VINTAGER AC112
| Preset-Nr. | Effect | Variation | PARAMETER | EFFECT A | EFFECT B |
| 1 | SPRING | short Pre-Delay | Reverb Time | Mix L | Mix R |
| 2 | REVERB | long Pre-Delay | Reverb Time | Mix L | Mix R |
| 3 | STUDIO | short Pre-Delay | Reverb Time | Mix L | Mix R |
| 4 | long Pre-Delay | Reverb Time | Mix L | Mix R |
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| 5 | CHAMBER | short Pre-Delay | Reverb Time | Mix L | Mix R |
| 6 | long Pre-Delay | Reverb Time | Mix L | Mix R |
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| 7 | STAGE | short Pre-Delay | Reverb Time | Mix L | Mix R |
| 8 | long Pre-Delay | Reverb Time | Mix L | Mix R |
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| 9 | CONCERT | short Pre-Delay | Reverb Time | Mix L | Mix R |
| 10 | long Pre-Delay | Reverb Time | Mix L | Mix R |
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| 11 | PLATE | short Pre-Delay | Reverb Time | Mix L | Mix R |
| 12 | long Pre-Delay | Reverb Time | Mix L | Mix R |
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Tab. 3.1: Parameters of effects 01 through 12
Reverb algorithms 01 through 12 provide two variations each. Basically, the first variation uses a short pre- delay (delay until the actual reverb can be heard), while the second variation works with long pre-delays. In general, you can adjust the reverb time with the PARAMETER control, while the two EFFECT controls adjust the mix of original and effect signals in the left/right channel.
13-14 Gated Reverb: This reverb is cut off abruptly and became famous through Phil Collins’ “In the air tonight”. Use the EFFECT A control to adjust the threshold above which the reverb is triggered (Sensitivity). The higher this value, the less reverb you will hear. EFFECT B governs the mix of original and reverb signals. The PARAMETER control adjusts the reverb and gate times.
Preset-Nr. | Effect | Variation | PARAMETER | EFFECT A | EFFECT B |
13 | GATED | min. Density | Gate/Reverb Time | Sensitivity | Mix |
14 | REVERB | max. Density | Gate/Reverb Time | Sensitivity | Mix |
Tab. 3.2: Parameters of effects 13 and 14
15-16 Ambience: The reverb of any room consists of so-called “early reflections” and the reverb “tail”. This algorithm emulates the first 15 of these early reflections. Since our ears use these reflections to determine the room size, they can be employed to create subtle and impressive reverb densities, without clouding the overall signal with long reverb tails. The PARAMETER control modifies the room size, while EFFECT A adjusts the pre-delay time, and EFFECT B governs the mix of original and effect signals. This effect is particularly impressive when played through a pair of headphones.
| Preset-Nr. | Effect | Variation | PARAMETER | EFFECT A | EFFECT B |
| 15 | AMBIENCE | min. Reflections | Room Size | Pre-Delay | Mix |
| 16 | max. Reflections | Room Size | Pre-Delay | Mix |
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Tab. 3.3: Parameters of effects 15 and 16
