Fig. 5.1: Stereo subgroup channel schematic
+Try merging a dry signal with a little wet, then compressing the sum heavily. Though the reverb proportion will be low when a signal is present, the resultant reverb tail pumped up by the compressor at the start of each silence will give the illusion that the reverb was massive alt the time. (The listener will be left wondering how the singer could sound so clear in such a wet acoustic!)
+EURODESK insert points are, of course, simultaneously inputs and outputs. Get them onto a patchbay, where they can appear as independent sockets, and do away with all these fiddly
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