Behringer MX9000 user manual Tab .1 Channel assignment

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Channels

Source

Route

Destination

 

1

Kick

Direct out

Track 2

 

2

Snare

Direct out

Track 3

 

3

Hi Hat

Direct out

Track 4

 

4

Tom 1

Subgroups 5 and 6

Tracks 5 and

6

5

Tom 2

Subgroups 5 and 6

Tracks 5 and

6

6

Tom 3

Subgroups 5 and 6

Tracks 5 and

6

7

Tom 4

Subgroups 5 and 6

Tracks 5 and

6

8

Cymbals (overheads) L

Direct out

Track 7

 

9

Cymbals (overheads) R

Direct out

Track 8

 

10

Bass microphone

Subgroup 3

Track 1

 

11

Bass DI

Subgroup 3

Track 1

 

12

Escaping prisoners

Subgroup 4

Who knows?

13

Trumpet

Subgroups 1 and 2

Tracks 9 and 10

14

Trombone

Subgroups 1 and 2

Tracks 9 and 10

15

Sax

Subgroups 1 and 2

Tracks 9 and 10

16

BVs 1

Subgroups 7 and 8

Tracks 11 and

12

17

BVs 2

Subgroups 7 and 8

Tracks 11 and

12

18

BVs 3

Subgroups 7 and 8

Tracks 11 and

12

19

Conga L

Direct out

Track 13

 

20

Conga R

Direct out

Track 14

 

21

Guitar 1 microphone

Direct out

Track 15

 

22

Guitar 2 microphone

Direct out

Track 16

 

23

Lead vocal

Direct out

Track 17

 

Tab. 16.1: Channel assignment

Tape Monitoring will be via MIX-B in tape return mode. Once tracks are layed, they will be flipped onto the A-channels (1 to 17), and overdubbing can commence via tracks 18 to 24. Also “bouncing”, reducing several tracks onto one or a stereo pair, requires access to the full routing matrix. This is available to the A-channels, but not the B-channels.

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Contents Eurodesk MX9000 Detailed Safety Instructions Safety InstructionsForeword Table of Content Track Recording with 2 Samplers Eurodesk Overview ManualMetering PSU Power Supply UnitINPUT/OUTPUT Channel Input switchingChannel strip Channel input switching architecture Input gain settingAux sends Main equalizerAux sends Routing and mutingRouting ChannelB-channel InsertsSubgroups Subgroup and Direct OutputsStereo subgroup channel schematic Direct outputs Master PanelAux masters Aux sends Stereo aux returns Mix-B MIX-B masterMonitoring MonitoringPhones HeadphonesTalkback PFL/SOLORear panel ConnectionsPower supply unit connector Subgroup inserts Main balanced outputs 10 MIX-B operating level switch and phantom power switch Plug soldering guide Page Normalized bay PatchfieldPatchfield Example of patchbay configurations Wiring for bay 8 for advanced wiring scheme refer to section Looming problemsEqualization Gain Optimization Unbalanced Lines Impedances and TuningSTART-UP Channel setting up procedureDesk/tape setting up procedures Track Midi SUITE/DANCE Production Studio Sends Auxless headphones mixReturns Slightly more complicated auxless headphones mixRecording Track Recording with 2 SamplersLining up record/sample inputs MixdownProfessional 24-TRACK Studio HeadphonesTab .1 Channel assignment Live P.A. with 2-TRACK Recording Very tricky headphonesWet monitoring Tab .1 Channel assignments 2-track Live Concert with 24-TRACK Recording Tab .2 Front/rear/stage monitors routing Alignment Expanding the Eurodesk MX9000Timecode ConnectionsSequencing Live BouncingModifications INPUT/OUTPUT ConfigurationMIX-B source post fader Aux sends post EQLED meters pre fader Specifications DBr ref. +4 dBu, 24 chs. assigned input B & set @ unity gain § 1 Warranty CARD/ONLINE Registration WarrantyPage
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