| 37 |
37 | |
13.1.1 Selecting inputs | 37 |
13.1.2 Initializing channel for | 37 |
13.1.3 Auditioning a signal | 37 |
13.2Desk/tape setting up procedures | 37 |
13.2.1 Desk normalization | 37 |
13.2.2 Multitrack initialization | 38 |
13.2.3 Recording levels | 38 |
13.2.4 Auditioning a mix | 38 |
13.2.5 Mixer mapping | 38 |
| 38 |
14.1Sends | 39 |
14.2Auxless headphones mix | 39 |
14.3Returns | 40 |
14.4Lining up record/sample inputs | 41 |
14.5Mixdown | 41 |
| 41 |
15.1Recording | 41 |
15.2Headphones | 42 |
15.3Mixdown | 42 |
16.PROFESSIONAL | 42 |
16.1Recording | 42 |
16.2Very tricky headphones | 43 |
16.3Wet monitoring | 44 |
16.4Mixdown | 44 |
17.LIVE P.A. WITH | 45 |
18.LIVE CONCERT WITH | 46 |
19.EXPANDING THE EURODESK MX9000 | 48 |
19.1Connections | 48 |
19.2Alignment | 48 |
20.TIMECODE | 48 |
21.BOUNCING | 49 |
22.SEQUENCING “LIVE” | 49 |
23.INPUT/OUTPUT CONFIGURATION | 50 |
24.MODIFICATIONS | 50 |
24.1Aux sends > post EQ | 51 |
51 | |
24.3LED meters > pre fader | 51 |
25.SPECIFICATIONS | 52 |
26.WARRANTY | 54 |
5