Sherwood P-965 manual Surround Sound, Surround modes

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SURROUND SOUND

This unit incorporates a sophisticated Digital Signal Processor that allows you to create optimum sound quality and sound atmosphere in your personal Home Theater.

ENGLISH

Surround modes

DTS Digital Surround

DTS Digital Surround(also called simply DTS) is a multi-channel digital signal format which can handle higher data rates. Discs

bearing the “ ” include the recording of up to

5.1channels of digital signals, which can be generally thought to provide better sound quality due to the lower audio compression required.

It also provides wide dynamic range and separation, resulting in magnificent sound.

DTS - ES Extended Surround™ ( )

This is a new multi channel digital signal format which greatly improves the 360- degree surround impression and space expression thanks to further expanded surround signals, offering high compatibility with the conventional DTS format. In addition to the 5.1 channels, DTS-ES Extended Surround also offers the surround back (sometimes also referred to as “surround center”) channel for surround playback with a total of 6.1 channels. DTS-ES Extended Surround includes two signal formats with different surround signal recording methods as follows:

DTS-ES™ Discrete 6.1

Because the signals for 6.1 channels (including the surround back channel) are fully independent, it is possible to achieve a sense that the acoustic image are moving about freely among the background sounds surrounding the listener from 360 degrees. Though maximum performance is achieved when sound tracks recorded with this system are played using a DTS -ES decoder, when played with a conventional DTS decoder, the surround back channel signals are automatically downmixed to the surround left and surround right channels so that none of the signal components are lost.

• DTS - ES™ Matrix 6.1

With this format, the additional surround back channel signals undergo matrix encoding and are input to the surround left and surround right channels beforehand. During playback, they are decoded to the surround left, surround right and surround back channels.

Because the bit stream format is 100% compatible with conventional DTS signals, the effect of the DTS-ES Matrix 6.1 format can be achieved even with DTS 5.1- channel signal sources. Of course, it is possible to play DTS-ES Matrix 6.1 - channel signal sources with a DTS 5.1 - channel decoder. When DTS-ES Discrete 6.1 or Matrix 6.1 sources are decoded with a DTS - ES decoder, the format is automatically detected upon decoding and the optimum surround mode is selected. However, some DTS - ES Matrix 6.1 sources may be detected as DTS sources. In this case, the DTS - ES Matrix mode should be selected manually to play these sources.

DTS Neo : 6™ surround

This mode applies conventional 2-channel signals such as digital PCM or analog stereo signals to the high precision digital matrix decoder used for DTS-ES Matrix 6.1 to achieve 6.1- channel surround playback. DTS Neo : 6 surround includes two modes for selecting the optimum decoding for the signal source.

• DTS Neo : 6 Cinema

This mode is optimum for playing movies. Decoding is performed with emphasis on separation performance to achieve the same atmosphere with 2-channel sources as with 6.1-channel sources.

• DTS Neo : 6 Music

This mode is suited mainly for playing music. The front left and front right signals bypass the decoder and are played directly so there is no loss of sound quality, and the effect of the surround signals from the center, surround left, surround right and surround back channels adds a natural sense of expansion to the sound field.

DTS 96/24

Conventional surround formats used sampling frequencies of 48 or 44.1 kHz, so 20 kHz was about the maximum playback signal frequency. With DTS 96/24, the sampling frequency is increased to 96 or 88.2 kHz to achieve a wide frequency range of over 40 kHz. In addition, this format has a resolution of 24 bits, resulting in the same frequency band and dynamic range as 96kHz / 24 bit PCM signals.

As with conventional DTS surround, DTS 96/24 is compatible with a maximum of 5.1 channels. DTS 96/24 is fully compatible with the conventional DTS surround format, so DTS 96/24 sources can be played using a conventional DTS 5.1 channel decoder.

“DTS”, “DTS-ES”, “DTS 96/24” and “Neo:6” are trademarks of Digital Theater Systems, Inc.

Dolby Digital

Dolby Digital is the multi- channel digital signal format developed by Dolby Laboratories. Discs bearing the

DOLBY ” includes the recording of up to 5.1 channels of

D I G I T A L

digital signals, which can reproduce much better sound quality, spatial expansion and dynamic range characteristics than the previous Dolby Surround effect.

Dolby Digital EX

This mode creates the back (sometimes also referred to as “surround center”) signals from the surround left and right signals in Dolby Digital 5.1 channel source using a matrix decoder and provides 6.1 channel surround playback. For the best results, this mode should be selected during playback of

sources(bearing the “ DOLBY ”) recorded in Dolby Digital

EX. With this additional channel, you can experience more dynamic and realistic moving sound especially.

When Dolby Digital EX sources are decoded with a Dolby Digital EX decoder, the format is automatically detected upon decoding and the Dolby Digital EX mode is selected. However, some Dolby Digital EX sources may be detected as Dolby Digital sources. In this case, the Dolby Digital EX mode should be selected manually to play these sources.

