Configuration B Example 3
This example substitutes a pair of MH10f hubs for the single MH10 in the previous diagram. Fiber optic cable is also substituted for the
S TAG E
| Stage Inputs |
|
|
| 1 |
| |||
|
|
|
| ||||||
|
|
|
|
|
|
|
| 2 |
|
|
|
|
|
|
|
|
|
| |
| Stage Inputs |
|
|
|
| ||||
|
|
|
| ||||||
|
|
|
|
|
|
|
| 3 |
|
|
|
|
|
|
|
|
|
| |
| Stage Inputs |
|
|
|
| ||||
|
|
|
| ||||||
|
|
|
|
|
|
|
| 4 |
|
|
|
|
|
|
|
|
|
| |
| Stage Inputs |
|
|
| M H | ||||
|
|
| |||||||
|
|
|
|
|
|
|
| 5 | |
|
|
|
|
|
|
|
| ||
|
|
|
|
|
|
|
| 6 | |
|
|
|
|
|
|
|
| 1 0 f | |
|
|
|
|
|
|
|
|
| |
FOH Returns |
|
|
| 7 | |||||
|
|
| |||||||
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| |||
| ASI |
| 8 |
| |||||
|
|
|
| ||||||
|
|
|
|
|
|
|
| 9 |
|
|
|
|
|
|
|
|
| 10 |
|
|
|
|
|
|
|
|
|
| |
|
|
|
|
|
|
| |||
| Pro16 |
| Pro16 |
|
|
| |||
|
| ||||||||
Monitors 1 |
| Monitors 2 |
|
|
|
1F O H
2 FOH Returns
3 Monitor Sends
4 Monitor Sends
MH | 5 |
|
|
|
|
|
|
| |
6 |
|
| Stage Outputs | |
1 0 f |
|
|
| |
|
|
|
| |
7 |
|
| Stage Outputs | |
|
| |||
|
|
|
|
|
| 8 |
|
| Stage Outputs |
|
|
| ||
|
|
|
| |
|
|
|
|
|
| 9 |
|
| Stage Outputs |
|
|
|
| |
| 10 |
|
|
|
Fiber Optic Cable
This variation of the 64x48 digital snake example uses two MH10f hubs and fiber optic cabling.
Configuration C (Merge 1-8)
Manual Mode Configuration C is optimized for use with two MH10/MH10f Merger Hubs, typically with each placed on one side of a digital snake. In Manual Mode Configuration C (Merge
This configuration is ideal for creating a digital snake and is capable of creating multiple digital splits of the stage source material for connection to a monitor console as well as to recording and broadcast devices.
PNote: Never connect more than one cable between ports 9 and 10 except in Manual Mode Configuration C; doing so will result in a data loop.
MH10 Configurations | 23 |