Behringer MX9000 user manual Tab .2 Front/rear/stage monitors routing

Page 47

Channels

Source

F.O.H.

FX

Wedges

Infills

1

Kick

MIX-B

-

-

Subgroups 1/2, 3/4 and 7/8

2

Snare

MIX-B

Aux send 4

Aux send 1 and 2

Subgroups 1/2 and 3/4

3

Hi Hat

MIX-B

-

-

Subgroups 1/2 and 3/4

4

Tom 1

MIX-B

Aux send 4

-

-

5

Tom 2

MIX-B

Aux send 4

-

-

6

Tom 3

MIX-B

Aux send 4

-

-

7

Tom 4

MIX-B

Aux send 4

-

-

8

Cymbals (overheads)

MIX-B

-

-

-

9

Keyboards L

MIX-B

-

-

Subgroup 12

10

Keyboards R

MIX-B

-

-

Subgroup 12

11

Bass DI

MIX-B

-

-

Subgroups 1/2, 3/4 and 7/8

12

Trumpet

MIX-B

Aux send 5

-

-

13

Trombone

MIX-B

Aux send 5

-

-

14

Sax

MIX-B

Aux send 5

-

-

15

BVs 1

MIX-B

Aux send 5 and 6

Aux send 1 and 2

-

16

BVs 2

MIX-B

Aux send 5 and 6

Aux send 1 and 2

-

17

BVs 3

MIX-B

Aux send 5 and 6

Aux send 1 and 2

-

18

Conga L

MIX-B

-

-

Subgroups 1/2, 3/4 and 7/8

19

Conga R

MIX-B

-

-

Subgroups 1/2, 3/4 and 7/8

20

Guitar 1 microphone

MIX-B

-

-

Subgroups 3 and 4

21

Guitar 2 microphone

MIX-B

-

-

Subgroups 3 and 4

22

Lead vocal

MIX-B

Aux send 5 and 6

Aux send 1

-

23

FX 1 L

MIX-B

-

Aux send 1

-

24

FX 1 R

MIX-B

-

Aux send 1

-

Tab. 18.2: Front/rear/stage monitors routing

For front of house route all channels to the MIX-B bus > main mix. For live P.A. effects use auxes 3/4/5/6. For wedge monitors use aux 1 and 2 in pre mode > aux 1and 2 output. For sidefills use phones 1 output. For infill for guitarist, keyboard player and drummer use subgroups 1/2, 3/4 and 7/8.

+No subgrouping is used as a mixing aid to the FOH mix.

+Infill sends use up one group pair each as a consequence of the routing matrix being dependent on the channel PANpot (P24).

+All channels should be set for: aux 1/2: PRE (S13 DOWN) > WEDGES; aux 3/4/5/6: POST (S16 UP) > FX; MIX-B SOURCE = CHANNEL (S23 DOWN); FLIP = Mic/Line SIGNAL (S3 UP)

+In a quadrophonic setup MIX-B should be kept separate from the main mix (S48 UP).

OK: This example has been extreme. Chances are if you were touring with the sort of PA / multitrack described above you'd also have a massive FOH console, separate foldback mixer, and a rider that would make Bill Graham blanche. None of the applications examples are designed to be used as a BLUEPRINT. Rather, they should give you some idea of the scope and flexibility of your EURODESK MX9000. Use your imagination to find novel ways of solving problems and creating extra facilities.

47

Image 47
Contents Eurodesk MX9000 Detailed Safety Instructions Safety InstructionsForeword Table of Content Track Recording with 2 Samplers Eurodesk Overview ManualMetering PSU Power Supply UnitChannel strip Input switchingINPUT/OUTPUT Channel Channel input switching architecture Input gain settingAux sends Main equalizerAux sends Routing and mutingRouting ChannelB-channel InsertsSubgroups Subgroup and Direct OutputsStereo subgroup channel schematic Aux masters Master PanelDirect outputs Aux sends Stereo aux returns Mix-B MIX-B masterMonitoring MonitoringPhones HeadphonesTalkback PFL/SOLORear panel ConnectionsPower supply unit connector Subgroup inserts Main balanced outputs 10 MIX-B operating level switch and phantom power switch Plug soldering guide Page Patchfield PatchfieldNormalized bay Example of patchbay configurations Wiring for bay 8 for advanced wiring scheme refer to section Looming problemsEqualization Gain Optimization Unbalanced Lines Impedances and TuningSTART-UP Channel setting up procedureDesk/tape setting up procedures Track Midi SUITE/DANCE Production Studio Sends Auxless headphones mixReturns Slightly more complicated auxless headphones mixRecording Track Recording with 2 SamplersLining up record/sample inputs MixdownProfessional 24-TRACK Studio HeadphonesTab .1 Channel assignment Wet monitoring Very tricky headphonesLive P.A. with 2-TRACK Recording Tab .1 Channel assignments 2-track Live Concert with 24-TRACK Recording Tab .2 Front/rear/stage monitors routing Alignment Expanding the Eurodesk MX9000Timecode ConnectionsSequencing Live BouncingModifications INPUT/OUTPUT ConfigurationLED meters pre fader Aux sends post EQMIX-B source post fader Specifications DBr ref. +4 dBu, 24 chs. assigned input B & set @ unity gain § 1 Warranty CARD/ONLINE Registration WarrantyPage
Related manuals
Manual 57 pages 34.68 Kb