowerMate’s input stage effec- tively eliminates even existing artifacts of interference. All inputs of the PowerMate provide balanced audio connec- tions and high common-mode rejection. The mixing stage outputs – FX, AUX, MASTER, MON, etc. – are laid out in GND-SENSING technology – a special pin assignment of the output jacks, offering all advantages of the balanced signal transmission, but lets you also connect monaural phone plugs without a problem. Nevertheless – as men- tioned above – when longer cables are involved, using stereo phone plugs and balanced cables are the better al- ternative. The diagrams below show the pin assignments of plugs and cables that are used with the PowerMate.

PowerMate

Cable

 

 

 

 

 

 

 

Application

 

MIC INPUT

2 HOT (+)

 

 

 

 

2 HOT (+)

balanced

connection of

micro-

 

 

 

 

 

phones

 

 

 

 

2

 

 

 

 

 

2

 

 

 

 

 

 

 

 

 

 

 

 

 

3 COLD (-) 3

1

 

 

 

 

1

3 3 COLD (-)

 

 

 

 

 

 

 

 

 

 

 

 

 

 

1 SHIELD

 

 

 

 

1 SHIELD

 

 

 

All phone jack in/outputs

Cable connection phone to XLR-type, unbalanced

 

 

 

unbalanced external equipment with

(except PHONES)

 

 

 

XLR-type in/output jacks

 

 

 

 

+

 

 

 

 

 

 

 

 

hot

 

 

2

 

 

 

 

 

 

shield

cold

-

 

 

1 3

 

 

 

 

 

Cable connection phone to XLR-type, balanced

 

 

 

balanced

external equipment with

 

 

 

 

XLR-type in/output jacks

 

 

 

hot +

cold -

 

 

 

 

 

 

 

 

 

2

 

 

 

 

 

 

shield

 

 

1

3

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Channel Insert

Standard phone-type, unbalanced

 

 

 

 

 

 

Direct OUT via INSERT,

uninter-

 

 

 

 

 

 

 

rupted signal path

 

 

 

 

 

+

 

 

 

 

 

 

 

 

hot

 

 

 

 

 

 

 

 

 

shield

-

 

 

 

 

 

 

 

All phone jack in/outputs

 

 

 

 

 

 

 

 

unbalanced external equipment with

(except PHONES)

 

 

 

 

 

 

 

 

phone jack in/output jacks

 

 

Standard phone-type, balanced

 

 

 

 

 

 

balanced

external equipment with

 

 

 

 

 

 

 

phone jack in/output jacks

 

 

 

hot +

 

-

 

 

 

 

 

 

cold

 

 

 

 

 

 

 

 

shield

 

 

 

 

 

 

 

 

Channel Insert

 

 

 

 

 

 

 

 

Y-type cable for the connection of

 

 

 

 

 

 

 

 

 

external FX units and signal proces-

 

 

 

 

 

 

 

 

 

sors with phone jacks

 

5.3 Setting up

1.Place the PowerMate in a way that allows unob- structed operation and connect the mains cord.

2.Try to locate the best position where you want to place the loudspeaker systems. If possible, the woofers should be placed on the floor while the Hi

cabinets’ most favorable position is above the Lo cabinets, on the same vertical axis. It is important that the lower edge of the Hi cabinets is approxi- mately at the same height level or slightly higher as the heads of the audience. Either you use the pole

