Behringer MX9000 user manual Routing and muting, Aux sends

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Fig. 3.4: Aux sends

+For almost all FX SEND purposes, you will want auxes to be post fader, so that when a fader level is adjusted, any reverb send from that channel follows the fader. Otherwise, when the fader is pulled down, the reverb from that channel would still be audible. For CUEing purposes, aux sends will usually be set pre fader, i.e. independent of the channel fader (S13 and S16).

+Most reverbs etc. sum up the left and right inputs internally. The very few that don’t may be driven in true stereo either by 1) 2 aux sends or 2) the MIX-B bus (see section 3.7 “MIX-B”).

+There is +15 dB of gain on every aux send. Such a high boost is only appropriate where the channel fader is set around -15 dB or lower. Here, an almost exclusively WET signal will be heard. Previously, in most consoles, such a wet mix required the use of a PRE setting for the channel auxiliary send. This meant losing fader control over the signal.

3.6 Routing and muting

ROUTING means selecting which BUS you want a channel to address. There are actually six stereo buses in the EURODESK MX9000 (plus a stereo SOLO bus). The main mix bus is selected by S32 (see figure 3.5), while the subgroups are selected by switches S28 (for groups 1 and 2), S29 (3 and 4), S30 (5 and 6) and S31 (7 and 8). Odd and even numbered groups are selected via the main A-channel PAN P24, as are the left and right mix buses. (The sixth stereo bus is the MIX-B bus, with it’s own independent pan control P20; see section 3.7 “B-channel”). Usually, only one of S28 to S31 will be selected for a particular channel (See block schematics).

+An exception to this rule is when laying down voice takes. It is often convenient to have the mic channel(s) routed to alt potential TAKE tracks simultaneously, since you are often dropping in quickly between four or more tracks. It means one less button press each time you switch tracks.

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Contents Eurodesk MX9000 Detailed Safety Instructions Safety InstructionsForeword Table of Content Track Recording with 2 Samplers Eurodesk Overview ManualMetering PSU Power Supply UnitChannel strip Input switchingINPUT/OUTPUT Channel Channel input switching architecture Input gain settingAux sends Main equalizerAux sends Routing and mutingRouting ChannelB-channel InsertsSubgroups Subgroup and Direct OutputsStereo subgroup channel schematic Aux masters Master PanelDirect outputs Aux sends Stereo aux returns Mix-B MIX-B masterMonitoring MonitoringPhones HeadphonesTalkback PFL/SOLORear panel ConnectionsPower supply unit connector Subgroup inserts Main balanced outputs 10 MIX-B operating level switch and phantom power switch Plug soldering guide Page Patchfield PatchfieldNormalized bay Example of patchbay configurations Wiring for bay 8 for advanced wiring scheme refer to section Looming problemsEqualization Gain Optimization Unbalanced Lines Impedances and TuningSTART-UP Channel setting up procedureDesk/tape setting up procedures Track Midi SUITE/DANCE Production Studio Sends Auxless headphones mixReturns Slightly more complicated auxless headphones mixRecording Track Recording with 2 SamplersLining up record/sample inputs MixdownProfessional 24-TRACK Studio HeadphonesTab .1 Channel assignment Wet monitoring Very tricky headphonesLive P.A. with 2-TRACK Recording Tab .1 Channel assignments 2-track Live Concert with 24-TRACK Recording Tab .2 Front/rear/stage monitors routing Alignment Expanding the Eurodesk MX9000Timecode ConnectionsSequencing Live BouncingModifications INPUT/OUTPUT ConfigurationLED meters pre fader Aux sends post EQMIX-B source post fader Specifications DBr ref. +4 dBu, 24 chs. assigned input B & set @ unity gain § 1 Warranty CARD/ONLINE Registration WarrantyPage
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