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| The Programs: |
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| Surround |
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| Stereo Logic |
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| Parameter | Initial Value | Range |
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| FRONT EFFECT | 8 |
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| REAR EFFECT | 8* |
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| REAR ROLLOFF | 14.1 kHz | 329 |
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| Automatic |
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| BASS BLEND | 0 |
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| AUTO AZIMUTH/BAL | OFF | Off, On |
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| REAR DELAY | 8 ms |
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| REAR NOISE CHIP | OFF | Off, On |
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| CALIBRATE | OFF | Off, On |
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| SET PROGRAM NAME | NA | NA |
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| MEMORIZE PROGRAM | NA | NA |
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| * 0 if no rear speakers specified |
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| Pro Logic |
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| Parameter | Initial Value | Range |
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| REAR DELAY | 20 ms |
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| AUTO AZIMUTH/BAL | On | Off, On |
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| BASS BLEND | 6 |
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| CALIBRATE | Off | Off, On |
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| SET PROGRAM NAME | NA | NA |
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| MEMORIZE PROGRAM | NA | NA |
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REAR DELAY in both STEREO LOGIC and PRO LOGIC is adjustable. | Rear Delay |
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Generally, the correct delay is about 20 milliseconds but the setting depends |
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on speaker |
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so great that the rear sound becomes identifiable as a distinct source. |
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| REAR ROLLOFF controls the treble attenuation and should be adjusted on | Rear Rolloff |
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| instruments to seem to come from behind you. Stereo Logic’s REAR |
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| ROLLOFF parameter contains an AUTOMATIC mode. In this mode the |
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| rear channels are rolled off above 7 kHz until the logic circuits steer a sound |
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| effect to the rear speakers, whereupon the bandwidth opens up to beyond |
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| 15 kHz. This will enhance the realism of some effects that move from front |
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| to rear or |
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Page 27