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Contents PowerMate 1000-3 1600-3 PowerMate3POWERMATE3 Contents Inhalt Important Safety Instructions Scope of Delivery, Unpacking and Inspection Warranty Installation and ConnectionsIntroduction Open the lid as shown in following illustration Close the lid as shown in following illustration Input Mono Controls, Indicators and ConnectionsMIC LineGain Control InsertVoice Filter LO CUT 80 HZEQ Section AUX 1/2 FX 1/2MON 1/2 PANFader SIG / PK IndicatorPFL Stereo Input L/MONO R Input StereoGain MIC PowerMateGain Line CD / USB InputFX 1/2 AUX 1/2 SIG/PK MON 1/2 BALFX ON/OFF FX 1/2FX 1/2 Sends Socket FX 1/2 Send ControlFX 1/2 to MON 1/2 FX 1/2 to AUX 1/2PK LED FX onMON 1/2 AUX 1/2AUX Post Feedback FilterUSB PFL ButtonMON 1/2 Fader Master LED-DISPLAY Master with GEQMaster L/R Fader StandbyMaster a OUT L/R Inputs Power AMP L/RMaster B Outputs L/R Master B64 2TRACK to Master 63 2TRACK in L/RREC Send & USB OUT Lamp 12V/5W67 11-BAND Stereo Graphic Equalizer Display with function keysGraphic EQ to Master / MON 1/2 MenuTAP Stereo Power AmplifierPower Amplifier Status IndicatorsRear panel Midi IN/OUTIllustration 2-20 Connection of a passive speaker Menu mode Effect modeDisplay & functions Number DescriptionEdit FX 1 / FX FX Control SetupAssignment Setting DescriptionParameter Description Parameter Value DisableEffect group Description Preferable used with EffectsCubase LE Installing the USB driverDisplay Description Status displayPC-MIDI-Interface Examples of usage Recording Stereo Input PowerMate 1000 1600 2200Examples of usage Playback Live Midi tone generator and multi-effect unit Cabling Setting up a standard PAOverview PowerMate Cable Application Setting upSoundcheck Monitor MIX Maximum amount of passive speakers Master Patchbay and different setup alternativesUsing the internal power amps for monitoring Connection of an external power amplifierMono PA + Monitor Active 2-way stereo configuration Wichtige Sicherheitshinweise Garantie Aufstellen und Anschließen EinführungLieferumfang, Auspacken und Überprüfen Öffnen Sie den Deckel wie in folgender Abbildung gezeigt Schließen Sie den Deckel wie in folgender Abbildung gezeigt LINE-BUCHSE Bedienelemente und AnschlüsseMIC-BUCHSE GAIN-REGLER INSERT-BUCHSEVoice FILTER-SCHALTER LO CUT 80 HZ-SCHALTERFX 1/2-REGLER Klangregelung HI-, MID-, LO-REGLERMON 1/2-REGLER AUX 1/2-REGLERPAN-REGLER MUTE-SCHALTERSIG / PK-ANZEIGE Stereo Input L/MONO R-BUCHSEN Eingang Gain MIC-REGLERGain Line CD / USB-REGLER SIG/PK-ANZEIGE BAL-REGLERFX ON/OFF-BUCHSE FX 1/2 SEND-REGLER FX 1/2 SENDS-BUCHSENPK-ANZEIGE FX ON-SCHALTERAUX POST-SCHALTER AUX 1/2 SENDS-BUCHSENAUX SEND-FADER MON 1/2 OUTPUTS-BUCHSENMON 1/2-FADER STANDBY-SCHALTER Master mit GEQMaster L/R-FADER Master a OUT L/R-BUCHSEN Inputs Power AMP L/R-BUCHSENMaster B Outputs L/R-BUCHSEN Master B-REGLERREC Send & USB OUT-REGLER REC Send L/R-BUCHSEN63 2TRACK in L/R-BUCHSEN Abbildung 2-17 Belegung der Lamp 12V/5W-Buchse MENU/ENTER-DREHENCODER Display mit Funktions-TastenStereo-Leistungsverstärker PROTECT-LED Status AnzeigeMidi IN/OUT-BUCHSEN RückseiteEffekt-Betriebsart Display & FunktionenMenü-Betriebsart Nummer BeschreibungEdit FX1 / FX2 Menu FX Control SetupZuordnung Kann das LPN-Filter deaktiviert werden Tieftonlautsprecher geeignetGewünschte Ergebnis erzielt werden Parameter Beschreibung Parameter Wert Power Control off deaktiviertEqualizer Routing LPN Processing HighEffektgruppe Beschreibung Bevorzugte Anwendung EffekteInstallation des USB-Treibers Anzeige Beschreibung Funktionsanzeige im DisplayInterface ist betriebsbereit USB OUT-Reglers MasterAnwendungsbeispiele Wiedergabe Anwendungsbeispiele Aufnahme MIDI-Klangerzeuger und Multieffektgerät Verkabelung Aufbau einer Standard-PAÜbersicht Kabel Anwendung Aufbau Hauptmix Maximale Ausbaustufe, Passivbetrieb Master Patchbay und verschiedene AufbauversionenVerwendung der internen Endstufen für Monitore Anschluss eines externen LeistungsverstärkersAbbildung 6-4 Mono PA + Monitor Aktiv Stereo 2-Weg System Property PowerMate SpecificationsPhantom Power, switchable in groups Switching Mode Power Supply µC controlledDimensions W x H x D, mm FS 11 Footswitch with LEDDimensions Block Diagram Trademarks POWERMATE3 POWERMATE3 Dynacord