3Com CP-1 owner manual Reverb

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The Programs: Reverb

Reverb

Lexicon

The Reverberation program differs from Ambience in that it does not simulate the early reflections of specific halls, but emphasizes rich, smooth reverberant decay in small, medium or large spaces. It works well for simulating a space with a long reverberation times relative to its size, such as a reverberant chamber, church or the like. For systems with only two loudspeakers, Reverb also incorporates a version of Panorama that will spread the stereo image and add the reflections it generates to the expanded sound stage.

The initial EFFECT LEVEL is highest for Program 7 and progressively lower for Programs 8 and 9. It will be easier to hear exactly what the parameters do if the EFFECT LEVEL is temporarily turned all the way up.

 

 

Program

 

 

 

 

 

Parameters

 

 

 

 

 

 

 

 

 

 

 

Parameter

Initial Value

Range

 

 

 

 

 

 

 

 

MID RT

small-0.46 sec

0.32 - 2.8 sec

 

 

 

medium - 0.92 sec

0.64 - 5.6 sec

 

 

 

 

large - 2.16 sec

1.28 - 11.2 sec

 

 

 

BASS RT

small-x1 MID RT

0.7 xMID RT

 

 

 

 

medium-1.25xMID RT

1 xMID RT

 

 

 

 

large-1.25xMID RT

1.25xMID RT

 

 

 

TREBLE

s/m/l=5.9/4.2/3.6 kHz

329 Hz - 14.1 kHz

 

 

 

PANORAMA EFF

0/28*

1-32

 

 

 

LISTENER POS

128

0-254

 

 

 

SPEAKER ANGLE

51 degrees

33-91 degrees

 

 

 

PRE-DELAY

0

0-120 ms

 

 

SET PROGRAM NAME

NA

NA

 

 

MEMORIZE PROGRAM

NA

NA

 

 

 

 

 

 

* 0 if side speakers are specified

Effect Level EFFECT LEVEL adjusts the loudness of the side and rear speakers. When there are no side speakers, it adjusts the amount of ambient signal mixed into the main loudspeakers. EFFECT LEVEL is the most important user adjustment in AMBIENCE and REVERB, and has been given its own button on the remote. It should be set as high as possible without making the extra speakers individually audible.

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Contents CP-1 Digital Audio Environment Processor Owners ManualPanorama Ambience Reverb SurroundUnpacking and Inspection PrecautionsAcknowledgements Safety Suggestions Table of Contents Controls IntroductionFront Panel Controls IndicatorsSource Monitor Rear Panel InputsPrograms Remote ControlPanorama Volume BankParameter EffectControls Indicators Installation PrecautionsConnection Calibration Connections to Other EquipmentConnection and Calibration Connecting the CP-1 in a Tape Monitor LoopAudio Inputs Setting Main Input Output Levels Front Panel AdjustmentsConnection Calibration Input LevelsOutput Levels Balancing Additional ChannelsCalibration of the Panorama Program Silence Noise Configuration Speaker Set-Up ConfigurationSpeaker Configurations Speaker Set-Up Configuration For FilmSpeaker Set-Up Configuration For Music Speaker Set-Up Configuration Speaker Set-Up Configuration Test Mode Using the 4 ProgramsTo Load, Modify and Store Programs Panorama Program ParametersRear Level Rear Delay Effect LevelInput Balance Listener PositionAmbience Room Shape LivenessPrograms Ambience Reverb Pre-Delay Mid RTBass RT TrebleSurround Program Parameters Mono LogicStereo Logic Pro LogicProgram Parameters contd Auto Azimuth BalanceBass Blend Rear EffectUsing Programs Restoring Original SettingsTo Rename and Store a Register Naming a RegisterUsing Programs Troubleshooting TroubleshootingProblem Troubleshooting Restoring defaults Troubleshooting Lateral Sound Theory DesignConcert Hall Acoustics Theory and Design Lateral Sound in your Listening EnvironmentTheory DesignAmbience Extraction Ambience GenerationPanorama Program Theory Design Theory and Design Ambience Program Be the sound that comes from the sides Reverb Program Surround Programs Mono LogicPro Logic Dolby Surround Decoding Pro Logic DecodingCP-1 Decoder Stereo Logic Speaker Set-Ups for Pro Logic Theory and Design References Theory and Design Frequency Response SpecificationsOptional Equipment 06/00 Lexicon 070-06619 Rev