Behringer MX9000 user manual Master Panel, Direct outputs, Aux masters

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Fig. 5.2: Using insert to add channel EQ to subgroup output (while keeping the number of line inputs unchanged!)

5.2 Direct outputs

Each of the 24 main channels on the EURODESK MX9000 has its own DIRECT OUTPUT, which is taken from a point immediately after the fader (i.e. post EQ and after the aux sends, see block schematics). This can feed a tape track directly without having to resort to the subgroups, enabling more than eight different tracks to be recorded simultaneously. Almost alone among the EUROjacks, these are on unbalanced mono sockets at +4 dB. (See section 23, also section 16.1 “Recording”.)

6. MASTER PANEL

6.1 Aux masters

6.1.1 Aux sends

Much of the master section is taken up by master aux sends and returns. We’ll start with the sends (see fig. 6.1.1).

Stacked in a vertical column are six master aux send levels, one for each of buses 1 to 6 (P41 to P46). Each one has a gain structure of minus infinity to +15 dB. The extra 15 dB of gain comes in once a knob passes a center detente (representing the “normal” unity gain position), enabling insensitive outboard FX to be properly driven. Each aux send has a SOLO button (S41 to S46), and, as with other areas of mixer, a LOCAL SOLO LIGHT (L47), which illuminates when any of the AUX master sends are solo-ed. This is to help you see exactly what has been solo-ed. Any experienced engineer will have had occasion to search painstakingly through every solo button on his/her console trying to find out why the main solo light was on, and the control room monitors silent!

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Contents Eurodesk MX9000 Safety Instructions Detailed Safety InstructionsForeword Table of Content Track Recording with 2 Samplers Manual Eurodesk OverviewPSU Power Supply Unit MeteringINPUT/OUTPUT Channel Input switchingChannel strip Input gain setting Channel input switching architectureMain equalizer Aux sendsRouting and muting Aux sendsChannel RoutingInserts B-channelSubgroup and Direct Outputs SubgroupsStereo subgroup channel schematic Direct outputs Master PanelAux masters Aux sends Stereo aux returns MIX-B master Mix-BMonitoring MonitoringHeadphones PhonesPFL/SOLO TalkbackConnections Rear panelPower supply unit connector Subgroup inserts Main balanced outputs 10 MIX-B operating level switch and phantom power switch Plug soldering guide Page Normalized bay PatchfieldPatchfield Example of patchbay configurations Looming problems Wiring for bay 8 for advanced wiring scheme refer to sectionEqualization Gain Optimization Impedances and Tuning Unbalanced LinesChannel setting up procedure START-UPDesk/tape setting up procedures Track Midi SUITE/DANCE Production Studio Auxless headphones mix SendsSlightly more complicated auxless headphones mix ReturnsTrack Recording with 2 Samplers Lining up record/sample inputsMixdown RecordingHeadphones Professional 24-TRACK StudioTab .1 Channel assignment Live P.A. with 2-TRACK Recording Very tricky headphonesWet monitoring Tab .1 Channel assignments 2-track Live Concert with 24-TRACK Recording Tab .2 Front/rear/stage monitors routing Expanding the Eurodesk MX9000 TimecodeConnections AlignmentBouncing Sequencing LiveINPUT/OUTPUT Configuration ModificationsMIX-B source post fader Aux sends post EQLED meters pre fader Specifications DBr ref. +4 dBu, 24 chs. assigned input B & set @ unity gain Warranty § 1 Warranty CARD/ONLINE RegistrationPage
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