134 Chapter 13—Onboard Effects
03D—Owner’s Manual
REV->CHORUSREV+FLANGE
Parameter Range Description
REV.TIME 0.3–99.0 s Length of reverb.
INI.DLY 0.1–500.0 ms Delay time until the early reflections of the reverb are
heard.
HI.RATIO 0.1–1.0 Length of the high frequency portion of the reverb,
expressed as a ratio relative to REV.TIME.
DIFF. 0–10 Left/right spread of the reverb sound.
DENSITY 0–100% Density of the reverb.
HPF THRU,21 Hz–8.0
kHz Cutoff frequency of the high pass filter.
LPF 50 Hz–16.0 kHz,
THRU Cutoff frequency of the low pass filter.
REV.BAL 0–100% Balance of reverb and chorused reverb. 100 is only reverb.
FREQ. 0.05–40.00 Hz Modulation speed.
PM DEPTH 0–100% Pitch modulation depth.
AM DEPTH 0–100% Volume modulation depth.
MOD.DLY 0.0–500.0 ms Delay time from the direct sound until the modulated
sound.
WAVE SINE, TRI Modulation waveform. SINE: sine wave, TRI: triangle wave
Parameter Range Description
REV.TIME 0.3–99.0 s Length of reverb.
INI.DLY 0.1–500.0 ms Delay time until the early reflections of the reverb are
heard.
HI.RATIO 0.1–1.0 Length of the high frequency portion of the reverb,
expressed as a ratio relative to REV.TIME.
DIFF. 0–10 Left/right spread of the reverb sound.
DENSITY 0–100% Density of the reverb.
HPF THRU, 21 Hz–8.0
kHz Cutoff frequency of the high pass filter.
LPF 50 Hz–16.0 kHz,
THRU Cutoff frequency of the low pass filter.
REV.BAL 0–100% Balance of reverb and flanging. 0 is only flanging, 100 is
only reverb.
FREQ. 0.05–40.00 Hz Modulation speed.
DEPTH 0–100% Modulation depth.
FB.GAIN –99 to +99% Amount of feedback.
MOD.DLY 0.0–500.0 ms Delay time from the direct sound until the modulated
sound.
WAVE SINE, TRI Modulation waveform. SINE: sine wave, TRI: triangle wave