Alesis DM5 manual About Audio Cables, Basic Audio Hookup

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Chapter 1: Setting Up

ABOUT AUDIO CABLES

The connections between the DM5 and your studio are your music’s lifeline, so use only high quality cables. These should be low-capacitance shielded cables with a stranded (not solid) internal conductor and a low-resistance shield. Although quality cables cost more, they do make a difference. Route cables to the DM5 correctly by observing the following precautions:

•Do not bundle audio cables with AC power cords.

•Avoid running audio cables near sources of electromagnetic interference such as transformers, monitors, computers, etc.

•Do not place cables where they can be stepped on. Stepping on a cable may not cause immediate damage, but it can compress the insulation between the center conductor and shield (degrading performance) or reduce the cable’s reliability.

•Avoid twisting the cable or having it make sharp, right angle turns.

•Never unplug a cable by pulling on the wire itself. Always unplug by firmly grasping the body of the plug and pulling directly outward.

•Although Alesis does not endorse any specific product, chemicals such as Tweek and Cramolin, when applied to electrical connectors, are claimed to improve the electrical contact between connectors.

BASIC AUDIO HOOKUP

✪When connecting audio cables and/or turning power on and off, make sure that all devices in your system are turned off and the volume controls are turned down.

The DM5 has two Main and two Aux audio outputs on the rear panel, as well as a headphone output on the front panel. These can provide an amplification system or mixer with several different audio hookup options:

•Mono. Connect a mono cord from the [MAIN OUTPUT–R] to a mono amplification system or individual mixer input.

•Stereo. Connect two mono cords from the [MAIN OUTPUT–L] and [MAIN OUTPUT– R] to a stereo amplification system or two mixer inputs.

•Dual Stereo/Four Individual Outs. Connect two mono cords from the [MAIN OUTPUT–L] and [MAIN OUTPUT–R] and two mono cords from the [AUX OUTPUT–L] and [AUX OUTPUT–R] to a dual stereo amplification system, or four mixer inputs.

•Stereo Headphones. Plug a set of high-quality stereo headphones into the front panel [PHONES] jack.

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DM5 Reference Manual

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Contents Alesis DM5 Introduction HOW to USE this ManualDM5 Reference Manual Contents External Triggering Appendix a TROUBLE-SHOOTINGMidi Implementation Chart Midi FunctionsChapter Setting UPAC Power Hookup Unpacking and InspectionBasic Audio Hookup About Audio CablesTo turn on the Midi Thru parameter Midi HookupExternal Triggers Hookup Your First Session With the DM5 Powering UPPlaying the Demo Sequence Selecting the Midi Channel WHAT’S a Drum SET?Playing the DM5 Auditioning Internal ProgramsChoosing Voices in a Drum SET Naming a Drum SET Storing AN Edited Drum SETRecalling the Factory Drum Sets To turn on Midi Thru Mode Midi OUT/THRU ModeConnections To set the Midi Channel Example 1 Using a Midi KeyboardTo set the Root Note Example 2 Using a Midi Sequencer To turn the Local Control off Local ModeTo turn the Midi Overflow Mode on Example 3 Using TWO or More DM5 ModulesExternal Triggers To setup the external triggers To Set the Crosstalk value CrosstalkTo set the Noise value To set the Decay valueTo set the Footswitch Mode Footswitch HookupRandom Voices OverviewBasic and Definitions VoiceMidi Note Range DM5 PolyphonyReading the Display About the User InterfaceButtons Function ButtonsMULTI-PAGE Functions Preview Button Drum Note SelectionEditing Parameter Values Store ButtonTune Function ButtonsOutput MIXOutput Options EXT Trig Drum SETGroup Copying a NOTE’S Parameters to Another MidiDrum SET Root Note Midi FunctionsMidi Channel Local Control Program Change EnableControllers Enable Saving Data VIA Midi Program Change TableTo edit the Program Change table To back up Receiving Data from Another Midi DeviceOverview External TriggeringAbout Trigger Parameters Page Example Trigger Selection Gain Trigger Note AssignmentVelocity Curve Method Two Method OneCrosstalk Decay Footswitch ModeNoise Understanding HI HAT Pedal Mode Mounting Trigger PlacementTips on Triggering from Acoustic Drums Output SensitivityFor shell mounting If you play with a fairly tight batter head, try thisIf you play with a looser head, try this For head mountingMuffling Mounting Hardware and ConfigurationLarge Toms External Triggering DM5 Reference Manual RE-INITIALIZING TROUBLE-SHOOTINGTROUBLE-SHOOTING Index MAINTENANCE/SERVICECustomers in the USA MaintenanceObtaining Repair Service Refer ALL Servicing to Alesis
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