Alesis DM5 manual

Page 42

External Triggering: Chapter 6

This chart represents three signals which are “seen” by the DM5. Signal 1 is a legitimate hit from the snare pad. Signal 2 is the Tom 1 pad, but it is not a hit. It is the pad being triggered by stand vibrations from the first snare hit. Signal 3 is a second "real" hit from the snare pad.

As you can see the Xtalk threshold is set at a value of 30 (represented by the dotted line). The two snare hits (signals 1 and 3) both register well above the Xtalk threshold. However, the tom (signal 2) registers too soft (at 20), and is correctly ignored by the DM5.

If the Xtalk level had been set at an improper value (in this case lower than 20), signal 2 would exceed the Xtalk threshold, and the DM5 would have triggered the sound. This illustrates how proper adjustment of the Xtalk parameter will result in the elimination of this “interaction” between the pads.

Decay. This parameter represents the signal decay time, or the amount of time between once a pad has been struck and triggers, to when it will trigger again from another hit. This is one of the more tricky issues of triggering. Here’s why:

When hits are spaced 2 or more seconds apart, the first signal has plenty of time to decay completely, making it easy to determine the second signal as an actual hit. However, when playing quick, repetitive hits it is much more difficult to deter- mine where one hit ends and the next one begins. To further complicate things, some drum sounds (especially acoustic drums) take a long time to decay. During this period, part of the decay can be interpreted as another closely-spaced hit.

This is where the Decay control comes in. The Decay control adjusts the time and threshold of the signal decay making it possible for the DM5 to correctly determine whether closely spaced signals are “real” hits or just decay. Selecting a higher Decay value (long decay times) will allow for the most reliable triggering but may miss quickly repeated hits. Lower Decay values (shorter times) will respond to quickly repeated hits but may be more prone to false triggering. Experimentation with these levels is necessary to achieve the proper results.

DM5 Reference Manual

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Contents Alesis DM5 HOW to USE this Manual IntroductionDM5 Reference Manual Contents Midi Functions Appendix a TROUBLE-SHOOTINGMidi Implementation Chart External TriggeringUnpacking and Inspection Setting UPAC Power Hookup ChapterAbout Audio Cables Basic Audio HookupMidi Hookup To turn on the Midi Thru parameterExternal Triggers Hookup Powering UP Your First Session With the DM5Playing the Demo Sequence Auditioning Internal Programs WHAT’S a Drum SET?Playing the DM5 Selecting the Midi ChannelChoosing Voices in a Drum SET Storing AN Edited Drum SET Naming a Drum SETRecalling the Factory Drum Sets Midi OUT/THRU Mode To turn on Midi Thru ModeConnections Example 1 Using a Midi Keyboard To set the Midi ChannelTo set the Root Note Example 2 Using a Midi Sequencer Local Mode To turn the Local Control offExample 3 Using TWO or More DM5 Modules To turn the Midi Overflow Mode onExternal Triggers To setup the external triggers Crosstalk To Set the Crosstalk valueTo set the Decay value To set the Noise valueFootswitch Hookup To set the Footswitch ModeVoice OverviewBasic and Definitions Random VoicesDM5 Polyphony Midi Note RangeAbout the User Interface Reading the DisplayFunction Buttons ButtonsMULTI-PAGE Functions Store Button Drum Note SelectionEditing Parameter Values Preview ButtonFunction Buttons TuneMIX OutputOutput Options Drum SET EXT TrigGroup Midi Copying a NOTE’S Parameters to AnotherMidi Functions Drum SET Root NoteMidi Channel Program Change Enable Local ControlControllers Enable Program Change Table Saving Data VIA MidiTo edit the Program Change table Receiving Data from Another Midi Device To back upExternal Triggering OverviewAbout Trigger Parameters Page Example Trigger Selection Trigger Note Assignment GainVelocity Curve Method One Method TwoCrosstalk Footswitch Mode DecayNoise Understanding HI HAT Pedal Mode Output Sensitivity Trigger PlacementTips on Triggering from Acoustic Drums MountingFor head mounting If you play with a fairly tight batter head, try thisIf you play with a looser head, try this For shell mountingMounting Hardware and Configuration MufflingLarge Toms External Triggering DM5 Reference Manual MAINTENANCE/SERVICE TROUBLE-SHOOTINGTROUBLE-SHOOTING Index RE-INITIALIZINGRefer ALL Servicing to Alesis MaintenanceObtaining Repair Service Customers in the USA
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