| A-Net Receive | | | A-Net Transmit |
| (Ports 1-10) | Merger | Distributor | (Ports 1-10) |
| 1 | 1 |
| | |
| 2 | | | 2 |
| 3 | | | 3 |
| 4 | | | 4 |
| 5 | | | 5 |
| 6 | | | 6 |
| 7 | | | 7 |
| 8 | | | 8 |
| 9 | | | 9 |
| 10 | | | 10 |
Manual Mode Configuration C
Note: When using Configuration C in Manual Mode, be sure that both MH10/MH10f Merger Hubs are set to Configuration C to avoid creating a data loop.
Configuration C Example
This example shows a stage-to-FOH application with a monitor console,
a64-channel recording split, and a broadcast feed from the front-of- house mix outputs. Two MH10 Merger Hubs are shown; MH10f hubs can be substituted.
Inputs on the stage (mic, line-level, or digital) are connected to ports 1-8 of the MH10/MH10f on stage. Port 8 on this MH10/MH10f is connected to output modules that feed the monitor console and recording devices. (Optionally, another MH10 or MH10f could be connected to port 8 to create a parallel rather than serial digital split.)
Digital audio from the stage inputs is merged and then transmitted via port 10 to the second MH10/MH10f at the front-of-house mixing position. (Port 9 is the redundant Cat-5e or fiber backup cable, shown with a dotted line in the diagram that follows.)
At FOH, port 10 is connected to four output modules which feed the front-of-house mixing console. The engineer creates mix content and sends it into an input module (marked as “Returns 1-16”) at port 5 in the diagram. Port 8 on the front-of-house MH10/MH10f is also connected to an output module located in the broadcast area. This module outputs the same FOH mix content.