Gemini PS-03 manual Specifications, Inputs, Outputs, General

The FILTER RECALL (61) buttons have an overwrite feature that is used in the event that the filter setting stored in the memory can be changed. In order to overwrite the FILTER RECALL (61) button, which has a filter setting already stored in the memory, repeat the instructions for storing memory in the FILTER RECALL (61) buttons.

After the filter settings are saved in the filter memory, press a FILTER RECALL (61) button. The saved filter settings will be engaged and the FILTER RECALL (61) button will flash indicating that this button is in use. Press the button again and it will stop flashing indicating that the button is not in use. The LED will remain lit indicating that the setting is still stored in the filter memory. The FILTER RECALL (61) will be disen- gaged when changing the settings during FILTER RECALL (61). When the FILTER RECALL (61) button is in use, adjusting the filter setting after a setting has been stored into the memory will cancel the FILTER RECALL (61). You will notice the PGM output will change according to the filter setting. The FILTER RECALL LED(s) will remain lit.

To preview the FILTER RECALL (61), engage the CUE FILTER mode, as instructed in the CUE FILTER/TEMPO ON section of the manual. Engage the FILTER RECALL (61) to be previewed. If you are satisfied with your setting, leave the FILTER RECALL (61) button alone. If you are not satisfied and would like to change this setting, you may overwrite the memory by setting the FILTER and pressing and holding the FILTER RECALL button to be overwritten for 2 seconds.

To erase a filter memory bank, press and hold the FILTER RECALL

(61)button in use for 5 seconds. The filter memory will be cleared and the FILTER RECALL LED will no longer be on. You may also clear the filter memory by turning the PS-03mixer off, then turning it back on. The FILTER RECALL LED will no longer be lit to indicate that the memory has been cleared.

4.CUE FILTER/TEMPO ON BUTTON: You can plan your filters by plac- ing your filter in preview mode by engaging the CUE FILTER mode. To do this you must press & hold the CUE FILTER/TEMPO ON (63) button for 5 seconds. The EFX ASSIGN LED will blink when the CUE FILTER mode is engaged. Then use the EFX ASSIGN SWITCH (66) to assign the filter to the CH in CUE. Use your headphones to monitor the progress of the CUE FILTER mode. You may control the volume of the CUE FILTER mode with the respective CH slide controls being moni- tored. Press and hold the CUE FILTER/TEMPO ON (63) button for 5 seconds to disengage the CUE FILTER mode. The EFX ASSIGN LED will stop blinking to indicate that the CUE FILTER mode has been dis- engaged.

Engage the TEMPO ON mode to control the recycling speed of the FILTER's effect by pressing the CUE FILTER/TEMPO ON button (63). When in use the CUE FILTER/TEMPO ON LED (63) will blink at the recycling speed you have set into the mixer via the TEMPO (64) rotary control. Use the TEMPO (64) rotary control to adjust the recycling speed of the FILTER's effect. Rotate the TEMPO (64) rotary control clockwise to increase the recycling speed of the FILTER's effect. Rotate the TEMPO (64) rotary control counter clockwise to decrease the recycling speed of the FILTER's effect.

5.DRY/WET FADER: To control this section you must adjust the DRY/WET FADER (59) in order to increase the depth of the FILTER effect. Glide the DRY/WET FADER (59) to the RIGHT to increase the FILTER effect, drowning out the program mix with a WET effect. Glide the DRY/WET FADER (59) to the LEFT or DRY area to decrease the FILTER effect, thus disabling all FILTER effects.

6.RESONANCE FADER: Use the RESONANCE FADER (65) to chan- nel the PGM through variable cut-off frequency responses. Glide the RESONANCE FADER (65) to the LEFT to increase the cut-off frequen- cy response. You will notice the activated FILTER PASS (62) frequen- cies in your program mix will become the focal point in your audio mix and all other frequencies will sound muffled. While gliding the RESONANCE FADER (65) to the RIGHT from the LEFT, you will notice the FILTER frequency(ies) will begin to blend with the other frequency(ies). Notice how the cut off response goes through the steps, from very sharp cut off on the LEFT to very dull on the RIGHT.

7.Q FACTOR: Use the Q FACTOR (60) rotary control to adjust the FILTER effect's frequency volume. Rotate the Q FACTOR (60) rotary control clockwise to increase the effect's frequency volume, giving the effect a very sharp, audible cut-off response. Rotate the Q FACTOR (60) rotary control counter-clockwise to decrease the effect's frequency vol- ume, giving the effect a dull, less audible cut-off response.

SPECIFICATIONS:

INPUTS:

Phono	..................................................................................3 mV, 47 KOhm
Line	150 mV, 27 KOhm

MIC 1…………………........................................1.5 mV, 1 K Ohm Balanced

MIC 1 Bass	± 12dB
MIC 1 High	± 12dB
OUTPUTS:
Amp/Zone	0 dB 1V, 400 Ohm
Max	20V Peak-to-Peak
Rec	225 mV, 5 KOhm
Balanced Master………………………......................................2V, 400 Ohm
GENERAL:
Frequency Response	20Hz - 20KHz +/- 2 dB
Distortion	< 0.02%
S/N Ratio	Better Than 80 dB
Headphone Impedance	16 Ohm
Power Source	115/230V, 60/50Hz, 20W
Unit Dimensions	10" x 3.3" x 11.9"

………………………………….......................................(254 x 84 x 303 mm)

Weight 7.6 lbs (3.45 kg)

SPECIFICATIONS SUBJECT TO CHANGE WITHOUT NOTIFICATION FOR IMPROVEMENT.

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