Dynacord MP7 M A S T E R, Master B, Stereo/Mono, Pre/Post, Mono Out, Sub Out, Record Send

M A S T E R

34. MASTER B

This control allows setting the output level of the MASTER B, which is a second universal stereo output carrying the stereo-sum audio signal iden- tical to the MASTER A. It is extremely useful in accomplishing sound reinforcement in a neighboring room or monitoring purposes using a second power amplifier. For more details, please refer to the CONFIGURATION EXAMPLES.

35. STEREO/MONO

The MASTER B outputs carry a stereo signal if this switch is set to the STEREO position (not engaged).

When set to MONO (engaged), the MASTER B outputs the sum of the left and right channels.

36. PRE/POST

Setting this switch to PRE (not engaged) lets you control the MASTER B level independent from the level of the MASTER A. When set to POST (engaged), the MASTER B signal is post the MASTER A fader. Changing the level of MASTER A also alters the MASTER B level.

37. MONO OUT

This control lets you set the output level of the MONO OUT connector (40). The MONO OUT outputs the summed audio signal of the left and right channels independent from the setting of the MASTER A Fader (pre fader). The MONO OUT is mostly used for connecting the monitor system or a light control desk.

38. SUB OUT

The SUB OUT represents an output that is especially implemented for connecting a subwoofer via an external power amplifier. The SUB OUT audio signal relates to the MASTER A fader’s setting (post fader). It employs an internal 12dB/oct, 100Hz low-pass filter. The SUB OUT control lets you set the proportion between subwoofer and general output levels of the system.

CAUTION: In case you would like to connect an active subwoofer to the SUB OUT connector, make sure that it does not incorporate an integrated frequency crossover or if so, that it is deactivated! If this is not possible, you are left with the options of choosing the Mono OUT or MASTER B outputs to accomplish the task.

The SUB OUT audio signal is output via the SUB OUT connector (41).

39. RECORD SEND

These RCA-type connectors carry the MASTER A pre-fader audio signal, which means that the setting of the master fader doesn’t affect the level of the audio signal that is present at the RECORD SEND connectors, which let you connect a CD/MD recorder or TAPE/DAT deck. The nominal level of -10dBV at this output is suitable for professional use as well as for home recording purposes.

40. - 43. OUTPUT CONNECTORS

Impedance-balanced outputs for the connection of external gear. The outputs are carried out as stereo phone-type jacks. Whenever possible use balanced cables. Balanced cabling is the best method for avoiding problems with interference and humming (see chapter: Configuration of a standard PA-system)

44. POWER AMP INPUT

Electronically balanced input of the internal power amplifier with signal-split function. Connecting a phone-type plug interrupts the signal path between MASTER A and internal power amp. You can now feed the internal power amplifier from the POWER AMP INPUT. The MASTER A audio signal is still output via the MASTER A OUTPUTS.

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