3Com CP-1 owner manual Remote Control, Programs, Panorama

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Controls and

Indicators

Lexicon

The Remote Control

PANORAMA

 

BANK

1

2

3

 

NORMAL

WIDE

BINAURAL

 

AMBIENCE

 

PARAM

4

5

6

 

SMALL

MEDIUM

LARGE

 

 

REVERB

 

 

7

8

9

 

SMALL

MEDIUM

LARGE

 

SURROUND

 

 

10

11

12

 

MONO

STEREO

 

 

 

F

R

 

EFFECT

BALANCE

VOLUME

 

B

L

 

TITLE: dlby lgo 2

 

SYSTEM

EFFECT

Adobe Illustrator(TM) 1.1

 

CREATOR: DOLBY SURROUND

MUTE

CR DATE: 6/20/88 3:52 PM

 

PRO - LOGIC

The Programs

Panorama

The PANORAMA programs provide enhanced lateral sound (and hence greater spaciousness and envelopment) for either music or films. This program can utilize left and right rear channels but is also effective using only the two front loudspeakers. NORMAL(1) and WIDE(2) differ primar- ily in their initial Effect Levels. BINAURAL(3) is for playback on loudspeak- ers of recordings made with a dummy head.

Ambience

The AMBIENCE programs simulate concert halls of three different sizes, generating reflections of appropriate directionality, delay and spectral shape and sending them to the side and rear speakers. The Ambience programs provide adjustable recirculation through the Liveness parameter but for long reverberation times, use REVERB. Both AMBIENCE and REVERB are true stereo simulators.

Reverb

The REVERB programs, like AMBIENCE, simulate rooms of three sizes with the aid of side and rear channels. These programs have fewer specific initial reflections than AMBIENCE but richer and smoother reverberant decay. REVERB is especially good for simulating large, highly reverberant spaces.

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Contents CP-1 Digital Audio Environment Processor Owners ManualPanorama Ambience Reverb SurroundAcknowledgements PrecautionsUnpacking and Inspection Safety Suggestions Table of Contents Controls IntroductionSource Monitor Controls IndicatorsFront Panel Rear Panel InputsPanorama Remote ControlPrograms Volume BankParameter EffectControls Indicators Installation PrecautionsConnection Calibration Connections to Other EquipmentAudio Inputs Connecting the CP-1 in a Tape Monitor LoopConnection and Calibration Setting Main Input Output Levels Front Panel AdjustmentsConnection Calibration Input LevelsOutput Levels Balancing Additional ChannelsCalibration of the Panorama Program Silence Noise Speaker Configurations Speaker Set-Up ConfigurationConfiguration Speaker Set-Up Configuration For FilmSpeaker Set-Up Configuration For Music Speaker Set-Up Configuration Speaker Set-Up Configuration To Load, Modify and Store Programs Using the 4 ProgramsTest Mode Panorama Program ParametersRear Level Rear Delay Effect LevelInput Balance Listener PositionAmbience Room Shape LivenessPrograms Ambience Reverb Pre-Delay Mid RTBass RT TrebleSurround Program Parameters Mono LogicStereo Logic Pro LogicProgram Parameters contd Auto Azimuth BalanceBass Blend Rear EffectUsing Programs Restoring Original SettingsTo Rename and Store a Register Naming a RegisterUsing Programs Problem TroubleshootingTroubleshooting Troubleshooting Restoring defaults Troubleshooting Concert Hall Acoustics Theory DesignLateral Sound Theory and Design Lateral Sound in your Listening EnvironmentTheory DesignAmbience Extraction Ambience GenerationPanorama Program Theory Design Theory and Design Ambience Program Be the sound that comes from the sides Reverb Program Surround Programs Mono LogicPro Logic Dolby Surround Decoding Pro Logic DecodingCP-1 Decoder Stereo Logic Speaker Set-Ups for Pro Logic Theory and Design References Theory and Design Optional Equipment SpecificationsFrequency Response 06/00 Lexicon 070-06619 Rev