INPUT/STEREO

16. TONE CONTROL

The mixer’s tone control section allows very differentiated and effective sha- ping of the incoming audio signal within miscellaneous frequency bands. Tur- ning one of the tone controls to the right enhances/amplifies the corresponding frequency range while turning it to the left lowers/attenuates the signal of the specific frequency band. Before alte- ring the sound, all tone controls should be set to their neutral position; i.e. their marker points straight up (detent posi- tion). Please, keep in mind that the stereo channel EQ’s are so called Kill-

EQ’s. Up to turning them to their -6dB marking the tone controls behave analogue to their counterparts in the mono-channels. When turning the controls further, the “Kill”-function becomes active and nearly totally attenuates the corresponding frequency band. The “Kill”-function is meant to be used as special effect providing you with the opportunity to produce mixes that are as creative and entertaining as possible. In this way and when using the MP7 for Karaoke, the MID-control lets you effectively mute the lead vocals of the original recording.

17. BAL

This control lets you determine the proportion between a stereo-channels left and right audio levels. During the playback of pre-recorded music leaving the BAL-control as close as possible to its center position is strongly recommended. Extreme settings for this control should be left for effect purposes only.

TRANSITION SECTION

The TRANSITION FADER in the master section allows conveniently cross-fading between two channels. Assigning each stereo channel to one of the two fader-sides “X” or “Y” is possible via corresponding switches.

18. ASSIGN X/Y

This switch allows assigning the corresponding channel’s audio signal to either side “X” or “Y” of the TRANSITION FADER. The two LED’s next to the switch indicate the ASSIGN- status (blue = X, green = Y, off = TRANSITION inactive).

19. TRANSITION

This switch allows assigning the corresponding channel to the TRANSITION FADER.

CAUTION: Whenever you want to listen to a channel’s audio signal via the master while the corresponding TRANSITION-switch is set to “on”, you have to raise the channel fader and slide the TRANSITION FADER to the side, which you have previously selected using the ASSIGN X/Y (18) switch.

20. PFL

Engaging this button assigns a channel’s audio signal to the PFL bus. For monitoring the PFL bus signal via headphones slide the PHONES MIX fader in the direction “PFL”. Simultaneously assigning more than one channel to the PFL bus is possible, while the individual channel’s volume fader setting is not recognized (PRE FADER LISTEN). This allows you setting a signal’s correct level or making special EQ-adjustments without the need of including it in the main mix. Once a PFL button is pressed, the master display automatically enters PFL/PGM mode (yellow LED below the display lights). The right LED-chain indicates the level of the master audio signal (PGM), while the left LED-chain indicates the PFL bus signal level.

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Dynacord ENTERTAINMENT SYSTEM, MP7 owner manual Tone Control, Bal, Transition Section, Assign X/Y
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ENTERTAINMENT SYSTEM, MP7 specifications

The Dynacord MP7 is a versatile entertainment system designed for professional audio applications, offering a wide array of features and technologies to meet the demands of modern sound reinforcement and mixing. With a strong emphasis on portability and power, the MP7 is suitable for live events, installations, and mobile applications.

One of the standout features of the Dynacord MP7 is its high-quality sound performance. Equipped with advanced digital signal processing (DSP), the system ensures pristine audio clarity, making it ideal for both speech and music. The onboard DSP allows for various effects such as reverb, delay, and equalization, which can be customized based on the venue's acoustics and specific requirements. This flexibility enables sound engineers to achieve the perfect mix, regardless of the environment.

The MP7's robust construction is another key characteristic that sets it apart. Built to withstand the rigors of touring and live performances, the system features durable components and an intuitive layout. The user-friendly interface includes well-placed knobs, faders, and buttons, allowing operators to make quick adjustments during performances without hassle.

Connectivity is another vital aspect of the Dynacord MP7. The system offers multiple input channels, including XLR, TRS, and RCA connectors, accommodating a variety of audio sources. This versatility makes it easy to integrate microphones, instruments, and playback devices. Furthermore, the MP7 supports both analog and digital connections, ensuring compatibility with a wide range of equipment.

One of the innovative technologies incorporated into the MP7 is its networking capabilities. The system allows for easy integration into larger audio setups, enabling seamless communication with other devices over Ethernet. This feature not only simplifies the setup process but also enhances scalability, making the MP7 an excellent choice for larger events and installations.

Moreover, the Dynacord MP7 comes equipped with powerful amplification, providing ample output power to drive various speaker configurations. This punchy amplification ensures that even in large venues, sound is distributed evenly, allowing for an immersive audio experience.

In conclusion, the Dynacord MP7 entertainment system combines high-quality audio performance, robust construction, versatile connectivity, and cutting-edge technology. Whether for a live concert, corporate event, or permanent installation, the MP7 stands out as a reliable and powerful audio solution that can adapt to the evolving needs of sound professionals.
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