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Contents 965 Introduction Read this Before Operating Your UnitSafety Instruction Contents Connecting Antennas System ConnectionsConnecting Audio Components Component video input default settings Video 1 Video deck, DVD recorder, etcDigital input default settings USB audio connectionConnecting 8CH Direct INs Speaker placement Front left and right speakers and center speakerConnecting System Control Room 2 connectionsConnecting MULTI-ROOM System KIT Connecting PC for Upgrades Front Panel Controls Dolby PL II Music ParameterFluorescent Display Universal Remote Controls Digi Link system remote controlsFunction Table of the Numbered Buttons TapePlay PLAY/PAUSE Remote Control Operation Range Loading BatteriesEntering a Setup Code Enter the 3 digit setup code aiming Room 2 Remote Controls Remote Control Operation RangeOperations Before operationWhen CD, AUX or Video 1~ Video 6 is selected Adjusting the tone bass and trebleCompensating for edgy or shrill movie sound tracks Muting the sound Listening with the headphonesAchieving higher purity of sound quality Surround Sound Surround modesDolby Pro Logic IIx surround Front L/R Center Enjoying Surround Sound DSP DSPTo listen in a Dolby Virtual Speaker mode 2CH downmix modeTo listen in a Dolby Pro Logic IIx mode Selecting the surround back channel mode as connected To listen in a Dolby Headphone modeAdjusting each channel level with test tone Adjusting the current channel levelsAdjust the level of the selected channel as Desired Auto presetting Auto tuningManual tuning Manual presetting Tuning to preset stationsScanning preset stations in sequence Listening to FM stereo broadcastsRecording with Tape Monitor Dubbing the sound and image signalsRecording Dubbing from video components ontoDigital Audio Recording with MD Recorder Compressing the dynamic range Operating the sleep timer Adjusting the brightnessOther Functions Dolby Digital sources onlyEntering a label Correcting or clearing a labelRoom 2 Source Playback Press the Room 2 buttonCurrent Status Display Using the OSDOSD Menu Settings When selecting the Speaker Setup Setting the Speaker Setup When selecting the Speaker ConfigurationWhen selecting the Speaker Distance When selecting the Virtual Speaker Setup Virtual Speaker mode changes as followsWhen selecting the Subwoofer When selecting the Subwoofer Mode When selecting the Crossover FrequencyWhen selecting the Auto Speaker Setup PreparationsVOL Main FAV Setting the System Setup When selecting the Digital Input SetupWhen Tone Defeat mode is selected When selecting the Tone ControlWhen Cinema EQ mode is selected When selecting the OSD Auto Display When selecting the Current VideoWhen selecting the Component Video Setup VideoWhen selecting the Video 2 OUT When selecting the DC Trigger 2 SetupWhen the DC Trigger 2 mode is set to On When selecting the Digital RE-MASTERINGWhen selecting the A/V Sync Setting the Surround Setup When Decoding Mode is selectedWhen the Dynamic Range is selected When the Surround Mode is selectedWhen the Dolby surround mode is selected When selecting the Dimension control When selecting the Panorama modeWhen selecting the Center Width control When selecting the Preset 1 Trim or Preset 2 Trim Setting the CH Level SetupWhen selecting the Preset 1 or When selecting the Channel Level Trim When selecting the LFE Level Trim Setting the ROOM2 Feed Setup When selecting the Volume ModeWhen selecting the Room 2 Feed mode When the Room 2 Feed mode is set to OnTroubleshooting Guide Problem Possible Cause RemedySpecifications PRE Amplifier Section965

P-965 specifications

The Sherwood P-965 is a well-regarded stereo receiver that offers a blend of classic design, modern features, and solid performance, making it an excellent choice for audiophiles and casual listeners alike. With its robust build and versatile functionality, the P-965 stands out in the competitive landscape of home audio equipment.

One of the main features of the Sherwood P-965 is its power output, which typically delivers around 100 watts per channel at an 8-ohm load. This allows it to drive a wide range of speakers, providing clear and powerful sound reproduction across various musical genres. The receiver also supports multiple speaker configurations, enabling users to connect various setups to suit their listening preferences.

The P-965 utilizes advanced technology to enhance its audio capabilities. It features a built-in digital-to-analog converter (DAC) that ensures high-quality audio playback from digital sources. This is complemented by a wide array of connectivity options, including multiple analog inputs, optical and coaxial digital inputs, and even USB compatibility for direct connection to computers or USB drives. This versatility makes it easy for users to integrate the receiver into their existing audio setups.

Another key aspect of the Sherwood P-965 is its onboard AM/FM tuner, which allows users to enjoy their favorite radio stations effortlessly. The tuner is equipped with presets for quick access to frequently used channels, adding to the overall convenience of the device. Additionally, it includes an integrated equalizer that enables users to customize their sound experience to match their preferences and room acoustics.

The design of the Sherwood P-965 is both functional and aesthetically pleasing. Its classic look features a sturdy chassis and a user-friendly front panel with well-placed knobs and buttons. The display is clear and easy to read, providing essential information about current settings and input sources.

In conclusion, the Sherwood P-965 receiver combines powerful audio performance, modern connectivity, and user-friendly features in a stylish package. Its versatility makes it suitable for a wide range of applications, whether in a home theater system or a dedicated music listening setup, making it a worthy consideration for anyone seeking to enhance their audio experience. With its rich array of features and reliable performance, the Sherwood P-965 continues to maintain its reputation in the world of audio equipment.